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Mary Dibbern, Music Director of Education and Family Programs at The Dallas Opera, and adjunct faculty member at the University of North Texas has created a Performance Guide for Offenbach's opera The Tales of Hoffmann. This contribution to the Vox Musicae series presents a word-by-word translation and IPA transcription of the published versions of the French libretto, and her translations of its literary sources trace the libretto's development from E.T.A. Hoffmann's "Tales." The Guide includes an interview with French opera specialist Janine Reiss, and a Foreword by Thomas Grubb. This well-rounded volume is designed for use by singers, vocal coaches, conductors, producers and directors, as well as opera-lovers.
This book examines the early development of the fantastic tale through the works of of the German romantics Ludwig Tieck, Achim von Arnim, and E. T. A. Hoffmann; the subsequent French rediscovery of the genre in works by Théophile Gautier and Prosper Mérimée; and Edgar Allan Poe's contributions to the literary form.
What are emotions, where do they originate and how are they brought into being? While from antiquity to early modernity, affects or passions were mostly conceived of as external physiological forces which act upon a passive subject, modern conceptions generally locate emotions within the subject. Drawing on the dichotomy of “interiority / exteriority” as a complex interdependent relationship, they mostly envision emotions as interior processes. Contemporary conceptions of emotion from such different fields as human geography, art history and cognitive sciences recently started to challenge this notion of internal emotions by developing alternative descriptions of externalized emotion. This book reevaluates premodern, modern and contemporary conceptions of affects, passions and emotion by analyzing various historical manifestations of the discourse on emotion. Unlike most previous research, which ‐ especially in the German tradition ‐ often focused exclusively on the rise of the modern (Romantic) interiority without paying attention to the underlying dichotomy of “interiority / exteriority”, this study aims to explore the historical preconditions, the internal logic and the possible shortcomings that inform our thinking on emotion.
Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical—serving to situate contemporary discourse in its own intellectual tradition and theoretical—opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart. Vidler, one of the deftest and surest critics of the contemporary scene, explores aspects of architecture through notions of the uncanny as they have been developed in literature, philosophy, and psychology from the beginning of the nineteenth century to the present. He interprets the unsettling qualities of today's architecture—its fragmented neo-constructivist forms reminiscent of dismembered bodies, its "seeing walls" replicating the passive gaze of domestic cyborgs, its historical monuments indistinguishable from glossy reproductions - in the light of modern reflection on questions of social and individual estrangement, alienation, exile, and homelessness. Focusing on the work of architects such as Bernard Tschumi, Rem Koolhaas, Peter Eisenman, Coop Himmelblau, John Hejduk, Elizabeth Diller, and Ricardo Scofidio, as well as theorists of the urban condition, Vidler delineates the problems and paradoxes associated with the subject of domesticity.
Beware The Silence stands as a testament to the enduring allure and inherent mystery of the unsaid, the unexplained, and the eerily quiet moments that precede a storm. Spanning an impressive range of literary styles, from the gothic to the speculative, the realist to the supernatural, this collection delves into the silence that speaks volumes, exploring themes of isolation, the unknown, and the uncanny. This anthology is notable not just for its breadth but also for its depth, featuring standout pieces that showcase the unique intersections of culture, time, and psychology, marking a significant contribution to the literary landscape. The authors and editors represented in Beware The Silence collectively bring a rich mosaic of backgrounds, from the well-trodden halls of classic literature by Jane Austen and Charles Dickens to the shadowy corners explored by H. P. Lovecraft and Edgar Allan Poe. These authors, hailing from varied eras and regions, contribute to a multifaceted exploration of the anthology's theme, each drawing from their unique personal, historical, and cultural contexts. Their works reflect the diverse literary movements they belonged to, from Romanticism to Victorian literature, from realism to the birth of modern horror and speculative fiction, enriching the reader's understanding of how silence can signify across different temporal and cultural landscapes. Beware The Silence invites readers into a rich tapestry of narratives that promise to captivate, haunt, and challenge. It stands as a unique opportunity to traverse a wide spectrum of human emotion and experience, offering insights into the often underexplored themes of silence and the unsaid. For scholars, students, and enthusiasts of literature, this collection provides not only a voyage into the many facets of silence but also fosters a dialogue between the past and present, the said and the unsaid, making it a must-read for anyone intrigued by the complexities that define the human condition.
DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Mary Shelley: Frankenstein The Mortal Immortal... John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars... Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Edgar Allan Poe: The Tell-Tale Heart The Murders in the Rue Morgue The Black Cat... Henry James: The Turn of the Screw The Ghostly Rental... H. P. Lovecraft: The Dunwich Horror The Shunned House... Algernon Blackwood: The Willows A Haunted Island Ancient Sorceries... Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla Uncle Silas... Ann Radcliffe: The Mysteries of Udolpho The Italian M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Haunted Hotel The Devil's Spectacles Émile Erckmann & Alexandre Chatrian: The Man-Wolf The Waters of Death... Amelia B. Edwards: Monsieur Maurice The Phantom Coach... Mary E. Wilkins Freeman: The Wind in the Rose-bush The Shadows on the Wall Arthur Machen: The Great God Pan The Terror... William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Wilhelm Hauff: The Severed Hand Adelbert von Chamisso: Shadowless Man Edward Bulwer-Lytton: The Haunted and the Haunters... Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark David Lindsay: The Haunted Woman Marie Belloc Lowndes: From Out the Vast Deep Edward Bellamy: Dr. Heidenhoff's Process
This meticulously edited horror collection is formatted for your eReader with a functional and detailed table of contents: Mary Shelley: Frankenstein The Mortal Immortal… John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars… Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Edgar Allan Poe: The Tell-Tale Heart The Murders in the Rue Morgue The Black Cat… Henry James: The Turn of the Screw The Ghostly Rental… H. P. Lovecraft: The Dunwich Horror The Shunned House… Algernon Blackwood: The Willows A Haunted Island Ancient Sorceries… Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet… Joseph Sheridan Le Fanu: Carmilla Uncle Silas… Ann Radcliffe: The Mysteries of Udolpho The Italian M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Haunted Hotel The Devil's Spectacles Émile Erckmann & Alexandre Chatrian: The Man-Wolf The Waters of Death… Amelia B. Edwards: Monsieur Maurice The Phantom Coach… Mary E. Wilkins Freeman: The Wind in the Rose-bush The Shadows on the Wall Arthur Machen: The Great God Pan The Terror… William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Wilhelm Hauff: The Severed Hand Adelbert von Chamisso: Shadowless Man Edward Bulwer-Lytton: The Haunted and the Haunters… Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark David Lindsay: The Haunted Woman Marie Belloc Lowndes: From Out the Vast Deep Edward Bellamy: Dr. Heidenhoff's Process The Ghost in the Cap'n Brown House (Harriet Beecher Stowe) The Apparition of Mrs. Veal (Daniel Defoe) When the World Was Young (Jack London) Mr. Bloke's Item (Mark Twain)…
Fortress of Terror: 550+ Horror Classics, Supernatural Mysteries & Macabre Tales is an ambitious anthology that stitches together a rich tapestry of dread and the macabre, showcasing an unparalleled diversity of literary styles. From the gothic shadows of castles to the unexplained mysteries of the natural world, this collection explores the expansive domain of horror and suspense through various lenses. The anthology is remarkable not only for its breadth but also for the inclusion of seminal works that have defined and reshaped the genre, inviting readers to experience the evolution of horror and supernatural narratives from its roots to its contemporary branches. The contributing authors and editors, a veritable who's who from the 18th, 19th, and early 20th centuries, bring a wide array of cultural, philosophical, and personal backgrounds to the collection. The anthology is as much a celebration of the individual voices that have haunted, entertained, and intrigued readers for centuries as it is a reflection of the various historical, cultural, and literary movements they belonged to. This confluence of perspectives not only enriches the thematic fabric of the collection but also serves as a testament to the enduring allure and versatility of the horror genre. Fortress of Terror offers readers a unique opportunity to explore a constellation of horror's most luminous stars in one definitive volume. Whether one is a devoted aficionado of the genre or a curious newcomer, this anthology presents a rare educational venture into the depths of fear, suspense, and the supernatural. Through its vast array of stories and voices, the collection promotes a rich dialogue between different epochs and styles, providing an invaluable comprehensive insight into the evolution of horror literature. It is an essential addition to the library of anyone keen to understand the scope and significance of the horror genre across time.
The biggest collection of supernatural, macabre, eerie, and gothic tales is here! Grab your copy and get ready for the chills down your spine: Edgar Allan Poe: The Tell-Tale Heart The Cask of Amontillado The Black Cat… Henry James: The Turn of the Screw The Ghostly Rental… H. P. Lovecraft: The Dunwich Horror The Shunned House… Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye… John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars The Lair of the White Worm… Algernon Blackwood: The Willows A Haunted Island A Case of Eavesdropping Ancient Sorceries… Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Washington Irving: The Legend of Sleepy Hollow Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet… Joseph Sheridan Le Fanu: Carmilla Uncle Silas… M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Woman in White The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Terror by Night… Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables… Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories Arthur Machen: The Great God Pan The Terror… William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement… Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Rudyard Kipling: The Phantom Rickshaw Guy de Maupassant: The Horla Jerome K. Jerome: Told After Supper…