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In This four volume set the author traces his Cottrell, Lashbrook, Brashear, and Campbell Family Lineage from Europe to the present day. Details on descendants of each generation is carried down through at least four descendant generations when known. Volume I and II cover the author's Father's beginnings (Cottrell and Lashbrook Lines). Volume III and IV cover the author's Mother's beginnings (Brashear and Campbell Lines). Sources are extensively documented. Timeline and ancestor charts are also included as well an "all name" index for each volume that provides page number references for each individual found in the respective volume. This Volume (Volume I) traces the author's Cottrell ancestry to William Cottrell who was born around 1615 in Stockport, England. William's son Thomas Cottrell, the author's seventh great-grandfather, who was also born in Stockport in 1635 was the first Cottrell in the author's lineage to immigrate to the New World and settle in New Kent County, Virginia.
The author traces his Lashbrook ancestors back seven generations and his Taylor ancestors back through eight generations. William Lashbrooke, the author's 5th Great-grandfather who was born on 17 October 1717 in Meeth in Devon, England immigrated to the U.S. from Devonshire in 1738 as a bonded passenger/criminal on a ship named "Forward." Isaac Taylor, the author's 6th Great-grandfather who was born on 8 October 1710 in County Antrim, Northern Ireland immigrated to the U.S. from Ireland around 1741. Details on children and grandchildren are included when known. The author also includes facts about the times and places where they lived as well as weaving their life stories into local history when he believes it will add value. Details on living persons is limited or intentionally excluded. Extensive references are included as footnotes and an "all name" index lists each person along with page numbers where they are found.
The author traces his paternal (Cottrell) and maternal (Brashear) ancestral lines through at least four generations. Details on children and grandchildren are included when known. Much of the information was passed down within the author's family and is based on original sources that have not been made available in published works or through public sources. The author includes copies of some family documents as well as family photographs. Sources are extensively documented. Timeline and ancestor charts are also included. An all-name index references page number locations for each individual. Primary surnames covered include Alford, Brashear, Cosby, Crutchfield, Ennis, Foreman, Halsey, Kirlen, Lansdale, Penner, Taylor, Wheeler, and Wilson.
Genealogy research led the author to stories about lynchings near his home town in Kentucky. Further research uncovered two distant cousins who participated in hangings, one in a lynching and the other on the jury of the last public hanging in the United States. The author's goal in revisiting this shameful period in our history is to bring together in one work the details of the lynchings in which his ancestors were involved and those that occurred near the locations where he was raised and spent the formative years of his youth. These include Warren, Logan, Daviess, and Mason Counties. Although none of the lynchings discussed occurred in the author's lifetime, they helped form the culture where he was raised and that culture became part of who he was and is today. It is the author's hope that in revisiting these events the hearts and souls of those filled with hate may soften and be replaced with love and tolerance of all regardless of their race, religion, sex, or sexual orientation.
She was a groomed for a gilded life in moneyed Houston, but Molly Ivins left the country club behind to become one of the most provocative, courageous, and influential journalists in American history. Presidents and senators called her for advice; her column ran in 400 newspapers; her books, starting with Molly Ivins Can't Say That, Can She?, were bestsellers. But despite her fame, few people really knew her: what her background was, who influenced her, how her political views developed, or how many painful struggles she fought. Molly Ivins is a comprehensive, definitive narrative biography, based on intimate knowledge of Molly, interviews with her family, friends, and colleagues, and access to a treasure trove of her personal papers. Written in a rollicking style, it is at once the saga of a powerful, pugnacious woman muscling her way to the top in a world dominated by men; a fascinating look behind the scenes of national media and politics; and a sobering account of the toll of addiction and cancer. Molly Ivins adds layers of depth and complexity to the story of an American legend - a woman who inspired people both to laughter and action. A revelatory biography of the irreverent political commentator and bestselling author whose public persona masked a complicated and compelling personal history.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Intoxicated Heart is a blend of happiness and heartbreak transformed into poetry. Whether you are in love, going through a period of darkness, or need comfort, this book is for you.The poetry and heartfelt words are written to ignite memories from within.