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Salem Village, Massachusetts, winter 1692. Two young girls, Betty Parris and Abigail Williams, use magic to foretell who they will marry. Within days, both girls display the telltale signs of witchcraft possession. For the next fifteen months, witchcraft accusations, trials, and executions spiral out of control. Nineteen "witches" are hanged, and one is pressed to death. At the eye of the storm stands Cotton Mather, a prominent Boston pastor. During the trials he advises the Salem judges. Afterwards he defends them in his book, The Wonders of the Invisible World. It will be Mather's consummate theological explanation of Salem's dark hour, and it will seal his historical fate. Contemporaries will attack him; subsequent historians will castigate him, largely ignoring his theology in Salem trial studies. A World of Darkness is the first work to utilize Mather's theological beliefs as a lens to interpret the Salem witchcraft trials. It asks the question, "What can Mather's seventeenth-century Puritan theology tell us about the Salem witchcraft episode?"
In this fascinating account of witches and devils in colonial America, the renowned and influential minister of Boston's Old North Church attempts to justify his role in the Salem witch trials. A true believer in the devil's battle to get converts in Salem and other Massachusetts towns during the late seventeenth century, Mather also believed the fantastic accusations of those who accused their neighbors of witchcraft. The theologian's book, first published in 1692, provides readers with guidelines for discovering witches, explanations for how good Christians are tempted by the devil to become witches, and methods of resisting such temptation. The great Boston minister also provides testimony from a number of similar trials, describes instances of witchcraft in other countries, and explains the devil's predicament in dealing with Christianity. Essential reading for students of the Salem witch trials, On Witchcraft will intrigue anyone interested in early American social and cultural history.
Cotton Mather's mythic image rests on his involvement in the Salem witchcraft debacle (169293) and on his Wonders of the Invisible World (1693)an official defense of the court's verdict and a testimony to the power of Satan and his minions. Mather excerpts the six most notorious cases of Salem witchcraft and buttresses his account with the official endorsement of Lt. Governor William Stoughton, with a disquisition on the devil's machinations described by the best authorities that the subject affords, with a previously delivered sermon at Andover, and with his own experimentations. What ties the various parts together is Mather's millenarian theme of Christ's imminence, of which Satan's plot is the best evidence. Though Mather defends the court's verdict and justifies the government's position, he also voices his great discomfort with the court's procedure in the matter. Wonders appeared in print just when the trials were halting, but it remains, in his own words, "that reviled Book," a bane to his name.