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An engaging account of the cottages orné, exploring the history of this charming architectural form's aesthetic values, cultural impact, and lasting influence Tracing the history of cottages ornés (ornamental cottages), this copiously illustrated volume offers an engaging survey of an often-overlooked architectural genre. An invention of mid-eighteenth-century England, these cottages were designed to facilitate a more informal way of living and were built in different guises that range from royal and imperial cottages to the working-class lodges that still dot the English countryside. Analyzing cottage designs by some of the leading architects of late-Georgian England--including Robert Adam, John Soane, and John Nash--Roger White explores the aesthetic values that made the form so appealing. Following the development of cottages ornés across Britain, Europe, North America, and Australasia, White reveals the significant impact of the genre on social, cultural, and political history and examines the influence of cottage design on the architectural developments of the Victorian period and even the twentieth century.
Exeter Cathedral is but the crowning glory of Devon's wealth of medieval churches, replete with sumptuous fittings and monuments. The county's peak of prosperity from the late Middle Ages to the seventeenth-century is reflected too in its castles, its secluded manor houses, and its scores of sturdily built farmhouses. The delights of Devon's well loved seaside and country towns are explored from the distinctive merchants' houses of Totnes and Topsham to the elegant Regency crescents of Teignmouth and Sidmouth. The picture is completed by accounts of the creation of the docks at Plymouth, industrial relics, and the substantial but little known store of Devon's Victorian churches.
Neighbours on the Green is a collection of short stories that take place in the village of Dinglefield Green. The narrator of these stories, Mrs. Mulgrave, is a cleverly observant and discreet woman. These witty stories include interesting plots and delightful character studies of the aristocratic community on the Green. The Scottish novelist, Mrs. Oliphant, entertains the readers with her vivid and realistic writing style. Her characters are all unique in their own particular way. The careful observations made by Mrs. Mulgrave in the stories are presented in an incredibly descriptive manner that their picture remains with the readers for a long time. This work is a perfect example of the domestic realism she used in her fictional works.
With its distinctive gables and arches, Tudor-style architecture is recognized around the world as a symbol of British culture; it represents the idea of home to British citizens in the United Kingdom and abroad. Some love it, others hate it, but the Tudoresque is still being built—to give a house an old-fashioned air or to create a sense of exotica. Yet few people know anything about how Tudor Revival buildings came to be. To fill this gap is Tudoresque, an insightful book that explores the origin of the style, tracing its roots to the antiquarian enthusiasms of the eighteenth century. It looks at the Tudoresque cottage style, which later influenced 1930s architecture, and the Tudor-style manor house, particularly favored in the nineteenth century. While the style has been discouraged since the 1920s (and is especially reviled by modernists) it continues to be a popular choice—particularly when the architect doesn’t have the upper hand. The authors here show how the style is the mainstream of twentieth-century British architecture and explore how it has travelled abroad. From Tudor Village in Queens to Stan Hywet Hall in Akron to Malaysia, Shanghai, and Singapore, Tudor Revival has found a comfortable home across the globe. These black and white gabled buildings are important not so much because they are great architecture, but because they are everywhere. Illustrated with images from more than 200 years of the Tudor Revival, and including examples from Britain, America, India and East Asia, this knowledgable and entertaining book will be an indispensable guide to the one of the world’s most iconic architectural styles.
The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.
This is a comprehensive guide to the buildings of the Isle of Wight. The beguiling architecture of the many towns, villages and resorts is explored in full, as are the charming villas and cottages ornes dotted around the spectacular coasts. But the Island also boasts architecture on the grandest scale: the powerful fortress of Carisbrooke Castle, with its evocative Saxon foundations; the rich and enigmatic baroque mansion of Appuldurcombe; Osborne House, the domestic paradise of Victoria and Albert, with its formal gardens; and the extraordinary "Quarr Abbey", a masterpiece of Expressionist brick by the French monk and architect, Dom Paul Bellot. Other attractions include Roman villas, sturdy manor houses, powerful coastal defences built for Henry VIII (and reinforced under Queen Victoria), and the retreats of Tennyson and other Victorian notables, not to mention a well-established tradition of innovative modern design. Each town or village is treated in a detailed gazetteer. A general introduction provides a historical and artistic overview. Numerous text illustrations, maps and plans, nearly a hundred new colour photographs, full indexes and an illustrated glossary help to make this book invaluable as both reference work and guide
In the 1960s Geoffrey Grigson travelled around England writing the story of the secret landscape that is all around us, if only we take the time to look and see. The result is a book that will take you on an imaginative journey, revealing hidden stories, unexpected places and strange phenomena. From green men, ice-scratches, cross-legged knights and weathercocks to rainbows, clouds and stars; from place-names and poets to mazes, dene-holes and sham ruins, via avenues, dewponds and village greens, The Shell Country Alphabet will help you discover the world that remains, just off the motorway. 'Geoffrey Grigson resurrected the minor, the provincial and the parochial ... [he was] an erudite and unrivalled topographer ... ardent in promoting informed awareness of the distinctiveness of place' Toby Barnard 'An anthologist of genius' P.J. Kavanagh