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"Every major painting, related studies, and the author's own photographs of the locations in which Cotman worked are included in this book, as well as a wealth of new documentary evidence of his time with the Cholmeleys."--BOOK JACKET.
From Self to Shelf is a marvellously rich and various exploration of the interplay between biographical and aesthetic selves, ranging from the great self-inventions of the Romantic poets, through the complexities of revelation and impersonality that characterise twentieth century art, and down to the knowing dramas of reticence and display that distinguish the work of so many leading contemporaries. It includes essays in literary criticism, chapters in the history of painting and of music, biographical accounts, and studies in popular culture, as well as reflections by eminent practitioners. The editors have assembled an outstanding group of contributors, with names both new and familiar, to produce a volume at once absorbing and surprising, warmly alive to the human stories it tells while remaining theoretically up-to-date, and creating a book that is altogether as engaging and thought-provoking as the masterpieces it illuminates. Seamus Perry. Fellow and Tutor in English, Balliol College, Oxford.
The term 'Norwich School' refers to three generations of artists who lived and worked in Norwich during the 19th century. Although they had no common aesthetic, these artists were united by the Norwich Society of Artists; this book examines to what extent their work could be said to constitute a movement.
The Norwhich artists managed to preserve their British individualism yet, somehow, there grew up between them a bond which has not only held the School together but enhanced its prestige and increased its stature as the years have gone by. This book covers the many mediums used by the artists other than oils citing, for example, impressive still life studies, fine architectural watercolours, delicate line and wash drawings and pastels.