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The scope of this book is the evolution of Sri Lankan costumes spanning from around 6th century B.C. with the first available records of the island's dress form, to the post-independence era. This broad time span begins with hints of a pre-Vijayan culture of costumes and textiles and ends in the post independence politics and its relationship to dress both in prescription and practice. Sculptures, graffiti, paintings, literature and photographs in the book provide an engrossing glimpse of the traditions of clothing in this multi-cultural island.
This Book Explores Popular, Political And Symbolic Meanings Assigned To Dress In A Variety Of Colonial Contexts In Sri Lanka; Thus It Focuses On The Politics Of Nationalism And Identity Under Late Colonialism. Proceeding From The Understanding That Self-Representation Is At Its Peak At The Moment Of Political Independence, The Author Examines The Lineages That Exist Between That Moment In Sri Lanka And The Colonial Past, As Also The Meaning Of The Commemorations That Took Place On Independence Day.
Examines the costumes of India and Sri Lanka at different eras throughout history, looking at what clothing and body adornment reveals about the culture and society of the region, and includes color illustrations, a glossary, a time line, and resource lists.
Since the late 1970s civil war has left Sri Lanka in an almost permanent state of crisis; conventional histories of the country by liberal and Marxist scholars in the last two decades have thus tended to focus on the state’s failure to accommodate the needs and demands of the minorities. The entire history of the twentieth century has been tied to this one key issue. Sri Lanka in the Modern Age offers a fresh perspective based on new research. Above all, the author has written a history of the peoples of Sri Lanka rather than a history of the nation-state.
Attitudes towards clothing in Sri Lanka differ from other countries. Clothing and half nakedness are inseparable ideas, as exposing body in clothing is rather common. In my study I have tried to find whether the half nakedness is a problem of people's attitudes or a problem of half nakedness itself. Here the main focus was Sri Lankan cultural/traditional dress osari (or saree) that has a high social acceptance and recognition in which a considerable part of the body is exposed while Sri Lankans reject any other dresses which expose even a small part of the body. For my study I employed an experimental method. A questionnaire based on both osari and other apparels was used for both pre and post tests. A documentary which built up an argument challenging the contradictory nature of the Sri Lankans' perception on half nakedness was introduced to the study group as the stimulus. This randomized experimental study was carried out by a self-administrated questionnaire among 20 subjects from the University of Peradeniya. The results demonstrated a significant attitudinal change in the study group (t= .04, p
This series of books introduces readers to the intricate relationship between a people's clothing and their ideas, traditions, and beliefs. Readers will learn about cultures throughout history through the costumes that they wore.
Explores how labour struggles in the post-1977 period in Sri Lanka provided important resistance to capitalist processes.