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Lavishly illustrated guide to wardrobe, weapons, props and settings for the period. Ideal reference for the stage/screen designer, teacher or historian.
Thrid in a series of costume and setting reference works a leading UK historial, for the designer, teacher and historian.
Lavishly illustrated guide to wardrobe, weapons, props and settings for the period. Ideal reference for the stage/screen designer, teacher or historian.
The second in the five-volume set, this book contains illustrations and descriptions of costumes and settings during the period 1200-1550 for costumers and those staging historical plays. Cassin-Scott organizes the costumes into periods of Early Gothic, Late Gothic, and Renaissance, then moves on to armor, arms, musical instruments, and scenic desi
This catalogue was published in 1996 to accompany an innovative exhibition, Medieval Art in America: Patterns of Collecting, 1800-1940, organized by the Frick Art Museum and the Palmer Museum of Art. With works of art borrowed from numerous prominent institutions--including the Metropolitan Museum of Art and the Art Institute of Chicago--the exhibition focused not on the objects themselves but rather on the motivations and methods that led collectors to bring medieval art to America. The catalogue for the 1996 exhibition, now newly available to the public, enables readers to revisit the pioneering display of objects, ranging from ivory statues to stained glass. With an illustrated catalogue of the 75 objects in the show and essays on well-known collectors and collections of medieval art, this volume is an indispensable reference for the study of both American collecting and medieval art.
The Jerry Evenrud collection of images of the parable of the Prodigal Son is the largest known such collection in the world. It encompasses works from 1540 to 2005. The historical span of the collection affirms the continuing resonance of the parable. The media range from etchings, paintings, ceramics, sculpture, and fabric. The collection reveals the desire of the artists to delve into the meaning of the parable and to convey that meaning to others. Some artists depict the entire narrative in a series of works, usually four to six segments. Others focus on one aspect, such as the pig pen or the return of the prodigal. The segment most frequently portrayed by a single print is the homecoming embrace by the father the scene that represents the focus of the parable and thus of faith grace and forgiveness.