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A “creatively captivating and intellectually challenging” existential mystery from the great Polish author—“sly, funny, and . . . lovingly translated” (The New York Times). Winner of the 1967 International Prize for Literature Milan Kundera called Witold Gombrowicz “one of the great novelists of our century.” Now his most famous novel, Cosmos, is available in a critically acclaimed translation by the award-winning translator Danuta Borchardt. Cosmos is a metaphysical noir thriller narrated by Witold, a seedy, pathetic, and witty student, who is charming and appalling by turns. In need of a quiet place to study, Witold and his melancholy friend Fuks head to a boarding house in the mountains. Along the way, they discover a dead bird hanging from a string. Is this a strange but meaningless occurrence or is it the first clue to a sinister mystery? As the young men become embroiled in the Chekhovian travails of the family that runs the boarding house, Grombrowicz creates a gripping narrative where the reader questions who is sane and who is safe. “Probably the most important 20th-century novelist most Western readers have never heard of.” —Benjamin Paloff, Words Without Borders
This volume provides a much needed, historically accurate narrative of the development of theories of space up to the beginning of the eighteenth century. It studies conceptions of space that were implicitly or explicitly entailed by ancient, medieval and early modern representations of the cosmos. The authors reassess Alexandre Koyré’s groundbreaking work From the Closed World to the Infinite Universe (1957) and they trace the permanence of arguments to be found throughout the Middle Ages and beyond. By adopting a long timescale, this book sheds new light on the continuity between various cosmological representations and their impact on the ontology and epistemology of space. Readers may explore the work of a variety of authors including Aristotle, Epicurus, Henry of Ghent, John Duns Scotus, John Wyclif, Peter Auriol, Nicholas Bonet, Francisco Suárez, Francesco Patrizi, Giordano Bruno, Libert Froidmont, Marin Mersenne, Pierre Gassendi, Gottfried Wilhelm Leibniz and Samuel Clarke. We see how reflections on space, imagination and the cosmos were the product of a plurality of philosophical traditions that found themselves confronted with, and enriched by, various scientific and theological challenges which induced multiple conceptual adaptations and innovations. This volume is a useful resource for historians of philosophy, those with an interest in the history of science, and particularly those seeking to understand the historical background of the philosophy of space.
Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s. Drawing from a comprehensive corpus of rarely seen photographs and other visual phenomena narrating the Soviet Union's 1957 victory in the 'Race for Space', the author illustrates the media's role in cementing the way for Communism whilst retaining top-secret information. Each photo is examined as a deliberate, functioning part of a specific political, ideological and historical situation that helped to anchor the otherwise abstract political and intellectual concepts of the future and modernization.
The World Machine is the second volume Piero Boitani devotes to the way in which the sciences and the arts interact when it comes to modern consideration of the stars and the cosmos (the first, also published in English by Nova Science Publishers, is entitled Looking Upwards: Stars in Ancient and Medieval Cultures). This is not a history of astronomy or astrophysics, but the story arranged in chronological order of how humans have reacted to fundamental changes in astronomy by means of poetry, narrative, painting, architecture, and music over the last five hundred years. This time, the story is basically European (and American), as all the relevant scientific discoveries were made in Europe, and it is the European imaginaire that dominates world culture (non-European images of the universe are dealt with in Looking Upwards). The historical development of this image and of the ideas that contribute to its formation is rather complex and diversified, but two major turning points are clearly identifiable one lies between the sixteenth and seventeenth century, and one at the very beginning of the twentieth century. Concerning the former, the observation of the sky was revolutionized by the telescope. Galileo, Kepler and Newton could thus base their new models of the universe on much more precise experiences, and mathematics became the new language of astronomy. The cosmos increasingly tended to be viewed as a machine, a mechanism like a clock (hence the books title). Between the end of the nineteenth and the beginning of the twentieth century the second scientific revolution took place. The instruments became so refined that they began to detect increasingly remote objects, and the phenomena found in the sky, as well as their behavior, no longer fully responded to Newtonian laws. New theories relativity and quantum mechanics were elaborated, the mathematics needed for them becoming much more difficult for the layman, and the whole structure of matter, with the discovery of the atom, its constituent parts, and its particles was gradually uncovered. Things reached a critical moment with Heisenbergs and Hubbles formulation of, respectively, the uncertainty principle and of the increasing speed at which galaxies recede from us the further they are and finally with the conflict between relativity and quantum theories. Some recent poets (notably in South America) and many painters and musicians in Europe and North America have tried to describe this new cosmos, but the same happened after the first scientific revolution. In short, The Machine of the World recounts an exciting adventure whose protagonists are the likes of Tasso and Milton, Goethe and Wallace Stevens, Canaletto and Friedrich, Verdi and Puccini, Van Gogh and Schoenberg, Joyce and Thomas Mann.
From GPO Bookstore's Website: Authors with diverse backgrounds in science, history, anthropology, and more, consider culture in the context of the cosmos. How does our knowledge of cosmic evolution affect terrestrial culture? Conversely, how does our knowledge of cultural evolution affect our thinking about possible cultures in the cosmos? Are life, mind, and culture of fundamental significance to the grand story of the cosmos that has generated its own self-understanding through science, rational reasoning, and mathematics? Book includes bibliographical references and an index.
Unraveling the Mysteries of the Universe What do you see when you gaze at the night sky? Do you contemplate the stars as the random result of an evolutionary process? Or do you marvel over them as a testament of the Creator’s glory? Modern science has popularized a view of the cosmos that suggests there is no need for God and denies any evidence of His existence. But The Story of the Cosmos provides a different—and fascinating—perspective. It points to a God who makes Himself known in the wonder and beauty of His creation. This compilation from respected scholars and experts spans topics from “The Mathematical Creation and the Image of God” to “The Glorious Dance of Binary Stars” and “God’s Invisible Attributes—Black Holes.” Contributors include Dr. William Lane Craig, Dr. Guillermo Gonzalez, Dr. Melissa Cain Travis, and Dr. Michael Ward. Come, take a deeper look at the universe…and explore the traces of God’s glory in the latest discoveries of astronomy, science, literature, and art.
This book tells the story of how, over the past century, dedicated observers and pioneering scientists achieved our current understanding of the universe. It was in antiquity that humankind first attempted to explain the universe often with the help of myths and legends. This book, however, focuses on the time when cosmology finally became a true science. As the reader will learn, this was a slow process, extending over a large part of the 20th century and involving many astronomers, cosmologists and theoretical physicists. The book explains how empirical astronomical data (e.g., Leavitt, Slipher and Hubble) were reconciled with Einstein's general relativity; a challenge which finally led Friedmann, De Sitter and Lemaître, and eventually Einstein himself, to a consistent understanding of the observational results. The reader will realize the extraordinary implications of these achievements and how deeply they changed our vision of the cosmos: From being small, static, immutable and eternal, it became vast and dynamical - originating from (almost) nothing, and yet now, nearly 14 billion years later, undergoing accelerated expansion. But, as always happens, as well as precious knowledge, new mysteries have also been created where previously absolute certainty had reigned.
What kind of a universe do we live in? Where do we fit into the galaxies? Does God explain it all? We live in a staggering cosmos which only we understand and appreciate. This book locates us in a cosmic story. We need to bring together science, the humanities, experience and self-awareness. The world revealed by modern science is a source of great wonder. Yet Darwinism makes belief in a loving god virtually impossible. And by our knowledge and appetites we are destroying our habitat by carbon emissions and global warming. Death is a fact of life, but, unless we take drastic action, human life itself will become barely possible. What can we do to save our grandchildren? How can we find happiness without god and without destroying our descendants? We have to learn how to live in a new way. We need to deepen our instincts for reciprocity and compassion. We can learn how to thrive in harsh circumstances with the help of the philosophy, theology and poetry of both East and West. Above all, we need to use our own judgment. We can find satisfaction through, for example, art and exploration without deflowering the earth. And by meditation we can develop an inner space of still delight.
This book documents the two ideas of cosmos that prevailed from about 500 BCE until about 1840 CE. These two ideas of cosmos were the foundation for theories of creation that continue even today. Both of these ideas of cosmos were based on the perception of the sky as a solid structure, a work of art, divine art. The four revolutionary scientists of the modern era Copernicus, Galileo, Kepler, and Newton did a great deal to challenge the cosmos. Their work was limited, however, to our solar system. They left the solid sky standing. This book identifies Edmond Halley as a neglected revolutionary who provided the first evidence against the solid sky. Halley opened the opportunity for us to begin the search for a new theory of creation.