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The author begins with a defense of the art of hypnosis and argues that it is a useful method for achieving more control over one's own mind. He next divides his work into several chapters each dealing with a different aspect of the subject.
`This is a highly original and in many ways brilliant text. It is a model of how historical/process sociological research ought to be conducted and written-up. The author's subtle blending of theory and data is outstanding' - Eric Dunning, Professor of Sociology, University of Leicester `Wouters has written a book both broad in scope and deep in analytic reach. Exploring changes in courtship norms over the last century in English, Dutch , German and American books of manners, he discovers changes which confirm the theory of informalization. Relations between the sexes are, he shows us, less regulated from outside and more from inside. This change calls – paradoxically – for both an emancipation of emotion and an ever sharper cultural eye on ways of managing emotion. The book carries Elias’s classic, The Civilizing Process one giant step further. An important contribution and a fascinating read' - Arlie Russell Hochschild, University of California This dazzling book examines changes in American, Dutch, English and German manners, regarding the changing relationships between men and women. From the disappearance of rules for chaperonage and the rise of new codes for courting, dates, public dances and the work place, it shows how women have become their own chaperone by gaining the rights to pay for themselves, to have a job and be a sexual subject. This original and thought-provoking book: · provides empirical evidence showing how younger generations removed their courting from under parental wings and how the balance of power between the sexes shifted in women’s favour; · monitors changes in codes regarding sexuality by focusing on the balance between the desire for sexual gratification and the longing for enduring intimacy; · documents the balance of controls over sexual impulses and emotions shifting from external social controls to internal ones; · compares nationally different trends, particularly between the USA and Europe, focusing on the American dating system and its resulting double standards; · argues that the initial greater freedom of American women has turned into a deficit. Cas Wouters teaches Sociology at Utrecht University
-51 contemporary articles are new to this edition, with 14 classic pieces retained from prior editions.
A raw and funny memoir about sex, dating, and relationships in the digital age, intertwined with a brilliant investigation into the challenges to love and intimacy wrought by dating apps, by firebrand New York Times–bestselling author Nancy Jo Sales At forty-nine, famed Vanity Fair writer Nancy Jo Sales was nursing a broken heart and wondering, “How did I wind up alone?” On the advice of a young friend, she downloaded Tinder, then a brand-new dating app. What followed was a raucous ride through the world of online dating. Sales, an award-winning journalist and single mom, became a leading critic of the online dating industry, reporting and writing articles and making her directorial debut with the HBO documentary Swiped: Hooking Up in the Digital Age. Meanwhile, she was dating a series of younger men, eventually falling in love with a man less than half her age. Nothing Personal is Sales’s memoir of coming-of-middle-age in the midst of a new dating revolution. She is unsparingly honest about her own experience of addiction to dating apps and hilarious in her musings about dick pics, sexting, dating FOMO, and more. Does Big Dating really want us to find love, she asks, or just keep on using its apps? ​Fiercely feminist, Nothing Personal investigates how Big Dating has overwhelmed the landscape of dating, cynically profiting off its users’ deepest needs and desires. Looking back through the history of modern courtship and her own relationships, Sales examines how sexism has always been a factor for women in dating, and asks what the future of courtship will bring, if left to the designs of Silicon Valley’s tech giants—especially in a time of social distancing and a global pandemic, when the rules of romance are once again changing.
From gentleman callers to big men on campus, from Coke dates to "parking," From Front Porch to Back Seat is the vivid history of dating in America. In chronicling a dramatic shift in patterns of courtship between the 1920s and the 1960s, Beth Bailey offers a provocative view of how we sought out mates-and of what accounted for our behavior. More than a quarter-century has passed since the dating system Bailey describes here lost its coherence and dominance. Yet the legacy of the system remains a strong part of our culture's attempt to define female and male roles alike.
Cosmopolitan Culture and Consumerism in Chick Lit examines the way in which the popular women’s fiction genre of the late 1990s, known as chick lit, responds to women’s advice manuals such as women’s magazines, self-help books, romantic comedies, and domestic-advice manuals.
Long before Carrie Bradshaw in Sex and the City, there was Mary Richards in The Mary Tyler Moore Show. Every week, as Mary flung her beret into the air while the theme song proclaimed, “You’re gonna make it after all,” it seemed that young, independent women like herself had finally arrived. But as Katherine Lehman reveals, the struggle to create accurate portrayals of successful single women for American TV and cinema during the 1960s and 1970s wasn’t as simple as the toss of a hat. Those Girls is the first book to focus exclusively on struggles to define the “single girl” character in TV and film during a transformative period in American society. Lehman has scoured a wide range of source materials—unstudied film and television scripts, magazines, novels, and advertisements—to demonstrate how controversial female characters pitted fears of societal breakdown against the growing momentum of the women’s rights movement. Lehman’s book focuses on the “single girl”—an unmarried career woman in her 20s or 30s—to show how this character type symbolized sweeping changes in women’s roles. Analyzing films and programs against broader conceptions of women’s sexual and social roles, she uncovers deep-seated fears in a nation accustomed to depictions of single women yearning for matrimony. Yet, as television began to reflect public acceptance of career women, series such as Police Woman and Wonder Woman proved that heroines could wield both strength and femininity—while movies like Looking for Mr. Goodbar cautioned viewers against carrying new-found freedom too far. Lehman takes us behind the scenes in Hollywood to show us the production decisions and censorship negotiations that shaped these characters before they even made it to the screen. She includes often-overlooked sources such as the TV series Get Christie Love and Ebony magazine to give us a richer understanding of how women of color negotiated urban singles life. And she reveals how trailblazing characters continue to influence portrayals of single women in shows like Mad Men. This entertaining and insightful study examines familiar characters caught between the competing fears and aspirations of a society rethinking its understanding of social and sexual mores. Those Girls reassesses feminine genres that are often marginalized in media scholarship and contributes to a greater valuation of the unmarried, independent woman in America.
"Examines the minute, seemingly inconsequential violations of public civility that often occur in encounters between strangers in contemporary American society. Drawing on a wealth of observations and interviews, Gardner insightfully and sensitively examines the structure and processes of public harassment which women and others regularly encounter. In so doing. she extends the social scientific concern with harassment from workplace to public place encounters, deepening it in the process."—Robert M. Emerson, University of California, Los Angeles "A compelling and important book. Every reader will recognize the humiliations, conflicts, and ambiguous encounters that constitute public harassment. Gardner provides fresh and telling insight into seemingly trivial but enormously consequential daily experiences. She is alert to complex relations between gender and race, sexual orientation, and disability in the construction of public encounters. Her articulation of double-binds and everyday dilemmas has practical payoff for efforts to create a safe and mutually respectful society."—Barrie Thorne, author of Gender Play "A unique study that will be a paradigm for others. . . . Its contributions to the sociology of everyday life and to the understanding of public encounters and harassment are unparalleled."—Douglas Maynard, University of Indiana, Bloomington