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Using a historical, textual and ethnographic approach, this is the most comprehensive presentation of Daoism to date. In addition to revealing the historical contours and primary concerns of Chinese Daoists and Daoist communities, The Daoist Tradition provides an account of key themes and defining characteristics of Daoist religiosity, revealing Daoism to be a living and lived religion. Exploring Daoism from a comparative religious studies perspective, this book gives the reader a deeper understanding of religious traditions more broadly. Beginning with an overview of Daoist history, The Daoist Tradition then covers key elements of Daoist worldviews and major Daoist practices. This is followed by a discussion of the importance of place and sacred sites as well as representative examples of material culture in Daoism. The work concludes with an overview of Daoism in the modern world. The book includes a historical timeline, a map of China, 25 images, a glossary, text boxes, suggested reading and chapter overviews. A companion website provides both student and lecturer resources: http://www.bloomsbury.com/the-daoist-tradition-9781441168733/
Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise.
Ancient Greek Cosmogony is the first detailed, comprehensive account of ancient Greek theories of the origins of the world. It covers the period from 800 BC to 600 AD, beginning with myths concerning the creation of the world; the cosmogonies of all the major Greek and Roman thinkers; and the debate between Greek philosophical cosmogony and early Christian views. It argues that Greeks formulated many of the perennial problems of philosophical cosmogony and produced philosophically and scientifically interesting answers. The atomists argued that our world was one among many worlds, and came about by chance. Plato argued that it is unique, and the product of design. Empedocles and the Stoics, in quite different ways, argued that there was an unending cycle whereby the world is generated, destroyed and generated again. Aristotle on the other hand argued that there was no such thing as cosmogony, and the world has always existed. Reactions to, and developments of, these ideas are traced through Hellenistic philosophy and the debates in early Christianity on whether God created the world from nothing or from some pre-existing chaos. The book examines issues of the origins of life and the elements for the ancient Greeks, and how the cosmos will come to an end. It argues that there were several interesting debates between Greek philosophers on the fundamental principles of cosmogony, and that these debates were influential on the development of Greek philosophy and science.
The Big Bang is a myth, says Paul Brockelman in this fascinating look at the spiritual side of modern cosmology. But it is a myth in the best sense--a fully realized creation story, one that, for all its scientific origins, has the power to transform us spiritually. In Cosmology and Creation, philosopher and religious scholar Brockelman seeks to bridge the gap between the scientific and the spiritual, to bring together (as he puts it) the head and the heart. We have isolated the two realms from each other for so long, he argues, that we have begun to lose a mystical sense of our place in the universe. But Brockelman believes that contemporary physics has advanced far beyond the mechanical view of nature, as propagated in the Enlightenment; the cosmology of the Big Bang has fostered a new way of understanding existence itself. To illustrate, he examines creation myths of the past, showing how they transcend simple explanations of the world to provide a deeper understanding of what our lives mean. And the fifteen-billion-year tale of the universe embraced by scientific cosmology serves precisely the same purpose, Brockelman claims; it bears a close resemblance to classic creation myths--and, indeed, it can transform our inner relationship with nature. The new scientific cosmology, Brockelman argues, offers something never before seen in human history: a scientifically accurate understanding of the entire universe and a spiritual vision of a "wider order of being" to which we all belong. Passionate and provocative, Cosmology and Creation promises to spark a lively debate about the new links between science and religion.
One upon the Throne and the Lamb: A Tradition Historical/Theological Analysis of Revelation 4-5 is an analysis of the tradition history underlying Revelation 4-5 and the way John employed these traditions. The hypothesis is that John incorporated themes from the Hebrew Bible and Jewish tradition, especially apocalypticism and Greco-Roman themes, to present his vision of God and Christ. In the process, John has transformed the traditions to present a unique and exalted vision of both God and Christ.
There can be little doubt that the Greek tradition of philosophical criticism had its main source in Ionia. . . It thus leads the tradition which created the rational or scienti?c attitude, and with it our Western civilization, the only civilization, which is based upon science (though, of course, not upon science alone). Karl Popper, Back to the Presocratics Harvard University physicist and historian of Science, Gerald Holton, coined the term “Ionian Enchantment”, an expression that links the idea back in the 6th c- tury B. C. to the ancient Ionians along the eastern Aegean coast, while capturing its fascination. Approximately within a seventy- ve year period (600–525 B. C. ) -a split second in the history of humanity- the three Milesian thinkers, Thales, Anaximander and Anaximenes, without plain evidence, but with an unequalled power of critical abstraction and intuition, had achieved a true intellectual re- lution; they founded and bequeathed to future generations a new, unprecedented way of theorizing the world; it could be summarized in four statements: beneath the apparent disorder and multiplicity of the cosmos, there exists order, unity and stability; unity derives from the fundamental primary substratum from which the cosmos originated; this, and, consequently, the cosmic reality, is one, and is based not on supernatural, but on physical causes; they are such that man can - vestigate them rationally. These four statements are neither self-evident nor se- explanatory.
The Oxford Illustrated History of Science is the first ever fully illustrated global history of science, from Aristotle to the atom bomb - and beyond. The first part of the book tells the story of science in both East and West from antiquity to the Enlightenment: from the ancient Mediterranean world to ancient China; from the exchanges between Islamic and Christian scholars in the Middle Ages to the Chinese invention of gunpowder, paper, and the printing press; from the Scientific Revolution of sixteenth and seventeenth century Europe to the intellectual ferment of the eighteenth century. The chapters that follow focus on the increasingly specialized story of science since end of the eighteenth century, covering experimental science in the laboratory from Michael Faraday to CERN; the exploration of nature, from intrepid Victorian explorers to twentieth century primatologists; the mapping of the universe, from the discovery of Uranus to Big Bang theory; the impact of evolutionary ideas, from Lamarck, Darwin, and Wallace to DNA; and the story of theoretical physics, from James Clark Maxwell to Quantum Theory and beyond. A concluding chapter reflects on how scientists have communicated their work to a wider public, from the Great Exhibition of 1851 to the internet in the early twenty-first century.