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In this epic poem, Cardenal explores Latin American history by relating the evolution of the universe to the development of human understanding. Throughout, Cardenal blends the visible and the invisible, science and poetry, religion and nature, in 43 autonomous yet integrated cantos.
In this epic poem, Cardenal explores Latin American history by relating the evolution of the universe to the development of human understanding. Throughout, Cardenal blends the visible and the invisible, science and poetry, religion and nature, in 43 autonomous yet integrated cantos.
The most comprehensive selection of poems in English by Latin America's legendary poet-activist, Ernesto Cardenal.
This book arises from the conviction that the ways in which John Paul II and Benedict XVI were confused as allies with American conservativism is as misleading, unclear, and confusing as any misapprehension of Francis’s genuine orthodoxy. As the author does not have a stake in reacting against a liberal Catholicism that he sees dying out anyway, the bigger threat, in his view, sociologically, for the North American church, is falling into a right-wing tribalism—and Francis resists precisely that. First Things editor R. R. Reno, highly critical of Francis, has called for a redemption of hints and suggestions of a cogent argument in the Francis message. Jeremiah Barker reappropriates Reno’s call as a call to draw out or highlight what he takes to be the underlying rationale of the Francis message. That underlying rationale, he compellingly argues, is strikingly identical to that of the two previous popes. Barker, who has learned much from Reno, is in fact inspired by Francis’s call and teaching, and it is the aim of this book to draw out what inspires him and to identify what he hopes Reno and fellow ‘John Paul II Catholics’ don’t miss in the Francis message: the theological, ethical, and spiritual core of his social teaching, which Francis shares with that of John Paul II and Benedict XVI.
Ernesto Cardenal and Sergio Ramírez are two of the most influential Latin American intellectuals of the late twentieth and early twenty-first centuries. Addressing Nicaragua's struggle for self-definition from divergent ethnic, religious, generational, political, and class backgrounds, they constructed distinct yet compatible visions of national history, anchored in a reappraisal of the early twentieth-century insurgent leader Augusto César Sandino. During the Sandinista Revolution of 1979-90, Cardenal, appointed Nicaragua's minister of culture, became one of the most provocative and internationally recognized figures of liberation theology, while Ramírez, a member of the revolutionary junta, and later elected vice-president of Nicaragua, emerged as an authoritative figure for third world nationalism. But before all else, the two were groundbreaking creative writers. Through a close reading of the works by Nicaragua's best-known and most prolific modern authors, Sandino's Nation studies the construction of Nicaraguan national identity during three distinct periods of the country’s recent history - before, during, and after the 1979-90 revolution. Stephen Henighan offers rigorous textual analyses of poems, memoirs, essays, and novels, interwoven with a sharply narrated history of Nicaragua. The only comprehensive study of the careers of Cardenal and Ramírez, Sandino's Nation is essential to understanding transformations to both Nicaragua and the role of the writer in Latin America.
This collection seeks to fill the interdisciplinary space that addresses when, why, and how writers strategically reference the Bible for subversive or re-evaluative purposes. It explores the specific biblical pieces used this subversion, and why they are used, with reference to many contemporary sources.
The Bible is by far the leading source of inspiration for Western literature, and in particular, the life of Jesus has drawn the attention of artists and writers throughout the ages. Now, in a volume of astonishing range and originality, Robert Atwan, George Dardess, and Peggy Rosenthal present 280 remarkable poems from world literature focusing on Jesus's life and teaching. Readers accustomed to the predictable inclusions of many anthologies will be surprised and delighted by the diversity of poets represented here, from Aquinas, Dante, de Guevara, Donne, and Sor Juana, to D.H. Lawrence, Gabriela Mistral, Wole Soyinka, Margaret Atwood, Gwendolyn Brooks, Czeslaw Milosz, and Leopold Senghor. Perhaps no other thematically organized anthology could have brought together writers as different as Jorge Luis Borges, Thomas Merton, Alice Walker, Rainer Maria Rilke, and Jack Kerouac. Indeed, simply to turn the page in Divine Inspiration is an adventure in itself. And in terms of form, style, modulations of tone and perspective, the variety here is as unparalleled as it is unpredictable. The editors of Divine Inspiration have done a masterful job of unifying this vast assortment of poems. Organized chronologically around the life of Jesus, the book is divided into nine sections--from Birth and Infancy, through Healings and Miracles, to the Resurrection-- and presents passages from the Gospels followed by the poems they inspired. This structure gives readers the dual pleasures of a strong narrative pull punctuated by moments of lyric intensity. Our familiarity with the life of Jesus is thus enlivened, deepened, and in some cases wholly transformed by the imaginative power of the poems. In the largest section of the book, on the Passion of Jesus, we find an array of poems by Anna Akhmatova, Antonio Machado, Thomas Hardy, Miguel de Unamuno, Charles Baudelaire, R.S. Thomas, Andrew Marvell, Frederico Garcia Lorca, and Denise Levertov, among others. To see the Passion of Jesus refracted through the lenses of such poets is to see it anew, or more vividly than before. And to encounter Chinese, Korean, Nigerian, Arab, Latin American, Scandinavian, Hungarian, and Greek poets alongside English, French, and German is a testimony both to the editors' devoted scholarship and to the power of Jesus's life to inspire great poetry across a spectrum of cultures and eras. An invaluable sourcebook for students, scholars, and general readers alike, Divine Inspiration should prove equally satisfying to readers with a strong interest in religion and to all lovers of poetry.
Recognizing that one-third of the world's Christians practice their faith outside Europe and North America, the fourteen essays in Mother Tongue Theologies explore how international fiction depicts Christianity's dramatic movement South and East of Jerusalem as well as North and West. Structured by geographical region, this collection captures the many ways in which people around the globe receive Christianity. It also celebrates postcolonial literature's diversity. And it highlights non-Western authors' biblical literacy, addressing how and why locally rooted Christians invoke Scripture in their pursuit of personal as well as social transformation. Featured authors include Fyodor Dostoevsky, Constantine Cavafy, Scott Cairns, Chinua Achebe, Madam Afua Kuma, Earl Lovelace, V. S. Reid, Ernesto Cardenal, Helena Parente Cunha, Arundhati Roy, Mary Martha Sherwood, Marguerite Butler, R. M. Ballantyne, Rudyard Kipling, Nora Okja Keller, Amy Tan, Albert Wendt, and Louise Erdrich. Individual essayists rightly come to different conclusions about Christianity's global character. Some connect missionary work with colonialism as well as cultural imperialism, for example, and yet others accentuate how indigenous cultures amalgamate with Christianity's foreignness to produce mesmerizing, multiple identities. Differences notwithstanding, Mother Tongue Theologies delves into the moral and spiritual issues that arise out of the cut and thrust of native responses to Western Christian presence and pressure. Ultimately, this anthology suggests the reward of listening for and to such responses, particularly in literary art, will be a wider and deeper discernment of the merits and demerits of post-Western Christianity, especially for Christians living in the so-called post-Christian West. List of Contributors: Isabel Asensio-Sierra Di Gan Blackburn Mini Chandran Evgenia V. Cherkasova John Estes Jack A. Hill J. A. Jackson Ellin Sterne Jimmerson Ymitri Mathison Catherine Winn Merritt Darren J. N. Middleton Mozella G. Mitchell Sinead Moynihan J. Stephen Pearson Eric J. Sterling
Religion and Revolution provides a comprehensive study of spiritual and political Islām in Ernesto Cardenal, the great Latin American poet, priest, and revolutionary. The work studies the relationship between Thomas Merton and Ṣūfism, Cardenal’s connection to spiritual Islām, as well as the Ṣūfī sources cited in his Cosmic Canticle. The work equally examines the impact of political Islām on his ideology, focusing particularly on his trip to Iran during the very triumph of the Islāmic Revolution. Using Cardenal’s “Interlude of the Revolution in Iran” as a starting point, the work provides a vivid and detailed description of the early days of the revolution as well as the ties between the Islāmic Republic of Iran and the Latin American left.
“Mario Aguilar skillfully, elegantly, and clearly presents the life and thought of some of the major spiritual forces of our time as a starting point for his own compelling reflections on the relationship between contemplation and politics... We need more books like this one.” —Professor Ivan Petrella, University of Miami Contemplation and political action defined the lives and work of six of the most inspiring Christian leaders of the twentieth century: Thomas Merton, Ernesto Cardenal, Daniel Berrigan, Sheila Cassidy, Desmond Tutu, and Mother Teresa. Each one embraced a silent, purposeful life of prayer, contemplation, and conversation with God, which the author contends was the very foundation for their public activism. Aguilar profiles these outstanding religious figures, illustrating how their contemplation of God gave them courage and understanding not just to grow in personal holiness, but to become one with God through responding to the needs of others. It was their spiritual life that gave them the energy, commitment, and strength to help feed the hungry, clothe the naked, and liberate the oppressed, even in the darkest, most difficult times. Yet, as Aguilar shows, it is not just a chosen few who are called to combine prayer with political action: through the regular contemplation of God, all Christians can be empowered to work toward social transformation and a just world.