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Describes the earliest people to arrive in Bohemia, the first rulers and the origins of the Premyslid dynasty, the founding of Prague, and the early phases of Christianization. This title covers the period from 1037 to 1092, the age of Duke Bretislav I and his five contentious sons. It provides the oldest history of a Slavic people
"The Latin-English bilingual volume presents the text of The Chronicle of the Czechs by Cosmas of Prague. Cosmas was born around 1045, educated in Liège, upon his return to Bohemia, he got married as well as became a priest. In 1086 he was appointed prebendary, a senior member of clergy in Prague. He completed the first book of the Chronicle in 1119, starting with the creation of the world and the earliest deeds of the Czechs up to Saint Adalbert. In the second and third books Cosmas presents the preceding century in the history of Bohemia, and succeeds in reporting about events up to 1125, the year when he died"--.
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The Latin-English bilingual volume presents the text of The Chronicle of the Czechs by Cosmas of Prague. Cosmas was born around 1045, educated in Liège, upon his return to Bohemia, he got married as well as became a priest. In 1086 he was appointed prebendary, a senior member of clergy in Prague. He completed the first book of the Chronicle in 1119, starting with the creation of the world and the earliest deeds of the Czechs up to Saint Adalbert. In the second and third books Cosmas presents the preceding century in the history of Bohemia, and succeeds in reporting about events up to 1125, the year when he died. The English translation was done by Petra Mutlova and Martyn Rady with the cooperation of Libor Švanda. The introduction and the explanatory notes were written by Jan Hasil with the cooperation of Irene van Rensvoude.T
The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.
Mythology is usually reserved for non-Christian religions. However, the adoption of Christianity in Northern and East-Central Europe between c. 1000 and 1300 can be adequately described as a myth-making process: local saints were added to the Christian pantheon in all regions entering Latin Europe. The present collection explores the links between local sanctity and the making of national myths in medieval historical writing. By bringing together specialists in history and literature of the European periphery in question, the case is made that the writing of history and saints lives from this pioneering period should been analysed together as mainly successful attempts at creating cultural foundation myths.
Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries. Twelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated. The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, especially in the Anglo-Saxon, Anglo-Norman, and Angevin worlds but also on the continent. The topics of the essays it contains range from the curious place of Francia in the historiography of medieval Europe to strategies of royal land distribution in tenth-century Anglo-Saxon England to the representation of men and masculinity in the works of Anglo-Norman historians. Essays on the place of polemical literature in Frutolf of Michelsberg's Chronicle, exploration of the relationship between chivalry and crusading in Baudry of Bourgeuil's History, and Cosmas of Prague's manipulation of historical memory in the service of ecclesiastical privilege and priority each extend the volume's engagement with medieval historiography, employing rich continental examples to do so. Investigations of comital personnel in Anjou and Henry II's management of royal forests and his foresters shed new light on the evolving nature of secular governance in the twelfth centuries and challenge and refine important aspects of our view of medieval rule in this period. The volume ends with a wide-ranging reflection on the continuing importance of the art object itself in medieval history and visual studies. Contributors: H.F. Doherty, Kathryn Dutton, Kirsten Fenton, Paul Fouracre, Herbert Kessler, Ryan Lavelle, Thomas J.H. McCarthy, Lisa Wolverton, Simon Yarrow.