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A young shepherd, Corydon, is driven out of his village because of his unusual appearance and then captured and put on display as a monster. Alongside him in the traveling freak show are Medusa, the Minotaur, the Sphinx, and other classical beasts. When Corydon helps these monsters to escape their cages, they scatter to seek peace and solitude away from prying eyes. But then an army of “heroes” arrives hoping to win glory by killing the monsters, and Corydon must unite these unloved and unlikely allies to fight for their survival and for their island home.
After the destruction of the city of Atlantis, Corydon is in a selfimposed exile. Clearly his presence only puts his friends in danger. And so he hides out in the desert, tending to goats and camels, keeping his friends safe by staying away. But, as ever, the gods of Olympos have other plans. Now the city of Troy is under siege, and Corydon’s friends are trapped inside. And so Corydon reluctantly joins them, hoping to help, and fearing that it is he that will tip the scales against them. In this thrilling conclusion to the trilogy about the gods and monsters of ancient Greece, Corydon knows that it will be up to him to thwart the mighty Zeus if the others are to live. At what cost will he buy their freedom?
Another brain-oozing adventure After a successful battle to save the moon, Chris and the others find themselves back on Earth and trapped by an evil mummy in the depths of an Egyptian pyramid. Separated from their monster allies, the gang needs to summon an ancient magic to prevent braindraining mummification and defeat an onslaught of vicious scarab-beasts.
Antsy Bonano, narrator of The Schwa Was Here, is back with another crazy tale. This time, Antsy signs a month of his life over to his "dying" classmate Gunnar Umlaut. Soon everyone at school follows suit, giving new meaning to the idea of "living on borrowed time." But does Gunnar really have six months to live, or is news of his imminent death greatly exaggerated? And when a family member suffers a heart attack after donating two years to Gunnar, Antsy starts to wonder if he has tempted fate by trying to play God . . . .
Momo undertakes a dangerous journey from the mountains of Tibet to the city of Calcutta, in search of her stolen dog Pempa.
Who cut off Medusa's head? Who was raised by a she-bear? Who tamed Pegasus? It takes a demigod to know, and Percy Jackson can fill you in on the all the daring deeds of Perseus, Atalanta, Bellerophon, and the rest of the major Greek heroes. Told in the funny, irreverent style readers have come to expect from Percy, ( I've had some bad experiences in my time, but the heroes I'm going to tell you about were the original old school hard luck cases. They boldly screwed up where no one had screwed up before. . .) and enhanced with vibrant artwork by Caldecott Honoree John Rocco, this story collection will become the new must-have classic for Rick Riordan's legions of devoted fans--and for anyone who needs a hero. So get your flaming spear. Put on your lion skin cape. Polish your shield and make sure you've got arrows in your quiver. We're going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we'll die painful tragic deaths. Ready? Sweet. Let's do this.
When Russian troops invade Finland during the winter of 1939-40, Marko, a young polio victim determined to keep his homeland free, joins the Finnish Army as a messenger boy.
Slimmed down and in great shape, Dunk is thrilled to make the school basketball team as a secondstring center. Jared, the starting center, is the best player on the team. But when Jared begins missing practice as well as the shots he used to make, Dunk is on the court more than he expected. He’s playing better than ever, but will that jeopardize his friendship with Jared?
A witty and stylish assessment of the work of two icons of cultural criticism: Susan Sontag and Pauline Kael. Though outwardly they had some things in common--they were both Westerners who came east, both schooled in philosophy, both secular Jews and both single mothers--they were polar opposites in temperament and approach. Seligman approaches both women through their widely discussed work. Kael practiced a kind of verbal jazz--exuberant, excessive, intimate, emotional and funny. Sontag is formal and rather icy. From the beginning it's clear where Seligman's sympathies lie: Sontag is a critic he reveres; but Kael is a critic he loves. But for all his reservations about Sontag, he considers both writers magnificent and his exploration of their differences results in this luminously written landmark of criticism.
Nine-year-old Lila, born with xeroderma pigmentosum, a skin disease that make her sensitive to sunlight, makes secret plans to feel the sun's rays on her tenth birthday.