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** SHORTLISTED FOR THE CWA'S ALCS GOLD DAGGER FOR NON-FICTION ** In 1985, Peter Everett landed the job as Superintendent of Southwark Mortuary. In just six years he'd gone from lowly assistant to running the UK's busiest murder morgue. He couldn't believe his luck. What he didn't know was that Southwark, operating in near-Victorian conditions, was a hotbed of corruption. Attendants stole from the dead, funeral homes paid bribes, and there was a lively trade in stolen body parts and recycled coffins. Set in the fascinating pre-DNA and psychological profiling years of 1985-87, this memoir tells a gripping and gruesome tale, with a unique insight into a world of death most of us don't ever see. Peter managed pathologists, oversaw post mortems and worked alongside Scotland Yard's Murder Squad - including on the case of the serial killer, the Stockwell Strangler. This is a thrilling tale of murder and corruption in the mid-1980s, told with insight and compassion.
A revealing look at how the memory of the plague held the poor responsible for epidemic disease in eighteenth-century Britain Britain had no idea that it would not see another plague after the horrors of 1666, and for a century and a half the fear of epidemic disease gripped and shaped British society. Plague doctors had long asserted that the bodies of the poor were especially prone to generating and spreading contagious disease, and British doctors and laypeople alike took those warnings to heart, guiding medical ideas of class throughout the eighteenth century. Dense congregations of the poor--in workhouses, hospitals, slums, courtrooms, markets, and especially prisons--were rendered sites of immense danger in the public imagination, and the fear that small outbreaks might run wild became a profound cultural force. Extensively researched, with a wide body of evidence, this book offers a fascinating look at how class was constructed physiologically and provides a new connection between the seventeenth and nineteenth centuries and the ravages of plague and cholera, respectively.
In colonial times few Americans bathed regularly; by the mid-1800s, a cleanliness “revolution” had begun. Why this change, and what did it signify? A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expression of cultural ideals that reflect the fundamental values of a society.The book explores early America’s evolving perceptions of cleanliness, along the way analyzing the connections between changing public expectations for appearance and manners, and the backstage work of grooming, laundering, and housecleaning performed by women. Brown provides an intimate view of cleanliness practices and how such forces as urbanization, immigration, market conditions, and concerns about social mobility influenced them. Broad in historical scope and imaginative in its insights, this book expands the topic of cleanliness to encompass much larger issues, including religion, health, gender, class, and race relations.
"Incorruptible Bodies examines a fateful theological controversy that raged in the eastern Roman empire in the early sixth-century. The controversy, whose main participants were the anti-Chalcedonian leaders Severus of Antioch and Julian of Halicarnassus, centered on whether or not Jesus' body was corruptible prior to its resurrection from the dead. Viewing the controversy in light of late antiquity's multiple images of the 'body of Christ,' Yonatan Moss reveals the underlying political, ritual, and cultural stakes of this debate and its long-lasting effects"--Provided by publishe
Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration - questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.
A thrilling memoir from the former chief of the Brooklyn District Attorney's Rackets Division, who took on organized crime, crooked cops, and con men, rarely losing a case From 2001 to 2013, Mike Vecchione was chief of the Rackets Division in the Brooklyn District Attorney's office, which was the largest urban prosecution agency in the country. Vecchione grappled with organized crime and dirty politicians, during which he supervised, investigated, and prosecuted major felony cases. Crooked Brooklyn is a gritty story of corruption, greed and law enforcement. Vecchione navigated a political minefield and expertly rose to the judicial challenges of directing investigations into a wide variety of crimes, from bribe-taking judges to cold-blooded killers. He was responsible for taking down: - Three state Supreme Court judges - One of the most powerful political bosses in the country - Two cops who worked as assassins for the Mafia - A State Assemblywoman - An FBI agent - A corrupt oral surgeon who was secretly selling bones from the recently deceased to medical supply companies Unbelievable and unforgettable, Crooked Brooklyn is filled with characters and stories ripped straight from the tabloids, great for fans who enjoy Law & Order, readers of true crime and those hungry for details about the system that keeps us safe.
Dreams might be a heart’s desire, but nightmares are its obsession in the first novel of a dark romance series from New York Times bestselling author Penelope Douglas. Erika Fane’s boyfriend's older brother is handsome, strong, and completely terrifying. The star of his college's basketball team gone pro, he's more concerned with the dirt on his shoe than he is with her. But she saw him. She heard him. The things that he did, and the deeds that he hid... For years, Erika bit her nails, unable to look away. Now, she’s in college, but she hasn’t stopped watching him. He’s bad and the things she’s seen aren’t content to stay in her head anymore. Because he's finally noticed her. But Michael Crist knows the hold he has on Rika, how much she fears him. She looks down when he enters the room and stills when he’s close. He knows she thinks only of him. When Michael’s brother leaves for the military, leaving Rika alone and unprotected, he knows the opportunity is too good to be true. Three years ago she put Michael’s friends in prison, and now they’re free. Every last one of her nightmares is about to come true.
Why has Western thought been so persistent in its organisation of human bodies, and other categories, in terms of the binary opposition male and female? Is gender nothing more than an ideology, or does it have its basis in sexual difference? This invaluable introductory guide offers a clear overview of the concept, and problem, of gender. Claire Colebrook places the term in its historical contexts and traces its development from the Enlightenment to the present, before moving on to the evolution of the concept of gender from within the various stances of feminist criticism, and exploring recent developments in queer theory and post-feminism. Close analysis of key literary texts, including Frankenstein, Paradise Lost and A Midsummer Night's Dream, shows how specific styles of literature enable reflection on gender.