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Reprint of the original, first published in 1876.
Reprint of the original, first published in 1874.
After Hitler's death, several posthumous books were published which purported to be the verbatim words of the Nazi leader – two of the most important of these documents were Hitler's Table Talk and The Testament of Adolf Hitler. This ground-breaking book provides the first in-depth analysis and critical study of Hitler’s so-called table talks and their history, provenance, translation, reception, and usage. Based on research in public and private archives in four countries, the book shows when, why, where, how, by and for whom the table talks were written, how reliable the texts are, and how historians should approach and use them. It reveals the crucial role of the mysterious Swiss Nazi Francois Genoud, as well as some very poor judgement from several famous historians in giving these dubious sources more credibility than they deserved. The book sets the record straight regarding the nature of these volumes as historical sources – proving inter alia The Testament to be a clever forgery – and aims to establish a new consensus on their meaning and impact on historical research into Hitler and the Third Reich. This path-breaking historical investigation will be of considerable interest to all researchers and historians of the Nazi era.
A non-fiction book that exposes corruption in Australian Judicial system, Government and Federal Police.
Reprint of the original, first published in 1881.
Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihoo was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot. Duncan Wu's profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt's dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt's dealings with such figures as Francis Jeffrey, Robert Stodart, John M'Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu's New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt's life.