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Stories about border crossers, illegal aliens, refugees that regularly appear in the press everywhere point to the crucial role national identity plays in human beings' lives today. The National Habitus seeks to understand how and why national belonging became so central to a person's identity and sense of identity. Centered on the acquisition of the national habitus, the process that transforms subjects into citizens when a state becomes a nation-state, the book examines this transformation at the individual level in the case of nineteenth century France. Literary texts serve as primary material in this study of national belonging, because, as Germaine de Staël pointed out long ago, literature has the unique ability to provide access to "inner feelings." The term "habitus," in the title of this book, signals a departure from traditional approaches to nationalism, a break with the criteria of language, race, and ethnicity typically used to examine it. It is grounded instead in a sociology that deals with the subjective dimension of life and is best exemplified by the works of Norbert Elias (1897–1990) and Pierre Bourdieu (1931–2002), two sociologists who approach belief systems like nationalism from a historical, instead of an ethical vantage point. By distinguishing between two groups of major French writers, three who experienced the 1789 Revolution firsthand as adults (Olympe de Gouges, François René de Chateaubriand and Germaine de Staël) and three who did not (Stendhal, Prosper Mérimée, and George Sand), the book captures evolving understandings of the nation, as well as thoughts and emotions associated with national belonging over time. Le Hir shows that although none of these writers is typically associated with nationalism, all of them were actually affected by the process of nationalization of feelings, thoughts, and habits, irrespective of aesthetic preferences, social class, or political views. By the end of the nineteenth century, they had learned to feel and view themselves as French nationals; they all exhibited the characteristic features of the national habitus: love of their own nation, distrust and/or hatred of other nations. By underscoring the dual contradictory nature of the national habitus, the book highlights the limitations nation-based identities impose on the prospect for peace.
The disputes of philosophers provide a place to view their positions and arguments in a tightly focused way, and also in a manner that is infused with human temperaments and passions. Fichte and Schelling had been perceived as "partners" in the cause of Criticism or transcendental idealism since 1794, but upon Fichte's departure from Jena in 1799, each began to perceive a drift in their fundamental interests and allegiances. Schelling's philosophy of nature seemed to move him toward a realistic philosophy, while Fichte's interests in the origin of personal consciousness, intersubjectivity, and the ultimate determination of the agent's moral will moved him to explore what he called "faith" in one popular text, or a theory of an intelligible world. This volume brings together the letters the two philosophers exchanged between 1800 and 1802 and the texts that each penned with the other in mind.
Profiles the life and music of the composer Fanny Mendelssohn Hensel, Felix Mendelssohn's older sister, who created important music in spite of her family's lack of support
Looks at the life of Dom Pedro, the first emperor of Brazil.
This detailed study is the first exploration of rural consumption of clothing in early nineteenth-century Britain. Drawing on evidence from a range of sources including newspapers, trade directories, court records, visual sources and surviving garments, Toplis investigates how the apparel of the mass of the British population was acquired.