Download Free Corra Harris Lady Of Purpose Book in PDF and EPUB Free Download. You can read online Corra Harris Lady Of Purpose and write the review.

This first volume of "CrossRoads: A Southern Culture Annual picks up where its predecessor, the acclaimed biannual periodical "CrossRoads: A Journal of Southern Culture, left off when the latter ceased publication in the mid-1990s. Formerly edited by several graduate students affiliated with the University of Mississippi's Center for the Study of Southern Culture (primarily by current editor Ted Olson), "Cross Roads: A Southern Culture Annual will continue its original mission: to provide a forum for diverse perspectives on the South and on Southern culture through combining compelling new fiction and poetry from well-known as well as emerging Southern authors, with eloquent articles, memoirs, oral histories, and photo essays that interpret and celebrate relevant manifestations of the Southern cultural experience. "CrossRoads: A Southern Culture Annual will deepen readers' awareness of and connection to the South.
A thinly veiled autobiographical account of one woman's austere life in the north Georgia mountains, A Circuit Rider's Wife draws on the years Corra Harris accompanied her husband in his work as a Methodist missionary. Set mostly in the fictional Redwine circuit, the novel tells of the challenges, hardships, and--aside from the occasional homemade or homegrown donations--mostly intangible rewards of itinerant country preaching. Through the eyes of Elizabeth Thompson, the circuit rider's wife and narrator, Harris offers a witty but caring assessment of the sometimes fine differences between spiritual and merely religious folks, town and country society, backsliders and straight-and-narrow plodders, Methodists and Baptists, and heaven and hell.
“Stories of personal tragedy, economic hardship, and personal conviction . . . a valuable addition to both southern and women’s history.” —Journal of Southern History From the 1890s to the end of World War I, the reformers who called themselves progressives helped transform the United States, and many women filled their ranks. Through solo efforts and voluntary associations both national and regional, women agitated for change, addressing issues such as poverty, suffrage, urban overcrowding, and public health. Southern Women in the Progressive Era presents the stories of a diverse group of southern women—African Americans, working-class women, teachers, nurses, and activists—in their own words, casting a fresh light on one of the most dynamic eras in US history. These women hailed from Virginia to Florida and from South Carolina to Texas and wrote in a variety of genres, from correspondence and speeches to bureaucratic reports, autobiographies, and editorials. Included in this volume, among many others, are the previously unpublished memoir of civil rights activist Mary McLeod Bethune, who founded a school for black children; the correspondence of a textile worker, Anthelia Holt, whose musings to a friend reveal the day-to-day joys and hardships of mill-town life; the letters of the educator and agricultural field agent Henrietta Aiken Kelly, who attempted to introduce silk culture to southern farmers; and the speeches of the popular novelist Mary Johnson, who fought for women’s voting rights. Always illuminating and often inspiring, each story highlights the part that regional identity—particularly race—played in health and education reform, suffrage campaigns, and women’s club work. Together these women’s voices reveal the promise of the Progressive Era, as well as its limitations, as women sought to redefine their role as workers and citizens of the United States.
Offers a new interpretation of the lynching of Sam Hose through the lens of the religious culture in the evangelical American South.
Before movies, radio, and television challenged the hegemony of the printed word, the Saturday Evening Post was the preeminent vehicle of mass culture in the United States. And to the extent that a mass medium can be the expression of a single individual, this magazine, with a peak circulation of almost three million copies a week, was the expression of its editor, George Horace Lorimer. Cohn shows how Lorimer made the Post into a uniquely powerful magazine that both celebrated and helped form the values of the time.
Scholars of southern Appalachia have largely focused their research on men, particularly white men. While there have been a few important studies of Appalachian women, no one book has offered a broad overview across time and place. With this collection, editors Connie Park Rice and Marie Tedesco redress this imbalance, telling the stories of these women and calling attention to the varied backgrounds of those who call the mountains home. The essays of Women of the Mountain South debunk the entrenched stereotype of Appalachian women as poor and white, and shine a long-overdue spotlight on women too often neglected in the history of the region. Each author focuses on a particular individual or group, but together they illustrate the diversity of women who live in the region and the depth of their life experiences. The Mountain South has been home to Native American, African American, Latina, and white women, both rich and poor. Civil rights and gay rights advocates, environmental and labor activists, prostitutes, and coal miners—all have lived in the place called the Mountain South and enriched its history and culture.
This first of two volumes extends from the founding of the colony of Georgia in 1733 up to the Progressive era. From the beginning, Georgia women were instrumental in shaping the state, yet most histories minimize their contributions. The essays in this volume include women of many ethnicities and classes who played an important role in Georgia’s history. Though sources for understanding the lives of women in Georgia during the colonial period are scarce, the early essays profile Mary Musgrove, an important player in the relations between the Creek nation and the British Crown, and the loyalist Elizabeth Johnston, who left Georgia for Nova Scotia in 1806. Another essay examines the near-mythical quality of the American Revolution-era accounts of "Georgia's War Woman," Nancy Hart. The later essays are multifaceted in their examination of the way different women experienced Georgia's antebellum social and political life, the tumult of the Civil War, and the lingering consequences of both the conflict itself and Emancipation. After the war, both necessity and opportunity changed women's lives, as educated white women like Eliza Andrews established or taught in schools and as African American women like Lucy Craft Laney, who later founded the Haines Institute, attended school for the first time. Georgia Women also profiles reform-minded women like Mary Latimer McLendon, Rebecca Latimer Felton, Mildred Rutherford, Nellie Peters Black, and Martha Berry, who worked tirelessly for causes ranging from temperance to suffrage to education. The stories of the women portrayed in this volume provide valuable glimpses into the lives and experiences of all Georgia women during the first century and a half of the state's existence. Historical figures include: Mary Musgrove Nancy Hart Elizabeth Lichtenstein Johnston Ellen Craft Fanny Kemble Frances Butler Leigh Susie King Taylor Eliza Frances Andrews Amanda America Dickson Mary Ann Harris Gay Rebecca Latimer Felton Mary Latimer McLendon Mildred Lewis Rutherford Nellie Peters Black Lucy Craft Laney Martha Berry Corra Harris Juliette Gordon Low
This collection of essays examines the development of the American South from the end of the Civil War to the end of World War II. Written by both well-known and emerging scholars, the essays are divided into sections that address some of the major issues of that era, such as race relations, economic development, political reform, the roles of southern women, the messages of folk music, and the problems of the region's historians. Each article offers fresh insights or new information on its subject, and collectively the articles help to illuminate how the most traditional of American regions tried to cope with the forces of modernization.
While Hollywood deserves its reputation for much-maligned portrayals of southern highlanders on screen, the film industry also deserves credit for a long-standing tradition of more serious and meaningful depictions of Appalachia's people. Surveying some two dozen films and the literary and historical sources from which they were adapted, John C. Inscoe argues that in the American imagination Appalachia has long represented far more than deprived and depraved hillbillies. Rather, the films he highlights serve as effective conduits into the region's past, some grounded firmly in documented realities and life stories, others only loosely so. In either case, they deserve more credit than they have received for creating sympathetic and often complex characters who interact within families, households, and communities amidst a wide array of historical contingencies. They provide credible and informative narratives that respect the specifics of the times and places in which they are set. Having used many of these movies as teaching tools in college classrooms, Inscoe demonstrates the cumulative effect of analyzing them in terms of shared themes and topics to convey far more generous insights into Appalachia and its history than one would have expected to emerge from southern California's "dream factory."