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This latest Corpus volume completes the cataloguing of the stone sculptures of Yorkshire, including pieces of the highest quality, and boosts our understanding of the artistic development of southern Northumbria in the Anglo-Saxon and Viking periods.
New insights into inscribed and stone monuments from across Europe in the early middle ages.
The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).
WINNER OF THE FRANK WATSON BOOK PRIZE 2021. SHORTLISTED IN SCOTLAND'S NATIONAL BOOK AWARDS 2021 The first full-scale, interdisciplinary treatment of the wide-ranging connections between the Gaelic world and the Northumbrian kingdom.
This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures from Congresbury. Most of the monuments were carved at a time when Wessex art was at its zenith in the tenth and eleventh centuries, a formative period for English cultural identity. This volume sets the sculpture within an historical, topographical and art-historical context, highlighting the close links with contemporary styles in manuscripts and metalwork. Full photographic records of each monument present many new illustrations unique to this volume. An indispensable research tool for all those interested in the early medieval world, this volume is also an authoritative aid for local historians.
This volume presents contributions to the conference Old English Runes Workshop, organised by the Eichstätt-München Research Unit of the Academy project Runic Writing in the Germanic Languages (RuneS) and held at the Catholic University of Eichstätt-Ingolstadt in March 2012. The conference brought together experts working in an area broadly referred to as Runology. Scholars working with runic objects come from several different fields of specialisation, and the aim was to provide more mutual insight into the various methodologies and theoretical paradigms used in these different approaches to the study of runes or, in the present instance more specifically, runic inscriptions generally assigned to the English and/or the Frisian runic corpora. Success in that aim should automatically bring with it the reciprocal benefit of improving access to and understanding of the runic evidence, expanding and enhancing insights gained within such closely connected areas of study of the Early-Mediaeval past.
The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - Peopling Insular Art: Practice, Performance, Perception - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with ‘engagement’ covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers – the illuminators, pattern-makers, rubricators, carvers, and casters – to the fore.
The Archaeology of the 11th Century explores this formative period of English history and in particular the impact of the Conquest of England by the Normans. The volume examines how the Normans contributed to local culture, religion and society through a range of topics including food culture, funerary practices, the development of castles and their impact, and how both urban and rural life evolved during the eleventh century. Through its nuanced approach to the complex relationships and regional identities which characterized the period, this collection stimulates renewed debate and challenges some of the long-standing myths surrounding the Conquest.
This book focuses on the period from the seventh to eleventh centuries that witnessed the rise and fall of Mercia, the great Midland kingdom, and, later, the formation of England. Specifically, it explores the relationship between the bishops of Lichfield and the multiple communities of their diocese. Andrew Sargent tackles the challenge posed by the evidential 'hole' at the heart of Mercia by synthesising different kinds of evidence - archaeological, textual, topographical and toponymical - to reconstruct the landscapes inhabited by these communities, which intersected at cathedrals and minsters and other less formal meeting-places. Most such communities were engaged in the construction of hierarchies, and Sargent assigns spiritual lordship a dominant role in this. Tracing the interconnections of these communities, he focuses on the development of the Church of Lichfield, an extensive episcopal community situated within a dynamic mesh of institutions and groups within and beyond the diocese, from the royal court to the smallest township. The regional elite combined spiritual and secular forms of lordship to advance and entrench their mutual interests, and the entanglement of royal and episcopal governance is one of the key focuses of Andrew Sargent's outstanding new research. How the bishops shaped and promoted spiritual discourse to establish their own authority within society is key. This is traced through the meagre textual sources, which hint at the bishops' involvement in the wider flow of ecclesiastical politics in Britain, and through the archaeological and landscape evidence for churches and minsters held not only by bishops, but also by kings and aristocrats within the diocese. Saints' cults offer a particularly effective medium through which to study these developments: St Chad, the Mercian bishop who established the see at Lichfield, became an influential spiritual patron for subsequent bishops of the diocese, but other lesser known saints also focused c
The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript illuminations and other devotional objects.