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This book is for readers who wish to learn more about Anglo-Saxon church architecture and Anglo-Saxon and Anglo-Scandinavian stone sculpture. Intended for the student and non-specialist alike, as well as readers who already have some knowledge of the subjects covered, it bridges the divide between an academic approach and that of the interested general public. The aim is to provide an informed introduction to the subjects so that the reader will be able to confidently recognise Anglo- Saxon church architectural features and Anglo-Saxon and Anglo-Scandinavian stone sculpture. The contents, including illustrations and photographs, all meticulously checked on site, are drawn from the authorÕs extensive research and travels over many years. Especially useful is the gazetteer section offering a selection of sites providing excellent examples of the features described in the main body of the book.
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
Rosemary Cramp's influence on the archaeology of early Medieval Britain is nowhere more apparent than in these essays in her honor by her former students. Monastic sites, Lindisfarne and Whithorn, are the inspiration for Deirdre O'Sullivan's and Peter Hill's papers; Chris Loveluck discusses the implications of the findings from the newly-discovered settlement at Flixborough in Lincolnshire; Nancy Edwards describes the early monumental sculpture from St David's in South Wales; Martin Carver reviews the politics of monumental sculpture and monumentality; and Catherine Hills reassesses the significance of imported ivory found in graves. Richard Bailey, Christopher Morris and Derek Craig top and tail the book with tributes to Rosemary Cramp and a bibliography of her work.
New insights into inscribed and stone monuments from across Europe in the early middle ages.
Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion.
Die Germanische Altertumskunde Online wird – wie bereits das in ihr aufgegangene Reallexikon – durch Ergänzungsbände begleitet. Diese Reihe umfasst Monographien ebenso wie Sammelbände zu spezifischen Themen aus Archäologie, Geschichte und Literaturwissenschaft. Damit wird der Inhalt der Datenbank um jene Aspekte erweitert, die einer ausführlichen Analyse bedürfen. Inzwischen sind bereits mehr als 100 Bände erschienen von Germanenproblemen in heutiger Sicht bis zur Germanischen Altertumskunde im Wandel.
This volume brings together for the first time Rosemary Cramp's seminal studies on Anglo-Saxon crosses and sculptural fragments. The papers are principally concerned with the kingdom of Northumbria but the essays also trace the influence of Northumbria's culture and iconography across Anglo-Saxon England.
This celebrated account of society and economy in England from the first Anglo-Saxon settlements in the fifth century to the immediate aftermath of the Norman Conquest has been a standard text since it first appeared in 1962. This long-awaited second edition incorporates the fruits of 30 years of subsequent scholarship. It has been revised expanded and entirely reset.
Long overlooked in standard reference works, pioneering women medievalists finally receive their due in Women Medievalists and the Academy. This comprehensive edited volume brings to life a diverse collection of inspiring figures through memoirs, biographical essays, and interviews. Covering many different nationalities and academic disciplines—including literature, philology, history, archaeology, art history, theology or religious studies, and philosophy—each essay delves into one woman’s life, intellectual contributions, and efforts to succeed in a male-dominated field. Together, these extraordinary personal histories constitute a new standard reference that speaks to a growing interest in women’s roles in the development of scholarship and the academy. The collection begins in the eighteenth century with Elizabeth Elstob and continues to the present, and includes—among more than seventy profiles—such important figures as Anna Jameson, Lina Eckenstein, Georgiana Goddard King, Eileen Power, Dorothy L. Sayers, Dorothy Whitelock, Susan Mosher Stuard, Marcia Colish, and Caroline Walker Bynum, among others.