Download Free Corpus Of Anglo Saxon Stone Sculpture In England County Durham And Northumberland 2 Pts Book in PDF and EPUB Free Download. You can read online Corpus Of Anglo Saxon Stone Sculpture In England County Durham And Northumberland 2 Pts and write the review.

Inscribed stones and stone sculpture form the most prolific body of material evidence from early medieval Wales, c. AD 400 1100. Crucial to our understanding of the region s degree of continuity with the preceding Roman culture, Irish settlement, and the development of the early Welsh kingdoms, these Latin or Old Irish inscribed memorial stones instruct us on the language, literacy, and development of the church, among other areas. These two volumes allow us to identify a range of early medieval ecclesiastical sites within a wider landscape and the trace the church s patronage by the secular elite. Accompanied by more than 170 line drawings and elaborate illustrations, this corpus provides fresh new studies of these aspects, revised interpretations of the stones, and many previously unpublished and newly discovered examples."
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
The great corpus that is medieval literature contains, at its very center, the tale. These verse and prose fictional narratives, as well as stories that are grounded in some degree of historical truth, are the foundation of what readers, scholars, and enthusiasts often point to as signifiers of the medieval age. These tales - from the skillfully crafted to the more rudimentary and plain - often make familiar to modern readers what seems so distant and foreign about the Middle Ages. This volume of essays focuses on the tale and its ability to create "mirth," what modern audiences would often define as "happiness" or "joy," and the significance that the book has had on the transference of this mirth to audiences. This volume also celebrates the scholarship of Thomas H. Ohlgren, a medievalist whose work encompasses a number of different areas, but at its center lives the power of the tale and its ability to create a lasting impression on readers, both medieval and modern.
From the impact of the first monasteries in the seventh century, to the emergence of the local parochial system five hundred years later, the Church was a force for change in Anglo-Saxon society. It shaped culture and ideas, social and economic behaviour, and the organization of landscape and settlement. This book traces how the widespread foundation of monastic sites ('minsters') during c.670-730 gave the recently pagan English new ways of living, of exploiting their resources, and of absorbing European culture, as well as opening new spiritual and intellectual horizons. Through the era of Viking wars, and the tenth-century reconstruction of political and economic life, the minsters gradually lost their wealth, their independence, and their role as sites of high culture, but grew in stature as foci of local society and eventually towns. After 950, with the increasing prominence of manors, manor-houses, and village communities, a new and much larger category of small churches were founded, endowed, and rebuilt: the parish churches of the emergent eleventh- and twelfth-century local parochial system. In this innovative study, John Blair brings together written, topographical, and archaeological evidence to build a multi-dimensional picture of what local churches and local communities meant to each other in early England.
This is a comprehensive survey of English medieval church monuments. It examines all types of monument-cross slabs, brasses, incised slabs, and sculpted effigies. It analyzes them in an historical context to show what they reveal of the self image and religious aspirations of those they commemorate.--Summary by the editor.
"A classified catalogue of papers from Archaeologia aeliana, 1813-1913", is included in the Centenary volume, ser. 3, v. 10, p. 334-376.
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.
Housesteads is one of the most important forts on Hadrian's Wall. Extensive excavations were carried out between 1874 and 1981 by Newcastle University. Combining the results with those of excavations done between 1959 and 1961 by Durham University, we now have a complete plan of the north-east part of the fort. These excavations uncovered principally Buildings XIII, XIV and XV, plus stretches of rampartbetween the north and east gates, along with a multitude of features and stratigraphic evidence, revealing not only the sequences but also large finds assemblages. In addition to shedding much light on the material culture of the fort's occupants and the structural and chronological relationships between various parts of the fort, limited reinvestigation of Building XIV and excavatin of the east end of Building XV enabled significant reinterpretation of the original conclusions reached by the Durham investigators, including some redating of structures. These excavations uncover the full 300-year period during which the fort formed an integal part of the Roman military frontier, for much if not all of that time the base of the cohors I Tungrorum milliaria peditat. This report documents the excavations and gives full finds reports, and the analysis of the evidence has enabled the authors to provide a full history of this part of the fort.