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Preliminary material -- GENERAL DESCRIPTION OF THE BUILDING AND PAINTINGS -- THE ICONOGRAPHY AND THE DATING OF THE PAINTINGS -- THE RELIGIOUS INTERPRETATION OF THE MITHRAEUM AND ITS PAINTINGS -- INDEX -- LIST OF PLATES -- PLATE.
The publication of this Corpus Inscriptionum et Monumentorum Religionis M ithriacae is due mainly to the activities of the Koninklijke Vlaamse Academie van Wetenschappen, Kunsten en Schone Letteren (The Royal Flemish Academy of Arts and Sciences) at Brussels, for this work was begun as an entry in a compe tition organized by their Department of Fine Arts and Literature. It was then awarded a prize by a committee elected by the Academy and consisting of the theologian Prof. J. Coppens, the orientalist Prof. G. Rijckmans and the archaeolo gist, the late Prof. H. van de Weerd. Among the first who should be mentioned with respect and gratitude is my teacher Dr. F.J. de Waele, Professor in Archaeology and Ancient History at the Nijmegen University and member of the Royal Flemish Academy. This remarkable teacher inspired a deep interest in the study of Archaeology and of the Mithras cult, and his help has always been invaluable. I am also greatly indebted to the renowned Belgian scholar Prof. Franz Cumont. He was among the first to recognize the necessity of a revision of his standard work Textes et Monuments relatifs aux Mysteres de Mithra. During the last few years before his de'ath he showed a lively interest in the present study, supplied much material and often gave advice, devoting a great part of his leisure and his love of Classical Culture to this new publication of the Mithraic Monuments.
A study of the religious system of Mithraism, one of the 'mystery cults' popular in the Roman Empire contemporary with early Christianity. Mithraism is described from the point of view of the initiate engaging with its rich repertoire of symbols and practices.
This is the first ever comprehensive English-language survey of Zoroastrianism, one of the oldest living religions Evenly divided into five thematic sections beginning with an introduction to Zoroaster/Zarathustra and concluding with the intersections of Zoroastrianism and other religions Reflects the global nature of Zoroastrian studies with contributions from 34 international authorities from 10 countries Presents Zoroastrianism as a cluster of dynamic historical and contextualized phenomena, reflecting the current trend to move away from textual essentialism in the study of religion
In Vergil's Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily). Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such "mystery religions" that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro ("Aspects of the Cult of Demeter in Magna Graecia") and Alberto Bernabé ("Imago Inferorum Orphica"). The resulting volume illuminates this often misunderstood range of religious phenomena.
"Divine interiors" is een onderzoek naar de aankleding van Griekse en Romeinse heiligdommen met wandschilderingen. Machtige marmeren façades, beeldhouwwerken en schilderingen speelden een belangrijke rol in het aanzien van deze monumenten. Terwijl de officiële tempels, die met de steden of de staat waren verbonden, meestal een plechtige maar sobere uitstraling hadden, waren de gebouwen die gericht waren op meer volkse uitingen van religiositeit juist bont beschilderd. Scènes uit het leven van de vereerde godheid, aanhangers en beoefenaren van de cultus, planten en dieren konden de bezoekers van deze heiligdommen in hogere sferen brengen. Het valt op dat er in de uitgestrekte Grieks-Romeinse wereld veel overeenkomsten te vinden zijn tussen vaak ver van elkaar gelegen tempels. De muurschilderkunst kende net als andere kunstvormen stijl- en smaakveranderingen, maar die hadden wel overal dezelfde uitstraling.
Preliminary material -- LO SCAVO -- L'EDIFICIO DEL MITREO -- IL MITREO (PRIMA FASE) -- IL MITREO (SECONDA FASE) -- I TRE VANI A SUD DEL MITREO -- IMPORTANZA DEL MITREO DEI CASTRA PEREGRINORUM -- INDEX -- ELENCO DELLE TAVOLE -- TAVOLA.
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.