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RESURRECTION! The hungry dead have risen. They shamble down the street. They hide in back yards, car lots, shopping malls. They devour neighbors, dogs and police officers. And they are here to stay. The real question is, what are you going to do about it? How will you survive? HOW WILL THE WORLD CHANGE WHEN THE DEAD BEGIN TO RISE? Stoker-award-winning author Christopher Golden has assembled an original anthology of never-before-published zombie stories from an eclectic array of today's hottest writers. Inside there are stories about military might in the wake of an outbreak, survival in a wasted wasteland, the ardor of falling in love with a zombie, and a family outing at the circus. Here is a collection of new views on death and resurrection. With stories from Joe Hill, John Connolly, Max Brooks, Kelley Armstrong, Tad Williams, David Wellington, David Liss, Aimee Bender, Jonathan Maberry, and many others, this is a wildly diverse and entertaining collection...the Last Word on the New Dead.
"Irresistibly seductive…a masterpiece." —Anthony Bourdain In the sweltering New York summer of 1841, five people are found brutally murdered. At the center of it all is High Constable Jacob Hays, the young city’s first detective and the novel’s "likeable, crusty narrator" (Time Out New York). His investigation spans years, involving gang wars, graverobbers, and clues hidden in poems by that hopeless romantic and minstrel of the night: Edgar Allan Poe. The Blackest Bird is a gripping and atmospheric historical thriller of murder and deceit in nineteenth-century New York.
Cuba remains volatile, a powder keg that's got the full attention of the White House. Mack Bolan's soft probe into a missing Pentagon official tracking Colombian ELN terrorist camps inside Cuba goes hard when his cover is blown. The connection between a notorious Cuban underworld cartel, Havana Five, and a growing army of leftist insurgents puts Stony Man and Washington on high alert. And with U.S. and global interests in jeopardy and a bloodbath just a hair trigger away, the situation is turning critical. Bolan, flanked by two of Stony Man's crack operatives, turns up the heat with a battle plan that hasn't failed yet—infiltrate, identify and destroy.
He was free now. But his wife was gone. Somewhere the con men were using her as bait--to force him back into their criminal syndicate. And in his violent search through the flea-bitten jungle of hoods and vice dolls he met the beautiful nymphomaniac who swore to help him. Then he learned her awful price-- He had to yield to her naked savagery or be framed for a brutal killing!
“One of our greatest thinkers” on death presents a radical new approach to thinking about dying and the human corpse (Caitlin Doughty, mortician and bestselling author of Smoke Gets in Your Eyes). A fascinating exploration of the relationship between technology and the human corpse throughout history—from 19th-century embalming machines to 21st-century death-prevention technologies. Death and the dead body have never been more alive in the public imagination—not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In this book, John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways. Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the “Happy Death Movement” of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into “death prevention technologies.” The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.