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When a seaside festival ends in murder, Superintendent Littlejohn gets caught up in a baffling investigation in this acclaimed British mystery series. It’s holiday time in Douglas and the town is alive with the local carnival. A brass band and bagpipes lead a procession down the promenade, and the cheering onlookers slowly make their way to the pier. But when the crowd thins and the promenade empties, a man is found dead at the center . . . Detective Littlejohn, who happens to be in town visiting a friend, now faces a perplexing case. In a small town that runs on gossip, nobody seems to know the victim. The waitress who identified him knew him only as ‘Uncle Fred.’ Who would want to murder an anonymous man? It soon becomes clear there is more to Uncle Fred than initially thought. As Littlejohn is pulled deeper into the mystery, the layers of Uncle Fred’s secretive life begin to unravel and the superintendent finds himself racing to prevent a second murder . . .
This compelling book brings together physicians, artists, and scholars of film, literature, philosophy, art, and politics to discuss the representation of the corpse in Western culture. Spanning a timeline from the Renaissance to the present, these essays introduce readers to a modern autopsy, a public execution and dissection in seventeenth-century England, the genre of postmortem photography, the corpse as artist's model, images of dead women in such popular films as Copycat and The Silence of the Lambs, and post-mortem scenes in the works of Flaubert, Balzac, Andres Serrano, and others.
Decadence and murder found on the dark side of the big city pales in comparison to the freak show found by undercover US narcotics agent Bob Clark in The Carnival of Death. Clark's investigation begins with cocaine and leads to cold-blooded murder--the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions--bright lights and beautiful girls--but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. Also includes the mystery "The Death Flyer," in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash ... unless they can find a way to derail fate and cheat death--on the fly. Experience the spinning wheels, the pleasure-seeking crowds and the screams of horror as the The Carnival of Death takes you on a roller-coaster ride of suspense. "Highly recommended." --Midwest Book Review "Roars to life." --Library Journal
Encounter the scariest clowns and freakiest curiosities under the big top, in stories by Stephen Graham Jones, Laird Barron, Priya Sharma, and others. With an introduction from Katherine Dunn Ladies and gentlemen, step right up for fifteen tales of terrifying rides, supernatural sideshows, and petrifying performers guaranteed to keep you up all night—with Hugo and Bram Stoker Award–winning editor Ellen Datlow as the ringmaster. In Stephen Graham Jones’s “The Darkest Part,” three men are driven to madness by the clown that has haunted them since one misguided Tunnel of Love ride during their childhoods. The deaths of three circus performers—two brothers and a beautiful fire dancer—become the burning obsession of an author who wrote a book about the tragedy in “The Firebrand” by Priya Sharma. “Skullpocket” by Nathan Ballingrud takes you to an alternate fantasy world where a well-respected ghoul from a town near Chesapeake Bay grieves the death of his one true love, a freak show attraction known as the Orchid Girl. Under the tent, you’ll find more chilling stories by Genevieve Valentine, Robert Shearman, N. Lee Wood, Nick Mamatas, A. C. Wise, Terry Dowling, Joel Lane, Glen Hirshberg, Jeffrey Ford, Dennis Danvers, and Livia Llewellyn. “To Datlow’s credit a number of her selections take the dark carnival theme into provocative new territory. . . . Ballingrud’s tale is a magnificent piece of storytelling. Accompanied by another 14 estimable acts, it makes admission into Nightmare Carnival well worth the price.” —Locus “There’s not a bad story in the bunch.” —Horror DNA
Fiction. In this novel, by poet and essayist Mark Wallace, a scientist creates gilled human monstrosities that are also avatars of the possibility of imaginative transcendence. Experimentation in language and in the laboratory produce equally vertiginous results. "In these worlds, ideas and narratives flurry madly and wink out like sparks, the dead walk, and the monstrous is never far away. Part Lovecraft, part de Sade, part B-horror movie, part philosophy, DEAD CARNIVAL is a schizophrenic and uniquely American Novel of Ideas" Brian Evenson "Mark Wallace writes like John Hawkes dreaming of Paul Bowles having a gothic nightmare" Ron Sukenick."
Laughter, contemporary theory suggests, is often aggressive in some manner and may be prompted by a sudden perception of incongruity combined with memories of past emotional experience. Given this importance of the past to our recognition of the comic, it follows that some "traditions" dispose us to ludic responses. The studies in Of Corpse: Death and Humor in Folklore and Popular Culture examine specific interactions of text (jokes, poetry, epitaphs, iconography, film drama) and social context (wakes, festivals, disasters) that shape and generate laughter. Uniquely, however, the essays here peruse a remarkable paradox---the convergence of death and humor.
One of the most original and unsettling filmmakers of all time, Browning is also one of the most enigmatic directors who ever worked in Hollywood. Illustrated throughout with rare photos, Dark Carnival is both an artful and shocking portrait of a singular film pioneer and an illuminating study of the evolution of horror, essential to an understanding of our continuing fascination with the macabre.
When the carnival rolled towards Clifton, the third stop of the season, the problems occurred before the twins even made it to the city limits. Five miles out of town, they encountered their first ghost standing in the middle of the road. It didn't take long to introduce themselves to Chief Floyd Fillman. He was expecting them since Gramps had called ahead to warn him. The corpses started piling up from that point forward. So many, in fact, that the FBI got involved. Let's not forget Madame Esmeralda's letter addressed to the town outcast, Winona Presley. Or the fact that the twins boyfriends were due for a visit. It would take some help from the Callahan sisters to get the twins out of this mess. Come along and enjoy the suspense that is Corpses in Clifton, Book Three of The Traveler's Carnival and Sideshow.