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This admirable survey...compact, smoothly written, easy to read and digest, yet indicative throughout of profound scholarship and an obvious mastery of the field, Cornish Literatureprovides an enduring guide to this small but significant genre. The three Middle Cornish plays -- in English titles, The Creation of the World, Life of St Meriasekand the tripartite Ordinalia -- accompany a long Pascon agan Arluth, a verse Passion of our Lord' and the odd fragment... His last chapter, Survivals and Revivals', is a fair but detached account covering a long (1611 to 1992) phase that will also interest sociologists. The chief strength of his book is the textual analysis of the main plays, placing them alongside medieval English drama as well as the larger European manifestation of religious drama and the complex question of all their biblical and quasi-biblical sources. There is a useful bibliography. Modestly priced, Brian Murdoch's scholarly and attractive guide should appeal to many beyond medievalist circles; it will not be superseded for a long time.' THE TIMES LITERARY SUPPLEMENT BRIAN MURDOCHis head of the Department of German at Stirling University.
A beautiful village. An artist who’s lost her spark. And a community who help her find it again. ‘Charming and romantic, sweet and sunny. I loved it’ MILLY JOHNSON 'A warm and charm-filled story about community, passion and following your heart, The Cornish Hideaway is a feel-good delight. Its dreamy seaside setting and cast of loveable characters quickly became a world I didn't want to leave. A holiday romance in book form - I adored it!' HOLLY MILLER ‘A sun-drenched summer in picture-perfect Polcarrow - I didn't want it to end’ HOLLY HEPBURN All Freya has ever wanted to do is paint. So when she fails her Master’s Degree in Art, on the same day that her boyfriend decides he needs a ‘more serious’ partner, to Freya it feels like the end of the world. Luckily, she has a saviour in the shape of best friend Lola, who invites her to the sleepy Cornish village of Polcarrow, to work in her café. With nothing keeping her in London, Freya jumps at the chance of a summer by the sea. Freya needs time to focus on herself. But then dark and mysterious biker Angelo blows into town on a stormy afternoon, with his own artistic dreams and a secretive past, and Freya’s plans of a romance-free summer fly straight out of the window… Heart-warming, heartfelt and romantic, The Cornish Hideaway is a novel of community, friendship and learning to love again, for fans of Jenny Colgan, Cathy Bramley and Heidi Swain. ‘I absolutely loved the gorgeous seaside setting and the wonderful sense of community!’ HOLLY MARTIN 'A wonderfully charming debut’ JACKIE FRASER
Cornwall as Strange Fiction is focused on written and visual culture that is made in, or made about, Cornwall and where there is affinity with Gothic. Cornwall and the Scilly Isles (known as ‘Kernow’ in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. In 1998, Avril Horner and Sue Zlosnik coined the term ‘Cornish Gothic’ in relation to the work of Daphne du Maurier. Since then, however, there have been few discussions of the distinctive types of Gothic engendered by cultural and imaginative re-creations of Cornwall or where it has played a generative role within creative practice. Cornwall as Strange Fiction argues that a persistent imaginative romance with the peninsular has produced a specific and distinctive set of Gothic fictions and creative outputs that mark an exciting new departure in the discussion of regional and media-aware Gothic studies. Offering new insights into the relationships between place and Gothic, this book aims to engender and encourage greater debate through our argument that Cornwall plays a potent role in the landscape of regional Gothic and argues that it needs to be considered more fully as a major catalyst in the Gothic imagination.
Educated, beautiful, and the daughter of a prosperous merchant, Angelica Lilly has been invited to spend the summer in high society. Her father's wealth is opening doors and attracting marriage proposals, but Angelica still feels like an imposter among the aristocrats of Cornwall. When her brother returns home, ill and under the influence of a dangerous man, Angelica's loyalties are tested to the limit. Her one hope lies with coachman Henry Trevelyan, a softly spoken educated man with kind eyes. But when Henry seemingly betrays Angelica, she has no one to turn to. Who is Henry, and what does he want? And can Angelica save her brother from a terrible plot that threatens to ruin her entire family?
Next stop, Cornwall! Hop on The Cornish Cream Tea Bus for a delicious, romantic adventure...
This Very Short Introduction provides a compelling account of the emergence of the earliest literature in Britain and Ireland, including English, Welsh, Scottish, Irish, Anglo-Latin and Anglo-Norman. Introducing the reader to some of the greatest poetry, prose and drama ever written, Elaine Treharne discusses the historical and intellectual background to these works, and considers the physical production of the manuscripts and the earliest beginnings of print culture. Covering both well-known texts, such as Beowulf, The Canterbury Tales and the Mabinogion, as well as texts that are much less familiar, such as sermons, saints' lives, lyrics and histories, Treharne discusses major themes such as sin and salvation, kingship and authority, myth and the monstrous, and provides a full, but brief, account of one of the major periods in literary history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.