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An Iowa farm boy longs to quit school and join his dad working the land Dick comes home from school early and tells his mother he was sent home with a stomachache. She puts him to bed and tells him to get some sleep, but Dick can’t shut his eyes for a second. All his life he’s wanted to be a farmer—to quit school and join his father and brother driving tractors across their sprawling property—and today is his chance. His father is getting a 2nd tractor, and he’ll need Dick to drive it. Dick is certain that there’s nothing on the farm that he can’t handle. But when he gets a taste of farmer’s work, will he be so sure it’s the life for him? This charming novel offers a detailed look at life on a farm and a snapshot of a time when a boy could quit school to work in the fields.
Dr. Paul Kleine reflects on the first 21 years of his life growing up in Hoffman, Illinois, being the first in his family to graduate high school, and coming back to help care for his sick father.
As a nine-year old city boy travels from Des Moines, Iowa by train to visit his grandfather's farm in the early 1900s, he imagines how he will impress his cousins ― with stories of skyscrapers and trolley cars, automobiles and the Union Park Zoo, Ingersoll Amusement Park, and the Capitol ― things he thinks might dazzle farm boys. However, as his cousins and his grandfather introduce him to country life, the eyes that are dazzled become his own. The Iowa Kids 1910 series is a collection of three unforgettable stories -- humorously captured and simply told. Farm Boy, High Waters, No-Sitch the Hound.
A cloth bag containing ten copies of the title.
"Eloquent and detailed...It's hard to have hope, but the organized observations and plans of Hoffman and people like her give me some. Read her book -- and listen." -- Jane Smiley, The Washington Post In her late 40s, Beth Hoffman decided to upend her comfortable life as a professor and journalist to move to her husband's family ranch in Iowa--all for the dream of becoming a farmer. There was just one problem: money. Half of America's two million farms made less than $300 in 2019, and many struggle just to stay afloat. Bet the Farm chronicles this struggle through Beth's eyes. She must contend with her father-in-law, who is reluctant to hand over control of the land. Growing oats is good for the environment but ends up being very bad for the wallet. And finding somewhere, in the midst of COVID-19, to slaughter grass finished beef is a nightmare. If Beth can't make it, how can farmers who confront racism, lack access to land, or don't have other jobs to fall back on hack it? Bet the Farm is a first-hand account of the perils of farming today and a personal exploration of more just and sustainable ways of producing food.
This autobiography of the first Dean of the College of Agriculture at Cornell University offers an unconventional account of farm life in New York and the Middle West during the nineteenth century, and of the difficulties attendant upon building up a vital and progressive agricultural college. Born in Seneca County, New York, in 1833, Isaac Phillips Roberts emigrated west--first to Indiana, where he worked as a carpenter until he was able to buy a farm, and taught school during the winters; then, in 1862, to Mount Pleasant, Iowa, in a pioneer wagon with his wife, Margaret, and daughter. In 1869, he became the Superindent of the Farm and Secretary of the Board of Trustees of the Iowa Agricultural College at Ames, where he soon became Professor of Agriculture. In 1873, he returned to New York to take a similar position at Cornell University; shortly thereafer, he was made Dean of the Faculty of Agriculture and Director of the Experiment Station. During his thirty years of service in Ithaca, he wrote voluminously on agricultural subjects, and after his retirement, penned Autobiography of a Farm Boy, initially published in 1916, reissued by Cornell University Press in 1946, and now made available in paperback. He died in Palo Alto, California, in 1928.
Rose Calamia is a first generation Italian American working girl in a 1945 aircraft plant, when she meets Iowa farm boy, Jack Conner. Jack has recently been discharged from the Army and is still licking his wounds from an all too familiar war time casualty--a "Dear John" followed by divorce. When their love affair leads to a wedding and a move to Jack's home community, Rose is totally unprepared for the life that awaits her in rural Iowa. Ever the sheltered daughter and sister in a family steeped in old world traditions, Rose is exposed to Jack's world which is the polar opposite. Living with her in-laws for the first few months of marriage, Rose is homesick and unsure of her hasty decision to move back to the Midwest with her husband of three months. On top of all the other adjustments (no modern conveniences like electricity and indoor plumbing) Rose harbors a secret, her pregnancy. Her mother-in-law, Bess is determined to sabotage Jack's marriage to this skinny foreigner and "city gal," whose skin is dark and ways unlike any she's familiar with. Rose's determination to endure and love her husband is tested when she is called home for her mother's funeral. Once back in warm, sunny California -- Iowa, Jack, and the harsh Midwest seem worlds away. Rose has to decide if what she wants is in Iowa with her husband or in the comfortable surroundings of California and family --and an old flame who awakens her heart in ways she thought were dead. Rose's struggle, like so many women of her generation, is a tug-of-war between what is expected and what desires are left over for her in the ash-heap of duty and subservience. Rose's final decision will test her character and surprise her harshest critiques.
Beware of what lurks in the corn. Fairies don’t exist. At least that’s what Thomas Cavanaugh’s parents say. But the events of that one night, when he follows a fairy into the cornfield on his parents’ farm, prove them wrong. What seems like a destructive explosion was, Thomas knows, an encounter with Dauðr, a force that threatens to destroy the fairy’s world and his sanity. Years later, after a troubled childhood and a series of dead-end jobs, he is still haunted by what he saw that night. One day he crosses paths with a beautiful young woman and a troubled young man, soon realizing that he first met them as a kid while under psychiatric care after his encounters in the cornfield. Has fate brought them together? Are they meant to join forces to save the fairy’s world and their own? Or is one of them not who they claim to be?
A boy and his grandpa hope to strike oil in drought-ridden Oklahoma It’s hot in Oklahoma. There’s no wind, the wells are dry, and the ground is dead. Orvie’s family is doing everything they can to keep their farm going. If they miss a payment on the mortgage, the bank will take their home away, and they’ll have nowhere else to go. Farming is tough, honest work, and it’s no way to get rich. For years, Orvie’s grandfather has sworn that there’s oil under their land, and as soon as it starts bubbling up, they’ll have more money than they know what to do with. But when the oil boom sweeps across Oklahoma, Orvie will find there are some problems that money can’t solve. This rich portrait of life during the Oklahoma oil boom provides a lovingly detailed look at a forgotten time in history.