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This work consists of three illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. The authors' study of this material from the Harvard-Cornell excavations offers new evidence of the taste for Greek wares and shapes in Anatolia before the time of Alexander.
Excavations at ancient Methone since 2003 by the Greek Ministry of Culture have uncovered remains from the Late Neolithic period through the fourth-century B.C. destruction by Philip II of Macedon. These discoveries extend the history of the city, a colony of Eretria (Euboia) since the late eighth century B.C., by nearly three thousand years into Greek prehistory. This volume presents results of the project in selected artefacts, burials, and structures representing the chief phases of the city, in chronological order. An introduction covers historical sources, excavations from 2003 to 2013, and the unique location of Methone. Part I details the prehistoric settlement at Methone, from the fourth millennium to 1000 B.C., and the Bronze Age burials. Part II focuses on the copious artifacts and ecofacts from the Early Iron Age "Hypogeion" shaft. Part III presents artifacts and architecture from the Archaic and Classical periods, through the final daysof the siege of the city in 354 B.C. The significance of this work lies in its interdisciplinary methods, combining stylistic analysis of artifacts and source-critical philology with natural history, bioarchaeology, materials analysis, and geochemistry, whose results reveal the long-term history of a site crucial to the economic and political history of Classical Greece and the north Aegean.
Excavations on the Iberian Peninsula yield more and more Archaic and Classical Greek material every year. This is the first book to be published in English that discusses Archaic and Classical Greek pottery found in that area. The volume provides elaborate and up-to-date information. The first chapter (by A. Domínguez) is dedicated to Archaic pottery and covers the whole Peninsula; the second (by C. Sánchez) covers the Classical period, mainly based on the study of Attic pottery from Eastern Andalusia. Both chapters contain a catalogue with many illustrations. Not just finds are listed, but distribution and shape studies are included, as well as a discussion of how the local Iberian population viewed Attic painted pottery. The final chapter gives a general overview of trade, based upon the information presented in the previous chapters.
The Etruscan city of Caere and eleven other Etruscan city-states were among the first urban centers in ancient Italy. Roman descriptions of Etruscan cities highlight their wealth, beauty, and formidable defenses. Although Caere left little written historical record outside of funerary inscriptions, its complex story can be deciphered by analyzing surviving material culture, including architecture, tomb paintings, temples, sanctuaries, and materials such as terracotta, bronze, gold, and amber found in Etruscan crafts. Studying Caere provides valuable insight not only into Etruscan history and culture but more broadly into urbanism and the development of urban centers across ancient Italy. Comprehensive in scope, Caere is the first English-language book dedicated to the study of its eponymous city. Collecting the work of an international team of scholars, it features chapters on a wide range of topics, such as Caere’s formation and history, economy, foreign relations, trade networks, art, funerary traditions, built environment, religion, daily life, and rediscovery. Extensively illustrated throughout, Caere presents new perspectives on and analysis of not just Etruscan civilization but also the city’s role in the wider pan-Mediterranean basin.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
'Abundance of Life' traces the stylistic and iconographic evolution of Etruscan wall paintings over their 500 year history. The text also examines what the paintings reveal about the daily life, politics, and religion of this ancient society.
A series of kilns at ancient Corinth known as the Tile Works are given final publication in this long-awaited book, based on excavations conducted in 1939 and 1940 (as war was closing in) by Carl Roebuck and Arthur Parsons, and renewed briefly in 1950 by Gladys Weinberg. The artisans at the Tile Works produced not only roof tiles but a whole range of terracotta articles from the 6th to 4th centuries B.C., with one break in production in the late 5th to early 4th century. These products included, at different periods, architectural sculpture and decorated revetments; heavy household pottery such as mortars and lekanai; loomweights; votive furniture such as altars and plaques; and even some fine and semi-fine pottery. The standard of craftsmanship was very high and the artifacts produced found enthusiastic markets in other parts of Greece; as the revetments of roofs at Delphi, for example, and as mortars in the markets of Athens. The Tile Works, therefore, along with the Potters' Quarter, was one of the major and most prolific industrial establishments in ancient Corinth. In this study, the principal features and deposits are first discussed, in order to establish the chronology of the three successive kilns on the site, and to try to relate them to known events in Corinth. The manufactures are then considered, beginning with a discussion of fabrics and techniques of manufacture, then moving on to typology and dating. The study concludes with a presentation of the Corinthian pottery and other artifacts found at the Tile Works but not made there, and a catalogue of terracottas by Charles K. Williams II.
**** A reprint, without changes, of the Knopf edition, 1961 (which is cited in BCL3). Like the original (undoubtedly), this, too, is printed on acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR