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(Amadeus). His exceptional good looks made him a matinee idol, and Franco Corelli the Prince of Tenors was dubbed "Mr. Soldout" for 20 consecutive years. In 1958, just seven years after beginning his career, he was already the highest-paid tenor in Italy. Following his Met debut in 1961, he was celebrated as the greatest tenor in the world, a position that he retained until his departure from the Met in 1975. His charismatic performances in such operas as La Vestale and Fedora (both in collaboration with Maria Callas), coupled with a formidable mystique, as well as a number of notorious and colorful incidents, including his real-life sword fight with Boris Christoff in Rome, the Callas walkout there, the beating up of a spectator in Naples, and the alleged biting of Birgit Nilsson on a Boston tour of Turandot , created a mania for Corelli. Nearly a decade in the making, this definitive biography is based on the author's extensive research of theater archives and interviews with the opera star's numerous friends, family members, colleagues (Nilsson, Pavarotti, and many others), as well as the management of some of the world's leading opera houses.
**AS SEEN ON BBC BETWEEN THE COVERS** 25TH ANNIVERSARY EDITION - WITH A NEW INTRODUCTION BY THE AUTHOR 'A true diamond of a novel, glinting with comedy and tragedy' Daily Mail It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous – and a consummate musician. When Pelagia, the local doctor's daughter, finds her letters to her fiancé go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable. But can this fragile love survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender? 'Louis de Bernières is in the direct line that runs through Dickens and Evelyn Waugh...he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste' Evening Standard
With the purpose of introducing Marie Corelli to a new generation of readers and of reconsidering her works for generations familiar with them, Reinventing Marie Corelli for the Twenty-First Century demonstrates how provocative the author was as a public figure and how controversial and paradoxical were the views about womanhood and the supernatural pitched in her novels. This collection of original essays focuses on three major battles that engaged Corelli: her personal and public contentions, her mercurial constructions of gender and resistance to the New Woman modality and her untenable reconciliation of science with the supernatural. Corelli was often fighting several fronts at the same time; she rarely was not at war with someone including herself.
The acclaimed story of a timeless place that one day wakes up to find itself in the jaws of history: "An exuberant mixture of history and romance, written with a wit that is incandescent" (Los Angeles Times Book Review). The place is the Greek island of Cephallonia, where gods once dabbled in the affairs of men and the local saint periodically rises from his sarcophagus to cure the mad. Then the tide of World War II rolls onto the island's shores in the form of the conquering Italian army. Caught in the occupation are Pelagia, a willful, beautiful young woman, and the two suitors vying for her love: Mandras, a gentle fisherman turned ruthless guerilla, and the charming, mandolin-playing Captain Corelli, a reluctant officer of the Italian garrison on the island. Rich with loyalties and betrayals, and set against a landscape where the factual blends seamlessly with the fantastic, Corelli's Mandolin is a passionate novel as rich in ideas as it is genuinely moving.
A middle-of-the night phone call summons NYPD Detective Chiara Corelli and her partner, Detective P.J. Parker, to a politically sensitive murder scene. The victims—a U.S. Senator, the pastor of a mega church, and a self-made music industry billionaire—appear to have been killed during a sex orgy. Pressure is mounting to cover up the circumstances. But Corelli and Parker are enraged by the words scrawled in blood on a mirror, and their hearts are broken by what they find hidden in a closet. Now the partners vow to find the killer and expose the unsavory lives of these men while seeking justice for the real victims in this case—the children.
The first full-length study for forty years, Arcangelo Corelli offers a much needed reassessment of the seminal composer's life and works. His current historical perspective is still largely conditioned by the opinions of Burney and Hawkins in the late 18th century who saw him as the consolidator of past trends rather than an instigator--a view fully endorsed in the two biographies of the present century. Neither of these writers was truly in a position to make such judgements if only because neither was aware of the contributions of the Roman School to which Corelli emphatically affirmed his allegiance. Extensive archival research over recent years now dispels much of the anecdote and hearsay accumulated over the centuries and makes possible a more balanced evaluation of Corelli's true status in the development of the prime instrumental genres, accounting for his phenomenal success both during his lifetime and in the creation of musical canon in the decades after his death.
After a brief illness and premature death, an Italian man returns home to find his deceitful wife in the arms of his former best friend. This shocking reveal pushes him to seek retribution from the unsuspecting parties. In cholera-ridden Italy, Count Fabio Romani lives in an illustrious home with his beautiful wife. Yet, his life takes an unsuspected turn when he suddenly falls ill and is presumed dead. He is buried alive but manages to escape and find a way back to the woman he loves. Unfortunately, his return is soured when he discovers his closest friend has taken his place. Heartbroken, Fabio conceals his identity and devises a plan to avenge everything he has lost. Vendetta: A Story of One Forgotten is the second novel published by Marie Corelli following her debut, A Romance of Two Worlds. It’s an epic drama fueled by one man’s desperate need to retaliate. Fabio is a tortured hero who ultimately plays judge, jury and executioner. With an eye-catching new cover, and professionally typeset manuscript, this edition of Vendetta: A Story of One Forgotten is both modern and readable.
This wildly popular romance from British writer Marie Corelli begins as a classic fish-out-of-water story. The eponymous heroine Thelma, an innocent Norwegian girl, is plucked by a suitor from her family and inserted into the upper echelons of British high society. Will she retain her purity of heart, or will she give in to the debasement that encompasses her?