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En el corazón de Aztlán es una antología poética que trasciende las fronteras de la imaginación. Es la búsqueda y el reencuentro con un pasado histórico eternizado y un presente hostil que limitan y obstruyen el máximo desarrollo físico, mental y espiritual del ser humano. Además, es un reto a la inercia y a las distracciones de la vida diaria, es un llamado a la reafi rmación de la identidad del chicano y el mexicano. El poeta nos lleva desde las aulas a las calles; del encierro a la intemperie; de las ciudades superpobladas a la soledad de los desiertos; de la bondad a la malicia; de la sumisión a la rebeldía; de la inactividad a la movilización; de la soledad a la solidaridad y trata la constante migración del mexicano en búsqueda de sus orígenes y la tierra prometida.
This book provides a long-needed overview of the Chicana and Chicano movement's social history as it grew, flourished, and then slowly fragmented. The authors examine the movement's origins in the 1960s and 1970s, showing how it evolved from a variety of organizations and activities united in their quest for basic equities for Mexican Americans in U.S. society. Within this matrix of agendas, objectives, strategies, approaches, ideologies, and identities, numerous electrifying moments stitched together the struggle for civil and human rights. Gómez-Quiñones and Vásquez show how these convergences underscored tensions among diverse individuals and organizations at every level. Their narrative offers an assessment of U.S. society and the Mexican American community at a critical time, offering a unique understanding of its civic progress toward a more equitable social order.
Bridging the fields of Religion and Latina/o Studies, this book fills a gap by examining the “spiritual” rhetoric and practices of the Chicano movement. Bringing new theoretical life to biblical studies and Chicana/o writings from the 1960s, such as El Plan Espiritual de Aztlán and El Plan de Santa Barbara, Jacqueline M. Hidalgo boldly makes the case that peoples, for whom historical memories of displacement loom large, engage scriptures in order to make and contest homes. Movement literature drew upon and defied the scriptural legacies of Revelation, a Christian scriptural text that also carries a displaced homing dream. Through the slipperiness of utopian imaginations, these texts become places of belonging for those whose belonging has otherwise been questioned. Hidalgo’s elegant comparative study articulates as never before how Aztlán and the new Jerusalem’s imaginative power rest in their ambiguities, their ambivalence, and the significance that people ascribe to them.
Through lively, engaging narrative, Understories demonstrates how volatile politics of race, class, and nation animate the notoriously violent struggles over forests in the southwestern United States. Rather than reproduce traditional understandings of nature and environment, Jake Kosek shifts the focus toward material and symbolic “natures,” seemingly unchangeable essences central to formations of race, class, and nation that are being remade not just through conflicts over resources but also through everyday practices by Chicano activists, white environmentalists, and state officials as well as nuclear scientists, heroin addicts, and health workers. Drawing on two years of ethnographic fieldwork and extensive archival research, he shows how these contentious natures are integral both to environmental politics and the formation of racialized citizens, politicized landscapes, and modern regimes of rule. Kosek traces the histories of forest extraction and labor exploitation in northern New Mexico, where Hispano residents have forged passionate attachments to place. He describes how their sentiments of dispossession emerged through land tenure systems and federal management programs that remade forest landscapes as exclusionary sites of national and racial purity. Fusing fine-grained ethnography with insights gleaned from cultural studies and science studies, Kosek shows how the nationally beloved Smokey the Bear became a symbol of white racist colonialism for many Hispanos in the region, while Los Alamos National Laboratory, at once revered and reviled, remade regional ecologies and economies. Understories offers an innovative vision of environmental politics, one that challenges scholars as well as activists to radically rework their understandings of relations between nature, justice, and identity.
The first book-length study of women's involvement in the Chicano Movement of the late 1960s and 1970s, ¡Chicana Power! tells the powerful story of the emergence of Chicana feminism within student and community-based organizations throughout southern California and the Southwest. As Chicanos engaged in widespread protest in their struggle for social justice, civil rights, and self-determination, women in el movimiento became increasingly militant about the gap between the rhetoric of equality and the organizational culture that suppressed women's leadership and subjected women to chauvinism, discrimination, and sexual harassment. Based on rich oral histories and extensive archival research, Maylei Blackwell analyzes the struggles over gender and sexuality within the Chicano Movement and illustrates how those struggles produced new forms of racial consciousness, gender awareness, and political identities. ¡Chicana Power! provides a critical genealogy of pioneering Chicana activist and theorist Anna NietoGomez and the Hijas de Cuauhtémoc, one of the first Latina feminist organizations, who together with other Chicana activists forged an autonomous space for women's political participation and challenged the gendered confines of Chicano nationalism in the movement and in the formation of the field of Chicana studies. She uncovers the multifaceted vision of liberation that continues to reverberate today as contemporary activists, artists, and intellectuals, both grassroots and academic, struggle for, revise, and rework the political legacy of Chicana feminism.
Sol-edad es una antología poética cuyo lirismo nos invita a reflexionar sobre la existencia, el amor, las presiones sociales, los efectos de la tecnología, el comportamiento humano ante la crisis económica; la polución, el deterioro del medioambiente, la deshumanización del hombre, la violencia, la discriminación, el estrés y la pérdida de valores. Sol-Edad es un retorno a las raíces del mexicano, revela experiencias sobre el chicanismo; e intenta rescatar el idioma español, las tradiciones mexicanas y la cultura hispana.
During the Chicano Movement in the 1960s and 1970s, the idea of Aztlán, homeland of the ancient Aztecs, served as a unifying force in an emerging cultural renaissance. Does the term remain useful? This expanded new edition of the classic 1989 collection of essays about Aztlán weighs its value. To encompass new developments in the discourse the editors have added six new essays.
Winner, Spur Award for Best Contemporary Nonfiction (Western Writers of America) A Land Apart is not just a cultural history of the modern Southwest—it is a complete rethinking and recentering of the key players and primary events marking the Southwest in the twentieth century. Historian Flannery Burke emphasizes how indigenous, Hispanic, and other non-white people negotiated their rightful place in the Southwest. Readers visit the region’s top tourist attractions and find out how they got there, listen to the debates of Native people as they sought to establish independence for themselves in the modern United States, and ponder the significance of the U.S.-Mexico border in a place that used to be Mexico. Burke emphasizes policy over politicians, communities over individuals, and stories over simple narratives. Burke argues that the Southwest’s reputation as a region on the margins of the nation has caused many of its problems in the twentieth century. She proposes that, as they consider the future, Americans should view New Mexico and Arizona as close neighbors rather than distant siblings, pay attention to the region’s history as Mexican and indigenous space, bear witness to the area’s inequalities, and listen to the Southwest’s stories. Burke explains that two core parts of southwestern history are the development of the nuclear bomb and subsequent uranium mining, and she maintains that these are not merely a critical facet in the history of World War II and the militarization of the American West but central to an understanding of the region’s energy future, its environmental health, and southwesterners’ conception of home. Burke masterfully crafts an engaging and accessible history that will interest historians and lay readers alike. It is for anyone interested in using the past to understand the present and the future of not only the region but the nation as a whole.
A Dream Catcher is thought by Native Americans to capture bad dreams so they perish in the light of day. In "Of a Dream Catcher," Aurelio Sanchez in gritty, streetwise narrative verse tells dramatic stories with surprising imagery, tales that are at times shocking, often beguiling and always beautiful, touching on themes of found and lost love, violence, addiction, poetic justice and injustice, the supernatural, cultural alienation, and celebration. In one story, a drag racer searches for a lost friend, but finds only longing; in another, a man who just wants to listen to the oldies meets a real man with a .45 caliber handgun; in another, a tomboy, after a magical evening, is transformed to Goddess. In another, a reckless ne'er do well is recruited to be an angel, to find charity in a cold world. Dreams, nightmares, visions and prophecies are captured in the web "Of a Dream Catcher" and are sifted to beauty. Includes a foreword by acclaimed New Mexico poet and novelist Jimmy Santiago Baca.