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Drawing from firsthand accounts, court testimony, and contemporary records, this history tells the story of Coranderrk, an Aboriginal community that operated successfully as a supplier of wheat and hops to Melbourne before an Aboriginal Protection Board-spurred Parliamentary Inquiry in 1881 deprived it of the bulk of its workforce. The first-person testimonies of both the Aboriginal witnesses and their non-Aboriginal allies and adversaries reveal the tensions inherent in the situation and provide a deeper and more accurate u.
More than a century ago an Aboriginal community in Victoria campaigned for recognition of their right to occupy and control the small acreage they had farmed for 25 years. Others wanted to develop this tract. Government spokesmen denied that the occupants had inherited any rights to this land and declared that, anyway, they were not really Aborigines. This book is about the rebellion at Coranderrk Aboriginal Station between 1874 and 1886. It describes how Coranderrk families fought to keep their land. To explain why they fought I must begin with the years before, to show what this ‘miserable spadeful of ground’ meant to them, and how they came to be there. Finally, I sketch what ultimately happened. First published in 1998, 12 years after the death of its author Diane Barwick, Rebellion at Coranderrk was an attempt to rectify some of the injustices of the past two-hundred-plus years in Australia, and to prevent similar occurrences in the future. It remains acutely relevant. This book includes the names and images of people who are now deceased. ‘All Australians have good reason to be grateful to Diane Barwick.’ — H. C. Coombs ‘The painstaking research, the perceptive judgements of people and events, and the brilliant prose combine to produce a magnificent account of the Kulin and their European “administrators”. The book is simply packed with historical reinterpretation and vivid reconstructions of families and individuals.’ — C. T. Stannage ‘The author’s research found that Coranderrk is an excellent example of … an Aboriginal (farming) success story. It is very relevant to modern land-rights protests throughout Australia.’ — Canberra Times
A guide to records about aboriginal people in the Public Record Office of Victoria and the Australian Archives, Victorian Regional Office.
Includes list of members.
Andrew Sayers examines a considerable body of drawings produced by Aboriginal artists between 1803 and 1903. Never before collected as a genre, these works are retained in museums, libraries, or private hands and have rarely been displayed. Often regarded as inauthentic art because of their stylistic borrowings and fluctuations, they enjoy a unique status as products of the interaction between Aboriginal society and the British colonizers. The largest group of drawings comes from the hands of three artists--Tommy McCrae (c1823-1901), William Barak (c1824-1903), and Ulladulla Mickey (c1820-1891), who produced their drawings in the 1880s and 1890s. Visually these drawings are varied, but they possess many of the aesthetic qualities which characterize contemporary Aboriginal art, displaying intense vitality and an acute understanding of flora and fauna.
DIVA historical ethnography of photographs as a colonial tool and as reappropriated by the indigenous population from the 1860s through the 1920s and in the present./div