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"Copyright law grants exclusive rights for limited terms to the authors of musical, literary, dramatic and artistic works. With the shift towards an information economy and the rapid development of digital technologies, copyright is fast becoming one of the most dynamic, critical and controversial areas of Canadian law and policy. This casebook presents extracts from the leading cases from both Canadian and international jurisprudence to illustrate the legal concepts, doctrinal evolution and current approaches to copyright issues. The revised second edition reflects the important case law and statutory amendments that have taken place over the past five years, including the Supreme Court of Canada's so-called "copyright pentalogy" and the newly enacted Copyright Modernization Act."--pub. desc.
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
With stimulating questions, comprehensive notes, and teachable cases as its hallmarks, Gorman and Ginsburg's Copyright serves as the authoritative law school casebook for the study of copyright law. The book's many well-chosen recent decisions cover issues such as the Napster case, the MP3.com fair use case, secondary liability, circumvention of technological protections, interpretation of pre-digital licenses, Internet transmission of music, distance education, and international issues. Traditional issues include protection for government-authored and incorporated works, joint ownership and community property, and the duration of copyright and the constitutionality of its extensions. Other topics include the World Trade Organization ruling on the Fairness in Music Licensing Act and developing theories about preemption of state law.
A summary of leading American decisions on the law of copyright and on literary property, from 1891 to 1903 : Together with the text of the United States copyright statute, and a selection of recent copyright decisions of the courts of Great Britain and Canada.
With the development of digital technology, the laws and legal disputes of copyright and related rights have known a dynamism reflecting this evolution. This publication is an informative collection of legal decisions made by the courts of countries in the Asia and the Pacific region. It provides summaries of a number of salient cases in the field of music, and offers some very interesting insights into the different ways in which copyright and related rights are being handled in various jurisdictions. It aims to be a useful reference for the many professionals who are seeking to navigate the music industry's increasingly complex legal and commercial landscape. This case book was prepared with the assistance of the Funds-in-Trust of the Republic of Korea.
With stimulating questions, comprehensive notes, and teachable cases as its hallmarks, Gorman and Ginsburg's Copyright serves as the authoritative law school casebook for the study of copyright law. The book's many well-chosen recent decisions cover issues such as the Napster case, the MP3.com fair use case, secondary liability, circumvention of technological protections, interpretation of pre-digital licenses, Internet transmission of music, distance education, and international issues. Traditional issues include protection for government-authored and incorporated works, joint ownership and community property, and the duration of copyright and the constitutionality of its extensions. Other topics include the World Trade Organization ruling on the Fairness in Music Licensing Act and developing theories about preemption of state law.