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Overzicht van vooral de 20e-eeuwse Nederlandse typografie.
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
This book resulted from a desire to understand the role of pamphlets in the political life of that most curious early modern state, the Dutch Republic. The virtues of abundance and occasional liveliness have made "little blue books," as they were called, a favorite historical source-that is why I came to study them in the first place. I But the more I dug into pamphlets for this fact or that, the more questions I had about their 2 contemporary purpose and role. Who wrote pamphlets and why? For whom were they intended? How and by whom were pamphlets brought to press and distributed, and what does this reveal? Why did their number increase so greatly? Who read them? How were pamphlets different from other media? In short, I began to view pamphlets not as repositories of historical facts but as a historical phenomenon in their own right. 3 I have looked for answers to these questions in governmental and church records, private letters, publishing records and related materials about printers, booksellers, and pamphleteers, and of course in pam phlets themselves. Like so many other students of the early press and its products, I discovered only scattered, incomplete images of actual con ditions, such as the readership or popularity of pamphlets. On the other hand, I found much material which reflected what people believed about "little books.
Keith L. Sprunger is Oswald H. Wedel Professor of History Emeritus at Bethel College, North Newton, Kansas. His main scholarly interests are seventeenth-century English and Dutch Puritanism, the history of printing, Mennonite history, oral history, and historic preservation. Publications include The Learned Doctor William Ames (1972), Dutch Puritanism (1982), Trumpets from the Tower (1994), and Bethel College of Kansas 1887-2012 (2012). He enjoys collecting antiquarian books and historical postcards.
The untold story of how the Dutch conquered the European book market and became the world's greatest bibliophiles--"an instant classic on Dutch book history" (BMGN - Low Countries Historical Review) "[An] excellent contribution to book history."--Robert Darnton, New York Review of Books The Dutch Golden Age has long been seen as the age of Rembrandt and Vermeer, whose paintings captured the public imagination and came to represent the marvel that was the Dutch Republic. Yet there is another, largely overlooked marvel in the Dutch world of the seventeenth century: books. In this fascinating account, Andrew Pettegree and Arthur der Weduwen show how the Dutch produced many more books than pictures and bought and owned more books per capita than any other part of Europe. Key innovations in marketing, book auctions, and newspaper advertising brought stability to a market where elsewhere publishers faced bankruptcy, and created a population uniquely well-informed and politically engaged. This book tells for the first time the remarkable story of the Dutch conquest of the European book world and shows the true extent to which these pious, prosperous, quarrelsome, and generous people were shaped by what they read.
"In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses. Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought"--
Originally published as catalogue 100 of Antiquariaat FORUM in 10 issues between 1994-2002. With an extra issue with extensive indices. The print edition is available as a set of three volumes (9789061941392).