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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Aiken's sequel to Jane Austen's complex and fascinating novel, after heroine Fanny Price marries Edmund Bertram, they depart for the Caribbean, and Fanny's younger sister Susan moves to Mansfield Park as Lady Bertram's new companion. Surrounded by the familiar cast of characters from Jane Austen's original, and joined by a few charming new characters introduced by the author, Susan finds herself entangled in romance, surprise, scandal, and redemption. Aiken's diverting tale gives the reader interesting speculation on how the Crawfords, whose winning personalities were marred by an amoral upbringing, might have turned out, and Jane Austen's morality tale takes new directions with an unexpected and somewhat controversial ending. "A lovely read—and you don't have to have read Mansfield Park to enjoy it."—Woman's Own "Her sense of time and place is impeccable."—Publishers Weekly "An excellent sequel...remarkably effective and very funny." —Evening Standard
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The oddly diverse character of James Fenimore Cooper's writings and activities has led many critics to view his career as fragmentary. Stephen Railton takes a psychoanalytic approach to the novelist's most important works and the most significant events in his life. By showing how the aesthetic struggle to create reflected attempts to reconcile conflicting emotional needs, the author is able to provide a much-needed coherent interpretation of Cooper's achievement. Professor Railton's analysis shows that an awareness of the extent to which Cooper's father dominated his life is central to an understanding of his novels and his often contradictory behavior. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A definitive new biography of James Fenimore Cooper, early nineteenth century master of American popular fiction American author James Fenimore Cooper (1789–1851) has been credited with inventing and popularizing a wide variety of genre fiction, including the Western, the spy novel, the high seas adventure tale, and the Revolutionary War romance. America’s first crusading novelist, Cooper reminds us that literature is not a cloistered art; rather, it ought to be intimately engaged with the world. In this second volume of his definitive biography, Wayne Franklin concentrates on the latter half of Cooper’s life, detailing a period of personal and political controversy, far-ranging international travel, and prolific literary creation. We hear of Cooper’s progressive views on race and slavery, his doubts about American expansionism, and his concern about the future prospects of the American Republic, while observing how his groundbreaking career management paved the way for later novelists to make a living through their writing. Franklin offers readers the most comprehensive portrait to date of this underappreciated American literary icon.
A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South. The Wake of the Wind, J. California Cooper's third novel, is her most penetrating look yet at the challenges that generations of African Americans have had to overcome in order to carve out a home for themselves and their families. Set in Texas in the waning years of the Civil War, the novel tells the dramatic story of a remarkable heroine, Lifee, and her husband, Mor. When Emancipation finally comes to Texas, Mor, Lifee, and the extended family they create from other slaves who are also looking for a home and a future, set out in search of a piece of land they can call their own. In the face of constant threats, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. Lifee and Mor pass their intelligence, determination, and talents along to their children, the next generation to surge forward. At once tragic and triumphant, this is an epic story that captures with extraordinary authenticity the most important struggle of the last hundred years.
Precaution (1820) is the first novel written by American author James Fenimore Cooper. It was written in imitation of contemporary English domestic novels like those of Jane Austen and Amelia Opie, and it did not meet with contemporary success. Cooper went on to have great success with works such as The Pathfinder (1841) and The Deerslayer (1840). The American reading public responded most to The Last of the Mohicans (1826).BackgroundIt is thought that the novel was written after a challenge made by his wife. His biographer Warren Walker records it this way: ..". In the customary practice of the day he was reading aloud to his wife one evening from a current English novel, but found the story dull. Throwing it aside, he declared, "I could write a better book than that myself." And Susan's challenge to make good his boast resulted in his writing Precaution (1820). . ."[1][2] When Cooper's work was published without a name it was anonymously accredited to an English woman. It was also published in England and was well received among the set that was fond of this style of writing. The publisher, A.T. Goodrich, later surprised the public when it revealed that Precaution was authored by a gentleman from New York. This is the work that made Cooper realize his potential as a writer....James Fenimore Cooper (September 15, 1789