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The clues are in the crumbs when Murder comes to town! Using her bakery and expertise, Madeline Flynn helps the sheriff's twin nephews with their cookie sales—until strange things happen at the community center where they sell them. With a puzzling death, vandalism and a nasty scam, the danger on their doorstep can't be ignored. Maddie is once again whisked up in an investigation that will take all her sleuthing skills to solve. Gran, a posse of girlfriends, plus Big Red, her faithful Maine coon, won't let her do it alone. Along with the handsome sheriff, they're wading through clues as thick as cookie dough, hoping that the timer won't go off on another murder. Have they taken on more than they can chew? The Maple Lane Mysteries are light, cozy mysteries featuring a quirky cat-loving bakery owner who discovers she's a talented amateur sleuth. Delicious Cozy Mysteries with free recipes. "A compelling mystery with fabulous characters. I love the recipes as well as Madeline. This book is well written with plenty of twists to keep me guessing to the end. I am looking forward to the next book by this author." "Another wonderful installment to the Maple Lane Bakery Series. Maddie, Ethan, Big Red, Gran, and the Girlz are back for another mystery in their small town. It's a fast-paced story to keep you reading until the end. Also, things are heating up between Maddie and Sheriff Tanner that you don't want to miss! The Maple Lane Mysteries: Maple Lane prequel: Sugar and Sliced Book 1: Apple Pie and Arsenic Book 2: Bagels and Blackmail Book 3: Cookies and Chaos Book 4: Doughnuts and Disaster Book 5: Eclairs and Extortion Book 6: Fudge and Frenemies Book 7: Gingerbread and Gunshots Book 8: Honey Cake and Homicide - coming soon! C. A. Phipps is a USA Today best-selling author from beautiful New Zealand. Cheryl is an empty-nester living in a quiet suburb with her wonderful husband, 'himself'. With an extended family to keep her busy when she's not writing, there is just enough space for a crazy mixed breed dog who stole her heart! She enjoys family times, baking, and her quest for the perfect latte.
Selections from the author's humorous weekly column, "Cookies 'n Chaos."
The clues are in the crumbs when Murder comes to town! Using her bakery and expertise, Madeline Flynn helps the sheriff's twin nephews with their cookie sales--until strange things happen at the community center where they sell them. With a puzzling death, vandalism and a nasty scam, the danger on their doorstep can't be ignored. Maddie is once again whisked up in an investigation that will take all her sleuthing skills. Gran, a posse of girlfriends, plus Big Red, her faithful Maine coon, won't let her do it alone. Along with the handsome sheriff, they're wading through clues as thick as cookie dough, hoping that the timer won't go off on another murder. Have they taken on more than they can chew? The Maple Lane Mysteries are light, cozy mysteries featuring a quirky cat-loving bakery owner who discovers she's a talented amateur sleuth. Delicious Cozy Mysteries with free recipes. "A compelling mystery with fabulous characters. I love the recipes as well as Madeline. This book is well written with plenty of twists to keep me guessing to the end. I am looking forward to the next book by this author." "Another wonderful installment to the Maple Lane Bakery Series. Maddie, Ethan, Big Red, Gran, and the Girlz are back for another mystery in their small town. It's a fast-paced story to keep you reading until the end. Also, things are heating up between Maddie and Sheriff Tanner that you don't want to miss! The Maple Lane Mysteries: Maple Lane prequel: Sugar and Sliced Book 1: Apple Pie and Arsenic Book 2: Bagels and Blackmail Book 3: Cookies and Chaos Book 4: Doughnuts and Disaster Book 5: Eclairs and Extortion Book 6: Fudge and Frenemies Book 7: Gingerbread and Gunshots Book 8: Honey Cake and Homicide - coming soon! Cheryl is a USA Today bestselling author from beautiful Auckland, New Zealand. She writes stories filled with feisty heroines, suave heroes, and wonderful small towns. Read these heart-warming tales of strong family ties, mixed in with a little murder, romance, humor, and delicious baking!
Make. More. Future. Artificial intelligence, big data, modern science, and the internet are all revealing a fundamental truth: The world is vastly more complex and unpredictable than we've allowed ourselves to see. Now that technology is enabling us to take advantage of all the chaos it's revealing, our understanding of how things happen is changing--and with it our deepest strategies for predicting, preparing for, and managing our world. This affects everything, from how we approach our everyday lives to how we make moral decisions and how we run our businesses. Take machine learning, which makes better predictions about weather, medical diagnoses, and product performance than we do--but often does so at the expense of our understanding of how it arrived at those predictions. While this can be dangerous, accepting it is also liberating, for it enables us to harness the complexity of an immense amount of data around us. We are also turning to strategies that avoid anticipating the future altogether, such as A/B testing, Minimum Viable Products, open platforms, and user-modifiable video games. We even take for granted that a simple hashtag can organize unplanned, leaderless movements such as #MeToo. Through stories from history, business, and technology, philosopher and technologist David Weinberger finds the unifying truths lying below the surface of the tools we take for granted--and a future in which our best strategy often requires holding back from anticipating and instead creating as many possibilities as we can. The book’s imperative for business and beyond is simple: Make. More. Future. The result is a world no longer focused on limitations but optimized for possibilities.
Thomas Rice compellingly argues that James Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first traces the influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering only arbitrary constructions of this reality. Joyce responded in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses presages the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
[Siren Publishing: The Lynn Hagen ManLove Collection: Erotic Romance, Contemporary, Alternative, Paranormal, Werewolves, Romantic Suspense, MM, HEA] Wallet. Check. Keys. Check. Inhaler. Check. Sanity. Um, now where did Melvin put that? He has spent the last two weeks at the Kincaid mansion, but it’s time he spread his wings and got the heck out of there. Seth keeps saying they’re mates, which means boyfriend, right? That’s nuts since they really don’t know each other and who in their right mind says that to an almost-stranger? Seth is at his wit's end when it comes to his mate. Melvin seems utterly clueless until Seth finds out that his mate has gone to a bar for a failed booty call. Whoa. What? Worse, Melvin flirted with a very dangerous man, unbeknownst to his human mate. Now Melvin has a hellhound after him, and it’s up to Seth to keep him safe while convincing the guy what a mate truly is. When Melvin is thrust into the demon realm, Seth has to recruit the demon warriors to help him. Lynn Hagen is a Siren-exclusive author.
Can their friendships take the heat? A trio of mothers and daughters will find out when they sign up for a cooking class from a famous chef in the first book of the Saturday Cooking Club series—it’s mother-daughter bonding and so much more! Liza and Frankie have always been best friends. But when new girl Lillian arrives from San Francisco, suddenly three’s a crowd. Especially after the trio is grouped together for a big sixth-grade social studies project—can they put aside their animosity long enough to succeed? When Liza suggests they all take a cooking class with the chef from her favorite cooking show for the project, the girls are on board, but they need an adult to take the class with them. It seems like the perfect opportunity to snag some quality time with their overscheduled, overstressed mothers…if they can convince them to sign up! Several headaches and close calls later, the girls at last find themselves in Chef Antonio’s kitchen with their mothers in tow—but the drama is only just beginning!
Life in the Stocks: Veracious conversations with musicians & creatives is a collection of rock 'n' roll stories taken from the iTunes chart-topping podcast, Life in the Stocks--hosted by UK-based DJ, presenter, and writer, Matt Stocks (Ex-Kerrang! Radio/Metal Hammer). Featuring B-Real (Cypress Hill), Clem Burke (Blondie), Nick Oliveri (Queens of the Stone Age), Doug Stanhope (Comedian), Kyle Gass (Tenacious D), Steven Van Zandt (Bruce Springsteen/The Sopranos), Monique Powell (Save Ferris), Robb Flynn (Machine Head), Tom Green (Comedian), Steve-O (Jackass), Andrew W.K. and many more...
Four girls at a southwestern boarding school discover they have amazing feline powers and must unite to stop an ancient evil in this riveting adventure. Ana’s average, suburban life is turned upside down when she’s offered a place at the exclusive boarding school in New Mexico that both of her late parents attended. As she struggles to navigate the wealthy cliques of her new school, mysterious things begin to occur: sudden power failures, terrible storms, and even an earthquake! Ana soon learns that she and three other girls—with Chinese, Navajo, and Egyptian heritages—harbor connections to priceless objects in the school’s museum, and the museum’s curator, Ms. Benitez, is adamant that the girls understand their ancestry, and it’s importance. It turns out that the school sits on top of a mysterious temple, the ancient meeting place of the dangerous Brotherhood of Chaos. And when one of the priceless museum objects is shattered, the girls find out exactly why their heritage is so important: they have the power to turn into wildcats! Now in their powerful forms of jaguar, tiger, puma, and lion they must work together to fight the chaos spirits unleashed in the ensuing battle…and uncover the terrifying plans of those who want to resurrect the Brotherhood of Chaos.
Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty. In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness—the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and “painters who write” offer context and illumination. Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) “wholly unenclosable.” The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray the intractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality. Painters Franz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue Williams Contributors Media Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage, and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York. Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery). Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University. Copublished with the Frist Art Museum, Nashville