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At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.
From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.
In the waning years of Latin America's longest and bloodiest civil war, the rise of an unlikely duo is transforming Colombia: Christianity and access to credit. In her exciting new book, Rebecca C. Bartel details how surging evangelical conversions and widespread access to credit cards, microfinance programs, and mortgages are changing how millions of Colombians envision a more prosperous future. Yet programs of financialization propel new modes of violence. As prosperity becomes conflated with peace, and debt with devotion, survival only becomes possible through credit and its accompanying forms of indebtedness. A new future is on the horizon, but it will come at a price.
Jesús Martín-Barbero es conocido como el «maestro» de los estudios sobre Juventud y el gran especialista en cultura popular. Además, es considerado uno de los mayores expertos a nivel internacional en temas de comunicación, unos de los principales fundadores de los estudios comunicacionales y el autor de la Teoría de la mediación. Es el autor de referencia internacional para los análisis sobre sujetos juveniles y protagonismo social, palimpsestos de identidad, desafíos de la juventud, educación de los jóvenes, mundo digital y transformaciones de la subjetividad. Sus aportes en los estudios sobre la globalización y en la relación entre medios de comunicación y público le han proyectado como uno de los autores más sugestivos y relevantes de la intelectualidad crítica latinoamericana. En las dos últimas décadas, Jesús Martín-Barbero ha recopilado una serie de estimulantes textos sobre los jóvenes, reunidos ahora en este libro. La mayor parte de ellos giran en torno a dos conceptos centrales que el autor utiliza de manera metafórica y que se reflejan en el título. El palimsesto hace referencia a los antiguos pergaminos y remite a la constante rescritura y reciclaje que las culturas juveniles hacen del pasado. El hipertexto, por el contrario, nos conduce a las modernas ciberculturas y a las novedosas formas de comunicación a través de las cuales los jóvenes imaginan el futuro. Este uso creativo sobre ambos conceptos ha tenido un gran impacto en los estudios culturales y sobre la juventud en el ámbito iberoamericano.
As cities sprawl across Latin America, absorbing more and more of its people, crime and violence have become inescapable. From the paramilitary invasion of Medell¡n in Colombia, the booming wealth of crack dealers in Managua, Nicaragua and police corruption in Mexico City, to the glimmers of hope in Lima, this book provides a dynamic analysis of urban insecurity. Based on new empirical evidence, interviews with local people and historical contextualization, the authors attempts to shed light on the fault-lines which have appeared in Latin American society. Neoliberal economic policy, it is argued, has intensified the gulf between elites, insulated in gated estates monitored by private security firms, and the poor, who are increasingly mistrustful of state-sponsored attempts to impose order on their slums. Rather than the current trend towards government withdrawal, the situation can only be improved by co-operation between communities and police to build new networks of trust. In the end, violence and insecurity are inseparable from social justice and democracy.
This volume deals with the threat to democracy and the rule of law posed by organised violence in Latin America.