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Over 220,000 entries representing some 56,000 Library of Congress subject headings. Covers all disciplines of science and technology, e.g., engineering, agriculture, and domestic arts. Also contains at least 5000 titles published before 1876. Has many applications in libraries, information centers, and other organizations concerned with scientific and technological literature. Subject index contains main listing of entries. Each entry gives cataloging as prepared by the Library of Congress. Author/title indexes.
Reproduction of the original: Inventors at Work by George Iles
Inventors at Work With Chapters on Discovery by George Iles: A survey of the lives and works of some of history's most famous inventors, "Inventors at Work With Chapters on Discovery" provides valuable insights into the creative and innovative processes behind some of the most significant technological advancements in human history. Iles's work sheds light on the art and science of invention. Key Aspects of the Book "Inventors at Work With Chapters on Discovery": Survey of Inventors: The book provides a comprehensive survey of history's most famous inventors, including Edison, Tesla, and Bell. Insight into the Creative Process: Iles's work offers valuable insights into the creative and innovative processes behind some of the most significant technological advancements in human history. Contributions to Technological History: The book's exploration of invention sheds light on the ways in which technology has shaped human history and culture. George Iles was an American writer and editor who lived in the late 19th and early 20th centuries. His work, including "Flame, Electricity, and the Camera" and "Aim of Life and Other Essays," explored the intersections of science, culture, and society.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.