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Between 1972 and 2001, Barry Hannah (1942–2010) published eight novels and four collections of short stories. A master of short fiction, Hannah is considered by many to be one of the most important writers of modern American literature. His writing is often praised more for its unflinching use of language, rich metaphors, and tragically damaged characters than for plot. “I am doomed to be a lengthy fragmentist,” he once claimed. “In my thoughts, I don't ever come on to plot in a straightforward way.” Conversations with Barry Hannah collects interviews published between 1980 and 2010. Within them Hannah engages interviewers in discussions on war and violence, masculinity, religious faith, abandoned and unfinished writing projects, the modern South and his time spent away from it, the South's obsession with defeat, the value of teaching writing, and post-Faulknerian literature. Despite his rejection of the label “southern writer,” Hannah's work has often been compared to that of fellow Mississippian William Faulkner, particularly for each author's use of dark humor and the Southern Gothic tradition in their work. Notwithstanding these comparisons, Hannah's voice is distinctly and undeniably his own, a linguistic tour de force.
Father and Son tells the story of five days following Glen Davis’s return to the small Mississippi town where he grew up. Five days. In this daring psychological thriller, these are five days you’ll never forget. Convicted and sentenced on a vehicular homicide charge, Glen is the bad seed--the haunted, angry, drunken, and dangerous son of Virgil and Emma Davis. Bobby Blanchard is the sheriff, as different from Glen as can be imagined, but in love with the same woman--the mother of Glen’s illegitimate son. Before he’s been back in town thirty-six hours, Glen has robbed his war-crippled father, bullied and humiliated his younger brother, and rejected his son, David. Bobby finds himself sorting through the mayhem Glen leaves in his wake--a murdered bar owner, a rape, Glen’s terrorized family, and the little boy who needs a father. And, as he gets closer and closer to the murderous Glen, tension builds like a Mississippi thunderstorm about to break loose. This classic face-off of good against evil is told in the clear, unflinching voice that won Larry Brown some of literature’s most prestigious awards. And, reverberating with dark excitement, biblical echoes, and a fast, cinematic pacing, this novel puts a new side of his genius on display--the ability to build suspense to an almost unbearable pitch. Father and Son is the story of a powerfully complex kinship, an exhilarating and heart-stopping story. 1997 Southern Book Critics Circle Award for Fiction
Combines the best from the author's four story collections as well as the final manuscript he left behind after his death.
Winner of the PEN/Malamud Award, Airships is a “strong, original, tragic and funny” story collection of “the creative Southern tradition” (Alfred Kazin). One of the most revered short story collections of the past fifty years, Airships remains a vital text in the history of the American short story. The award-winning contemporary classic features twenty wildly original, exuberant, often hilarious stories that celebrate the universal peculiarities of the new American South—a land of high school band contests where good old boys from Vicksburg are reunited in Vietnam, and petty nostalgia and the incessant pain of disappointed love prevail in spite of our worst efforts. Hailed by none other than Larry McMurtry as “the best young writer to appear in the South since Flannery O’Connor,” Barry Hannah’s immense storytelling gifts are on striking display in this essential work. “Hannah takes fiction by surprise—scenes, shocks, sounds and amazements: an explosive but meticulous originality.” —Cynthia Ozick
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
“A shorthand epic of extraordinary power . . . A novel of brilliant particulars and dizzying juxtapositions” from the acclaimed southern author of Geronimo Rex (Newsweek). Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray—a womanizer, small-town drunk, vigilante, poet, adoring husband—is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love. “This novel hangs in the memory like a fishhook. It will haunt you long after you have finally put it down. Barry Hannah is a talent to reckon with, and I can only hope that Ray finds an audience it deserves.” —Harry Crews, The Washington Post Book World
Man Mortimer, "a pimp and casino playboy who resembles dead country singer Conway Twitty", seeks revenge against a small Mississippi community.
Contributions by Melanie R. Benson, Thomas Ærvold, Bjerre, Martyn Bone, Mark S. Graybill, Richard E. Lee, Kenneth Millard, James B. Potts III, Scott Romine, Matthew Shipe, and Daniel E. Williams Perspectives on Barry Hannah is a collection of essays devoted to the work of the award-winning fiction writer Barry Hannah (1942–2010). The anthology features a broad range of critical approaches and covers the span of Hannah's career from Geronimo Rex (1972) to Yonder Stands Your Orphan (2001). The book also includes a previously unpublished interview with Hannah. The ten essays cover all of Hannah’s thirteen published books. The contributors give fresh perspectives on Hannah’s classic works (Airships and Ray), provide illuminating readings of important fiction that has received less critical attention (Night–Watchmen, Hey Jack!, and Never Die), and offer the first sustained criticism of Hannah’s acclaimed later fiction (Bats Out of Hell, High Lonesome, and Yonder Stands Your Orphan). As Martyn Bone explains in his introduction, the essays—though varied in approach and style—consistently hone in on the recurrent themes that characterize Hannah’s career: his relationship to postmodernism; his interrogation of traditional ideas of masculinity and heroism; his complex engagement with southern history, literature, and culture; and his growing concern with spirituality and morality. The essays in Perspectives on Barry Hannah make connections between Hannah’s work and that of several prominent modern and postmodern authors, including William Faulkner, Ernest Hemingway, James Joyce, Allen Tate, John Irving, J. M. Coetzee, and Cormac McCarthy. Contributors also consider Hannah’s fiction in relation to non-literary cultural forms such as sports, film, and popular music. Ultimately, Perspectives on Barry Hannah affirms Hannah’s status as a leading figure in contemporary American literature.
Set in a small town in rural Mississippi, Hey Jack! expresses the full and epic range of love, just plain craziness, and despair of its inhabitants.Strong, original, tragic, and funny in the same voice--a writer of violent honesty and power in the creative Southern tradition.--Alfred Kazin
This rich volume reflects the development of Berry's poetic sensibility. ''the Selected Poems of Wendell Berry makes available cartloads and heaps of clear and fluent work from Berry's fourteen books of poetry and four decades of writing, closely documenting the inner and the visible lives Berry sees and feels in agriculture and in nature.''