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Frank Sargeson wrote fiction for over half a century as well as occasional criticism in many forms and on many topics. Writers considered include D. H. Lawrence, Sherwood Anderson, Henry Lawson and Olive Schreiner besides fellow New Zealanders such as Katherine Mansfield, Janet Frame, Dan Davin, James Courage, Bill Pearson, and Ronald Hugh Morrieson. He was particularly concerned with societies which grew on the nineteenth-century European colonial frontiers, and with the writers they produced. A comprehensive bibliography of Sargeson's non-fiction prose is included.
Frank Sargeson wrote fiction for over half a century as well as occasional criticism in many forms and on many topics. He was particularly concerned with societies which grew on the 19th-century European colonial frontiers, and with the writers they produced.
Kai Jensen takes a provocative look at masculinity in New Zealand literature. He argues that New Zealand writing around the Second World War was shaped by excitement about masculinity as a way of challenging society. Inspired partly by Marxism, writers such as A.R.D. Fairburn, Denis Glover, John Mulgan and Frank Sargeson linked national identity to the ordinary working man or soldier, and attempted to merge artistic activity and manliness in a new ideal, the whole man. This masculine excitement forged a literary and intellectual culture which was powerful for thirty years, and which discouraged women writers. Jensen suggests that the aftermath of masculinism still influences the way New Zealand intellectuals see themselves, and that the masculine tradition survives in the writing of Owen Marshall, Sam Hunt, Maurice Shadbolt and even Maurice Gee. At the same time he argues that masculinism underwent a process of change after its high point in the 1940s: Frank Sargeson's closeted homosexuality posed a complex problem for the masculine tradition and its historians, and James K. Baxter's symbolic, Jungian poetry was also hard to reconcile with the idea that men's writing must be based on robust experience. Yet Baxter prepared the masculine tradition for the 1960s and 1970s by renovating the whole man as bohemian lover. Whole Men is not just about one literary movement, but about how literary culture works, and how New Zealand intellectuals construct their identities.
As we find ourselves in a technological revolution and the computer screen takes over the printed page, the history of the book has become a subject of study throughout the world. This collection of 15 essays looks at at a wide variety of topics from the history of the printed word in New Zealand.
This collection of 28 critical essays provides provocative comment on the work of 20 New Zealand writers, including Elizabeth Knox, Katherine Mansfield, Kendrick Smithyman, Allen Curnow, and Janet Frame.
This volume examines the life and work of New Zealand author Maurice Duggan. His life was turbulent and difficult as he suffered from a "black Irish" personality, the lifelong trauma of an amputated leg, and battles with alcoholism, relationships and employment. This biography looks at the complexity of his life and offers a picture of literary life in New Zealand, and especially Auckland, in the 1950's and 1960's.
A rich and riveting record of both literary and social value. Frank Sargeson is one of New Zealand's best-loved and most important writers. Besides the ground-breaking short stories, he wrote memoirs, novels, and plays. He encouraged at least three generations of younger writers and, for most of his adult life, the famous bach behind the hedge at 14 Esmonde Road was at the heart of New Zealand's artistic and literary world. Sargeson was also a prolific letter writer, and this selection of 500 of the most fascinating ranges over half a century, from 1927 to 1981. The letters are immensely readable, vividly capturing his life and times, his milieu and his personality. Frank loved gossip, could be bitchy and peevish, but also kind, affectionate, funny, ribald, astute. This collection, selected, edited and annotated by Sarah Shieff, is a document of extraordinary significance for all those interested in New Zealand's literary and social history.
A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.