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In Controversy, Trevor Palmer fully documents how traditional gradualistic views of biological and geographic evolution are giving way to a catastrophism that credits cataclysmic events, such as meteorite impacts, for the rapid bursts and abrupt transitions observed in the fossil record. According to the catastrophists, new species do not evolve gradually; they proliferate following sudden mass extinctions. Placing this major change of perspective within the context of a range of ancient debates, Palmer discusses such topics as the history of the solar system, present-day extraterrestrial threats to earth, hominid evolution, and the fossil record.
A readable account of the history of natural disasters throughout history.
A history of scientific ideas about extinction that explains why we learned to value diversity as a precious resource at the same time as we learned to “think catastrophically” about extinction. We live in an age in which we are repeatedly reminded—by scientists, by the media, by popular culture—of the looming threat of mass extinction. We’re told that human activity is currently producing a sixth mass extinction, perhaps of even greater magnitude than the five previous geological catastrophes that drastically altered life on Earth. Indeed, there is a very real concern that the human species may itself be poised to go the way of the dinosaurs, victims of the most recent mass extinction some 65 million years ago. How we interpret the causes and consequences of extinction and their ensuing moral imperatives is deeply embedded in the cultural values of any given historical moment. And, as David Sepkoski reveals, the history of scientific ideas about extinction over the past two hundred years—as both a past and a current process—is implicated in major changes in the way Western society has approached biological and cultural diversity. It seems self-evident to most of us that diverse ecosystems and societies are intrinsically valuable, but the current fascination with diversity is a relatively recent phenomenon. In fact, the way we value diversity depends crucially on our sense that it is precarious—that it is something actively threatened, and that its loss could have profound consequences. In Catastrophic Thinking, Sepkoski uncovers how and why we learned to value diversity as a precious resource at the same time as we learned to think catastrophically about extinction.
In this comprehensive treatment of the ongoing conflict between creationists and evolutionary scientists, well-known geomorphologist Arthur Strahler carefully examines creationists' claims of scientific evidence for the six-day divine creation of the universe, followed by the catastrophic flood of Noah, as claimed in Genesis. The creationists' arguments are examined and evaluated against the findings of mainstream science in the fields of cosmology, astronomy, geophysics, geology, paleontology, and evolutionary biology. Updated with a new preface and responses to recent attacks on evolutionary theory, Science and Earth History can serve as both a popular overview of earth history and as a scholarly anecdote to the fictions of creationism once again finding their way into classrooms and universities. Strahler illuminates the controversy by reviewing the philosophy, methodology, and sociology of empirical science, as contrasted with the belief systems of religion and pseudoscience. The author also includes lucid criteria for distinguishing science from pseudoscience, and reviews the great discoveries and developments in science that point to the evolution of life over the earth's three-billion-year history.
Is a life cycle that depends on eating or being eaten compatible with a creation in which 'the heavens are telling the glory of God; and the firmament proclaims His handiwork'? Are animal death and extinction manifestations of a good God's majesty and power? When creating the world, did God use animal death and extinction as a means to realize his intentions? This study challenges the view that the emergence and acceptance of the theory of evolution brought a break in thinking about animal suffering in a good creation. Even before Darwin, people thought about animal suffering, about how God's goodness and good creation related to this, and about whether animals were already subject to death in paradise. Historically, Charles Darwin's theory of evolution did not form a watershed in the debate about animal suffering, nor did concerns about animal suffering only emerge with the Darwinian theory of evolution.
Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship. Controversy was "popular," wrote George Moore, especially "when accompanied with the breaking of chairs."In her new book, Lucy McDiarmid offers a witty and illuminating account of these and other controversies, antagonistic exchanges with no single or no obvious high ground. They merit attention, in her view, not because the Irish are more combative than other peoples, but because controversies functioned centrally in the debate over Irish national identity. They offered to everyone direct or vicarious involvement in public life: the question they articulated was not "Irish Ireland or English Ireland" but "whose Irish Ireland" would dominate when independence was finally achieved.The Irish Art of Controversy recovers the histories of "the man who died for the language," Father O'Hickey, who defied the bishops in his fight for Irish Gaelic; Lady Gregory and Bernard Shaw's defense of the Abbey Theatre against Dublin Castle; and the 1913 "Save the Dublin Kiddies" campaign, in which priests attacked socialists over custody of Catholic children. The notorious Roger Casement—British consul, Irish rebel, humanitarian, poet—forms the subject of the last chapter, which offers the definitive commentary on the long-lasting controversy over his diaries.McDiarmid's use of archival sources, especially little-known private letters, indicates the way intimate exchanges, as well as cartoons, ballads, and editorials, may exist within a public narrative. In its original treatment of the rich material Yeats called "intemperate speech," The Irish Art of Controversy suggests new ways of thinking about modern Ireland and about controversy's bluff, bravado, and improvisational flair.
This best-selling historical geology text provides geologists with an excellent balance of basic geology and paleontology. The ninth edition presents rich, authoritative coverage of the history of the Earth, offering the most comprehensive history in the discipline today. It maintains its strong approach to stratigraphy and paleontology that other texts have lost. The text's paleogeographic maps are excellent in detail and are a vital component in understanding the earth's history. Stunning artwork brings the ancient world to life. Geology of National Parks boxes encourage them to visit these parks to appreciate their geological significance. Geologists will also appreciate the questions about past geologic events and the processes used in finding answers.
Edited by acclaimed science writer and physicist James Trefil, the Encyclopedia's 1000 entries combine in-depth coverage with a vivid graphic format to bring every facet of science, technology, and medicine into stunning focus. From absolute zero to the Mesozoic era to semiconductors to the twin paradox, Trefil and his co-authors have an uncanny ability to convey how the universe works and to show readers how to apply that knowledge to everyday problems.
The daughter of Dr. Immanuel Velikovsky, one of the greatest scientists of modern times, gives a very personal account of this special man: his family background, his eventful life, his personality, his extraordinary fate, and his scientific work.
A re-examination of earth history in terms of rare and violent events through geological time.