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Colour defines our material world, operates as a communication tool and creates meaning. This book revisits well known and well documented sites or artefacts and explores their colours and colour connotations by looking at various contexts such as processes, landscape, iconography, body decoration or the colour connotations of death.
Following the overwhelming success of Material World, European material experts MatériO have compiled and described innovative materials for architecture and design in the sequel: Material World 2. Once again architects, interior architects and designers can look up the ideal manufacturer, and gain inspiration for their building exteriors, interiors, and innovative products. Material World 2 is as comprehensive as the first volume: here architects and designers will find detailed product information, addresses, and contact details of manufacturers for every material featured. In addition, each material entry is accompanied by case studies, which show the material in specific applications.
A guide to capturing the beauty of birds using modern, expressive watercolour painting techniques. Painting watercolours in a loose style is a technique admired by many artists, yet there are a range of skills to master in order to achieve a sense of freedom and lightness of touch. Birds present us with a vibrant array of colours and textures – from the iridescent plumage of the hummingbird to the zingy turquoise blue of the kingfisher – and with such varied and lively characters they are a wonderful subject to paint. Supported by instructional photos throughout, experienced artist Sarah encourages you to let go of the detail whilst providing you with all the techniques required to paint beautiful and characterful portraits of birds with colour and verve. - 10 step-by-step projects accessible to complete beginners and more experienced artists alike. Learn the importance of shape and tone in depicting form. - Discover how watercolour works through experimentation and play with different tools and techniques. - Explore various colour palettes, composition techniques and background basics. - Develop your approach to key features such as feathers, feet, wingspans and faces and other tricky areas such as creating texture, adding shadows and achieving translucency.
This manual will covers Working with AutoCAD 2017, Layer & Objects Properties,Text & Dimensions, Block, and Drawing Printing.
The teacher training framework, introduced in September 2007, requires all teachers in the post-16 sector to possess knowledge, understanding and personal skills to at least level 2 in the minimum core for ICT. Coverage and assessment of the minimum core have to be embedded in all Certificate and Diploma courses leading to QTLS and ATLS status. This book is a practical guide to ICT for trainee teachers in the Lifelong Learning Sector. It enables trainee teachers to identify and develop their own ICT skills and to support their students in ICT.
Beauty is in the eye of the beholder, and appearance lies in the mind of the observer. The latter is playing an increasingly important role in nearly all of our buying decisions: it informs us as to the quality of an automobile cabin, the desirability of an iPhone, the handle of a woollen sweater - the list is endless.Given the exponential rise in internet commerce and the ubiquity of smart devices, the ability to predict buyers' perceptions formed from interaction with digital media is maybe more important than those obtained by handling the real article.Thus, the science of appearance metrology is becoming increasingly critical. It concerns the development of methodologies, procedures, and equipment which allow us to predict observers' perceptions. The field is therefore highly multidisciplinary: physical measurement, psychophysics, media generation, image processing, statistics, and vision science.This book is a compilation of recent research relating to perception and appearance.
A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. David Wharton is Associate Professor of Classical Studies at the University of North Carolina at Greensboro, USA. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf