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Lowell, a historic industrial city, owes its life to the broad Merrimack River. Renowned for its water-powered textile mills, it was also a city rich in natural beauty, where spiritual and cultural values took root. Postcards from the 1890s to the 1940s bear witness to riverscapes, varied waterways, arched bridges, and green parks. Vintage cards depict grand churches and stately mansions, some now altered or gone, and rare interior views. Informative text accompanies the images of yellowbricked colleges, pastoral neighboring environs, dignified cemeteries, and imposing monuments, such as the captivating Lion Monument.
A Brahmin, member of an illustrious family, sister of the martyred Robert Gould Shaw, who led his proud black troops against Fort Wagner, and, later, a war widow, Lowell constantly responded to changing ideological and economic conditions affecting the poor.
Elder brother of Harvard President Lawrence and poet Amy, Percival Lowell is best known as the astronomer who claimed intelligent beings had built canals on Mars. But the Lowell who emerges here was a polymath: not just a self-taught astronomer, but a shrewd investor, skilled photographer, inspired public speaker, and adventure-travel writer.
In the nineteenth-century mill towns of Preston, England; Lowell, Massachusetts; and Paisley, Scotland, there were specific demands for migrant and female labor, and potential employers provided the necessary respectable conditions in order to attract them. Using individual accounts, this innovative and comparative study examines the migrants' lives by addressing their reasons for migration, their relationship to their families, the roles they played in the cities to which they moved, and the dangers they met as a result of their youth, gender, and separation from family. Gordon details both the similarities and differences in the women's migration experiences, and somewhat surprisingly concludes that they became financially independent, rather than primarily contributors to a family economy.
The controversial American poet Amy Lowell (1874-1925), a founding member of the Imagist group that included D. H. Lawrence and H. D., excelled as the impresario for the “new poetry” that became news across the U. S. in the years after World War I. Maligned by T. S. Eliot as the “demon saleswoman” of poetry, and ridiculed by Ezra Pound, Lowell has been treated by previous biographers as an obese, sex-starved, inferior poet who smoked cigars and made a spectacle of herself, canvassing the country on lecture tours that drew crowds in the hundreds for her electrifying performances. In fact, Lowell wrote some of the finest love lyrics of the 20th century and led a full and loving life with her constant companion, the retired actress Ada Russell. She was awarded the Pulitzer Prize posthumously in 1926. This provocative new biography, the first in forty years, restores Amy Lowell to her full humanity in an era that, at last, is beginning to appreciate the contributions of gays and lesbians to American’s cultu
A History of American Working-Class Literature sheds light not only on the lived experience of class but the enormously varied creativity of working-class people throughout the history of what is now the United States. By charting a chronology of working-class experience, as the conditions of work have changed over time, this volume shows how the practice of organizing, economic competition, place, and time shape opportunity and desire. The subjects range from transportation narratives and slave songs to the literature of deindustrialization and globalization. Among the literary forms discussed are memoir, journalism, film, drama, poetry, speeches, fiction, and song. Essays focus on plantation, prison, factory, and farm, as well as on labor unions, workers' theaters, and innovative publishing ventures. Chapters spotlight the intersections of class with race, gender, and place. The variety, depth, and many provocations of this History are certain to enrich the study and teaching of American literature.