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In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1038) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both entertaining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.
The entertaining and informative Arabic anthology by al-Thaʿālibī (d. 1037), Beautifying the Ugly and Uglifying the Beautiful, offers poems and prose with contrary or paradoxical statements, thematically arranged. The book contains a new edition and a richly annotated English translation.
What makes language beautiful? Arabic Poetics offers an answer to what this pertinent question looked like at the height of the Islamic civilization. In this novel argument, Lara Harb suggests that literary quality depended on the ability of linguistic expression to produce an experience of discovery and wonder in the listener. Analysing theories of how rhetorical figures, simile, metaphor, and sentence construction are able to achieve this effect of wonder, Harb shows how this aesthetic theory, first articulated at the turn of the 11th century CE, represented a major paradigm shift from earlier Arabic criticism which based its judgement on criteria of truthfulness and naturalness. In doing so, this study poses a major challenge to the misconception in modern scholarship that Arabic criticism was "traditionalist" or "static," exposing an elegant widespread conceptual framework of literary beauty in the post-10th-century Islamicate world which is central to poetic criticism, the interpretation of Aristotle's Poetics in Arabic philosophy and the rationale underlying discussions about the inimitability of the Quran.
The contributors to this wide-ranging work of scholarship and analysis include mentors, colleagues, friends, and students of the late Magda al-Nowaihi, an outstanding scholar of Middle East studies whose diverse interests and energy inspired numerous colleagues. The book's first part is devoted to Arabic elegy, the subject of an unfinished work by al-Nowaihi from which this volume takes its title. Included here is a previously unpublished lecture on elegy delivered by al- Nowaihi herself. Other contributors examine this poetic form in both classical and modern contexts, from a number of angles, including the partial feminization of the genre, making this volume perhaps the most comprehensive resource on the Arabic elegy available in English. The book's second half features essays relating to al-Nowaihi's other research interests, especially the modern Arabic novel and its transgressive and marginalized status as literature. It deals with authors as varied as Tawfiq al-Hakim, Latifa al-Zayyat, Bensalem Himmich, and Sonallah Ibrahim. Broad in its scope and rigorous in its scholarship, this volume makes a fitting tribute to an inspiring scholar. Contributors: Roger Allen, Dina Amin, Michael Beard, Jonathan P. Decter, Alexander E. Elinson, Marlé Hammond, András Hámori, Mervat Hatem, Wolfhart Heinrichs, Richard Jacquemond, Lital Levy, Mara Naaman, Magda al-Nowaihi, Dana Sajdi, and Christopher Stone.
Michael Cooperson's translation makes Abdelfattah Kilito's masterpiece available to English-speaking audiences for the first time. Called the most inventive and provocative critic of Arabic literature writing in the Middle East today, Kilito opens our perception with the same breadth of vision, seeking to define the traditional and historical forces that bind one writer to another and that inextricably link an author to a text. This volume benefits from Cooperson's accomplished translation. While rigorously precise, it also allows the wit and humor and the lyricism of Kilito's prose full expression. Drawing on major themes of classical Arabic literature, the essays use simple, poetic language to argue that genre, not authorship, is the single most important feature of classical works. Kilito discusses love poetry and panegyric, the Prophet's Hadith, and the literary anecdote, as well as offering novel readings of recurrent themes such as memorization, plagiarism, forgery, and dream visions of the dead.
An examination of the impulses that went into the making of literary criticism in medieval Arab-Islamic culture.