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The Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect the Continuity Supervisor. Avril Rowlands worked at the BBC for any years as a PA. She has been involved in specialised training for the television industry and major film and television colleges. Her highly acclaimed residential courses attract students from major television companies worldwide. She is also a writer and independent television producer.
This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: .prepare, or "break down" a script for shooting .maintaining screen direction and progression .matching scenes and shots for editing .cuing actors .recording good takes and prints preparing time and log sheets for editing This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
Over the past few years television has witnessed a major reshaping of the industry, and technological change on a massive scale. While the role of continuity in a single camera shooting has remained virtually unchanged, it is essential for the person doing the job to have an understanding of some of these changes, especially in the area of post production. Over the past few years television has witnessed a major reshaping of the industry, and technological change on a massive scale. While the role of continuity in a single camera shooting has remained virtually unchanged, it is essential for the person doing the job to have an understanding of some of these changes, especially in the area of post production. The Continuity Handbook enables both the newcomer and the experienced PA to understand the basic elements of continuity, as well as giving them a grasp of the latest technological changes which affect the job. Formerly the Continuity in Film and Video, this new edition has now been completely updated to include and explain these changes. New chapters have also been added on the setting up of a production - especially an independent production - in recognition of the growing number of freelance readers!
Ferozkoh: Tradition and Continuity in Afghan Art represents a partnership between the Museum of Islamic Art, Doha and the students and teachers of the Institute for Afghan Arts and Architecture in Kabul. The unifying theme of the exhibition is the preservation of the traditional arts of the Islamic world - in both themes and materials - in the modern world, and the role of education in its transmission and translation. Half of the objects featured in the exhibition are historical objectsmasterpieces from the Museum of Islamic Art's collection, from four great dynasties with connections to Afghanistan: the Ghaznavids, Timurids, Mughals and Safavids.The other half of the exhibition presents works created specifically for the exhibition by Turquoise Mountain students in response to, and in conversation with, the historical objects. Featuring exquisite photography and unique research, this catalogue is a visually stunning representation of the exhibition and a valuable record of an extraordinary endeavour.
The authoritative guide to producing, directing, shooting, editing, and distributing your video or film. Whether you aspire to be a great filmmaker yourself or are looking for movie gifts, this comprehensive guide to filmmaking is the first step in turning a hobby into a career. Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making. • Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films • Shooting with DSLRs, video, film, and digital cinema cameras • In-depth coverage of lenses, lighting, sound recording, editing, and mixing • Understanding HDR, RAW, Log, 4K, UHD, and other formats • The business aspects of funding and producing your project • Getting your movie shown in theaters, on television, streaming services, and online
Ride the wave with Rudy Rucker---author, programmer, mathematician, professor, cyberpunk, hipster, transrealist, and family man. A writer’s journey. Rucker composed "Journals: 1990-2014" over twenty-five years. A long-running adventure. Entries include: Introspection and philosophizing, sketches of daily life, descriptions of Rucker's travels, and notes on writing.
This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown. This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include: • Visual storytelling • Continuity and coverage • Cameras and digital sensors • The tools and basics of film lighting • Methods of shooting a scene • Continuity and coverage • Exposure • Color • Understanding digital images • Using linear, gamma, and log video • Image control and grading on the set • Data management and the DIT • Optics and focus • Camera movement • Set operations • Green screen, high speed, and other topics. Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film. The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.
A revealing memoir about the director and his films, by his first assistant for fifty years.
Taking readers from media students to media professionals, Introducing Media Practice brings together the ′why′ and the ′how to′ of media studies. It explains how adding theory to practice improves students′ media projects, and shows them how to develop the kind of project skills they need for a career in the creative and media industries. With a clear, easy-to-follow structure, the book: Covers the full range of media practice skills, from building production teams and writing briefs, through audience research and scripting, to production, distribution and evaluation. Offers a range of exercises for both the classroom and independent learning, helping students put their learning into practice, build their confidence and establish a portfolio. Includes a glossary of key terms, helping students to get to grips with the concepts they need to know to succeed. By bridging the gap between theory and practice, this book provides students with a richer understanding of both. It is the ideal guide to succeeding in a media degree, enhancing their employability, and preparing for a career in the creative and media industries.
Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.