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ŃDUÑỌDE: CALABAR JOURNAL OF THE HUMANITIES is a peer-reviewed and refereed international journal of the Faculty of Arts, University of Calabar. It is a multidisciplinary Journal published biannually (January and July). It is inviting original research papers focusing on theories, trends, methods and applications that reflect the interdisciplinary perspectives of the human and social sciences. It challenges, provokes, and excites thinking, ideas, debates and discussions on potential topics of contemporary relevance in Archaeology, Anthropology, Communication/Media Studies, Cultural Studies, English Studies, Fine and Applied Arts, History, International Studies, Law, Leisure Studies, Linguistics, Literary Studies, Modern Languages (French, Spanish, German), Philosophy, Pragmatics, Religious Studies, Sociology, Sports, Theatre Arts, Tourism and Translation Studies.
In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.
In Emergent Masculinities, Ndubueze L. Mbah argues that the Bight of Biafra region’s Atlanticization—or the interaction between regional processes and Atlantic forces such as the slave trade, colonialism, and Christianization—between 1750 and 1920 transformed gender into the primary mode of social differentiation in the region. He incorporates over 250 oral narratives of men and women across a range of social roles and professions with material culture practices, performance traditions, slave ship data, colonial records, and more to reveal how Africans channeled the socioeconomic forces of the Atlantic world through their local ideologies and practices. The gendered struggles over the means of social reproduction conditioned the Bight of Biafra region’s participation in Atlantic systems of production and exchange, and defined the demography of the region’s forced diaspora. By looking at male and female constructions of masculinity and sexuality as major indexes of social change, Emergent Masculinities transforms our understanding of the role of gender in precolonial Africa and fills a major gap in our knowledge of a broader set of theoretical and comparative issues linked to the slave trade and the African diaspora.
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
The book is an introduction to the study of culture, with emphasis on the dynamism factor intrinsic and susceptible to generating growth, development initiatives and change, especially in religion and other aspects of Nigerian society. The collection of 19 papers is organised into five parts: Concepts and Theoretical Alignments, Social Institutions in Culture Change and Development, Religious Traditions and Change Experience, Votaries and Sectarian Reaction to Culture and Religious Change, and Pastoral Objective and the Management of Cultural Diversity and Change in Christianity.
Taking Northern Nigeria during the years 1946 to 1966 as an example, Professor Whitaker shows how modern institutions—parliamentary representation, a cabinet system, popular suffrage, and political parties—were introduced and how they resulted not in a displacement of tradition but in an astute absorption by traditional forces. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How African secret societies changed the music, art, and history of Cuba
Published for the Centre for Igbo Studies at Abia State University, this study is the first book from the Centre. Aspects of the tradition of politics among the Igbo are examined, including religion, age, economy, history, leadership, structures, institutions, values, sex and gender. The twenty-six papers published here were presented at the First Annual Conference of the Centre, and are arranged in five parts: Theoretical Perspectives covering the meaning, content, style, purpose and values of Igbo political tradition; Political Systems focussing on case studies; Cultural Perspectives including Onomastics, patterns of religious influence, celebration of tradition of politics in Chinua Achebe's novels, gender, traditional communication and the oratorical co-efficient; Economic Perspectives; and the Contemporary Situation.