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This volume brings together innovative research on miracles in the Christian West 1100-1500, and includes chapters on Anglo-Norman saints’ cults, late medieval Portugal and the legacy of medieval hagiography in the immediate Post-Reformation period. Contributors investigate miracle narratives in conjunction with broader socio-cultural ideals, practices and developments in medieval society. They also reassess the legacy of Peter Brown, challenge established dichotomies such as ‘medicine and religion’, and examine relics, lay beliefs and the liturgical evidence of a saint’s cult, moving beyond the traditional focus on canonization. Medical history features prominently alongside other approaches; these clarify the contexts of our sources, and demonstrate the methodological vibrancy in this field.
A companion volume for the usage of medieval miracle collections as a source, offering versatile approaches to the origins, methods, and techniques of various types of miracle narratives, as well as fascinating case studies from across Europe.
This book explores how madness was defined and diagnosed as a condition of the mind in the Middle Ages and what effects it was thought to have on the bodies, minds and souls of sufferers. Madness is examined through narratives of miraculous punishment and healing that were recorded at the shrines of saints. This study focuses on the twelfth century, which has been identified as a ‘Medieval Renaissance’: a time of cultural and intellectual change that saw, among other things, the circulation of new medical treatises that brought with them a wealth of new ideas about illness and health. With the expanding authority of the Roman Church and the tightening of papal control over canonisation procedures in this period, historians have claimed that there was a ‘rationalisation’ of the miraculous. In miracle records, illnesses were explained using newly-accessible humoral theories rather than attributed to divine and demonic forces, as they had been previously. The first book-length study of madness in medieval religion and medicine to be published since 1992, this book challenges these claims and reveals something of the limitations of the so-called ‘medicalisation’ of the miraculous. Throughout the twelfth century, demons continue to lurk in miracle records relating to one condition in particular: madness. Five case studies of miracle collections compiled between 1070 and 1220 reveal that hagiographical representations of madness were heavily influenced by the individual circumstances of their recording and yet were shaped as much by hagiographical patterns that had been developing throughout the twelfth century as they were by new medical and theological standards.
Investigates the political and spiritual agenda behind monumental paintings of Christ's miracles in late Byzantine churches.
This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship. The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: The Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city’s site and history. By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.
Hagiography and the History of Latin Christendom, 500–1500 shows the historical value of texts celebrating saints—both the most abundant medieval source material and among the most difficult to use. Hagiographical sources present many challenges: they are usually anonymous, often hard to date, full of topoi, and unstable. Moreover, they are generally not what we would consider factually accurate. The volume’s twenty-one contributions draw on a range of disciplines and employ a variety of innovative methods to address these challenges and reach new discoveries about the medieval world that extend well beyond the study of sanctity. They show the rich potential of hagiography to enhance our knowledge of that world, and some of the ways to unlock it. Contributors are Ellen Arnold, Helen Birkett, Edina Bozoky, Emma Campbell, Adrian Cornell du Houx, David Defries, Albrecht Diem, Cynthia Hahn, Samantha Kahn Herrick, J.K. Kitchen, Jamie Kreiner, Klaus Krönert, Mathew Kuefler, Katherine J. Lewis, Giovanni Paolo Maggioni, Charles Mériaux, Paul Oldfield, Sara Ritchey, Catherine Saucier, Laura Ackerman Smoller, and Ineke van ‘t Spijker. See inside the book.
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
This volume aims at exploring the ancient roots of ‘holistic’ approaches in the specific field of medicine and the life sciences, without, however, overlooking the larger theoretical implications of these discussions. Therefore, the project plans to broaden the perspective to include larger cultural discussions and, in a comparative spirit, reach out to some examples from non Graeco-Roman medical cultures. As such, it constitutes a fundamental contribution to history of medicine, philosophy of medicine, cultural studies, and ancient studies more broadly. The wide-ranging selection of chapters offers a comprehensive view of an exciting new field: the interrogation of ancient sources in the light of modern concepts in philosophy of medicine, as justification of the claim for their enduring relevance as object of study and, at the same time, as means to a more adequate contextualisation of modern debates within a long historical process. Contributors are: Hynek Bartoš, Sean Coughlin, Elizabeth Craik, Brooke Holmes, Helen King, Giouli Korobili, David Leith, Vivian Nutton, Julius Rocca, William Michael Short, P. N. Singer, Konstantinos Stefou, Chiara Thumiger, Laurence Totelin, Claire Trenery, John Wee, Francis Zimmermann.
Miracles give hope to the hopeless and exemplify the intersection of the divine and the mundane. They have shaped world history and continue to influence us through their presence in films, television, novels, and popular culture. This encyclopedia provides a unique resource on the philosophical, historical, religious, and cross-cultural conceptions of miracles that cut across denominational lines. Multidisciplinary in approach, this informative yet entertaining encyclopedia covers major aspects of miraculous phenomena through more than 150 alphabetically arranged entries that document how humanity's belief in religious miracles over multiple places, periods, and faiths have affected society—even changed the course of history. Written for high school students and general readers, the coverage enables readers to learn about different civilizations and cultures, the controversies surrounding different beliefs, and the often uncomfortable engagement of religion with science. This single-volume book provides a one-stop ready-reference that addresses a broad variety of subject matter on miraculous phenomena and guides further investigations into the subject. Helpful illustrations and lucid explanations of the ancillary concepts associated with miraculous phenomena make learning about this topic more engaging. Readers will be able to link the doctrinal concepts, such as "grace" or "prayer," with the descriptions of miraculous events, especially those associated with saints or holy objects. The examination of the controversial aspects of different belief systems along with the book's balanced coverage of the interpretation of miracles will encourage students to weigh different explanations, thus fostering the development of their critical thinking skills.
Barbara Kaminska argues that visual imagery was central to premodern disability discourses and shows how interpretations of miracle stories served to justify expectations toward the impaired and the poor.