Download Free Contemporary World Fiction Book in PDF and EPUB Free Download. You can read online Contemporary World Fiction and write the review.

A user-friendly reference for English-language readers who are eager to explore contemporary fiction from around the world. Profiling hundreds of titles and authors from 1945 to today, with an emphasis on fiction published in the past two decades, this guide introduces the styles, trends, and genres of the world's literatures, from Scandinavian crime thrillers and cutting-edge Chinese works to Latin American narco-fiction and award-winning French novels. The book's critical selection of titles defines the arc of a country's literary development. Entries illuminate the fiction of individual nations, cultures, and peoples, while concise biographies sketch the careers of noteworthy authors. Compiled by M. A. Orthofer, an avid book reviewer and the founder of the literary review site the Complete Review, this reference is perfect for readers who wish to expand their reading choices and knowledge of contemporary world fiction. “A bird's-eye view of titles and authors from everywhere―a book overfull with reminders of why we love to read international fiction. Keep it close by.”—Robert Con Davis-Udiano, executive director, World Literature Today “M. A. Orthofer has done more to bring literature in translation to America than perhaps any other individual. [This book] will introduce more new worlds to you than any other book on the market.”—Tyler Cowen, George Mason University “A relaxed, riverine guide through the main currents of international writing, with sections for more than a hundred countries on six continents.”—Karan Mahajan, Page-Turner blog, The New Yorker
What people in North America learn about other cultures and countries is often filtered through Western perspectives and sensibilities. One way to get beyond that sometimes-one-dimensional view is to sample stories of other countries and cultures as told by people who live in those lands and speak their languages.
opinion, the Guide offers a discriminating - and sometimes controversial - view of a broad range of contemporary literatures.
This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott
We are in the midst of the third tectonic social transformation in human history. Our current transition toward greater forms of transnational interconnection, consumption- and finance-driven rather than production-based capitalism, digital information and cultural flows, and the attendant large-scale social and ecological consequences of these are drastically remaking our world, cultural producers from across the globe are seeking to make sense of, and provide insights into, these complex changes. Imagining Neoliberal Globalization in Contemporary World Fiction takes a broad cross-cultural approach to analyzing the literature of our increasingly transnationalized world system, considering how its key constituent features and local-level manifestations have been thematized and imaginatively seized upon by literary fiction produced from the perspective of the periphery of the capitalist world system. Textual renderings of globalization are not simply second-order approximations of it, but constitutive elements of globalization that condition how it will be understood and responded to, and so coming to terms with the narrativizations of globalization is vital scholarly work, as, among other things, it allows us to see to what extent it is currently possible to imagine alternatives to globalization’s more baleful aspects. This work will be of interest to students and scholars across a range of areas including contemporary literary/cultural studies, globalization studies, international relations, and international political economy.
Explores the implications of treating literature as art by putting narrative and philosophical approaches in conversation with cognitive science.
Between Worlds: An Anthology of Contemporary Fiction and Criticism offers excerpts from novels and short stories by some of the most important and established contemporary writers: Chimamanda Ngozi Adichie, Rebecca Brown, Ana Castillo, Michelle Cliff, Edwige Danticat, Rikki Ducornet, Louise Erdrich, Maxine Hong Kingston, Ha Jin, and Helena María Viramontes. Readers interested in one or more of these authors, and scholars interested in multicultural and transnational literatures, have the opportunity to look more deeply at cultural identity with regard to home, belonging, freedom, history, and memory because the characters embody the hybrid selves that are part and parcel of an often-conflicting world of cultural codes. Migrations, dislocations, displacements, exiles, and relocations are ever more frequently embodied in the world and, thus, through literature. Increased globalization has brought with it greater cultural hybridity and experiential interrogations of singular identity and accepted norms. The characters in Between Worlds embody the increasing number of individuals «between worlds.» Characters move between countries, between cultures, between languages, and across borders. The literary works included in this anthology, like the human beings and experiences conveyed in these works, cross and re-cross geographical and cultural borders. Close readings of the fiction writers by four contemporary scholars, Catherine Rainwater, Alwin Jones, Belinda Kong, and Lynne Diamond-Nigh, also press readers to examine identity politics, narrowly rendered social or political ideologies, the American Dream, and senses of rootedness or rootlessness on which survival may rely.
A compressed, visceral novel about exile, dislocation, and the emotional minefields between mothers and daughters.
An “exhilirating” novel of domestic terrorism in the gritty streets of 1980s New York from the National Book Award–finalist and author of Straight Cut (The New Yorker). As a staff photographer at Bellevue hospital in Manhattan, Clarence Dmitri Larkin is exposed to the fraying underbelly of New York City. Drawn in by the stories of the sick, the lost, and the insane, Larkin’s own dark impulses lead him through the streets of Brooklyn’s shadowy warehouse district. Increasingly isolated from the world around him, Larkin falls in with a disturbed cell of outcasts. Their ringleader, empowered by confused visions of grandeur and revolution, launches an outlandish scheme to plant an atomic bomb in the catacombs under Times Square. Narrated with unsettling plausibility, Bell’s debut novel demonstrates the remarkable literary skill celebrated in his later novels, such as Soldier’s Joy and The Year of Silence. With “real brilliance . . . full of fire . . . Bell provides promise: promise of his own talent and promise that young American writers are not all retreating from ‘big’ subjects” (The New York Times). “Every sentence [Bell] writes is a joy. His power is exhilarating.” —The New Yorker
"Illuminating." - The New York Times Book Review Named one of "Ten Books to Read this April" by the BBC What is the future of fiction in an age of globalization? In The Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Orhan Pamuk, Chimamanda Ngozi Adichie, Mohsin Hamid, Margaret Atwood, Haruki Murakami, Roberto Bolano, Elena Ferrante, and Michel Houellebecq. They are employing a way of imagining the world that sees different places and peoples as intimately connected. From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use 21st-century subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, deracinated, commercial product that many critics of world literature have accused it of being, but rather finds a way to renew the writer's ancient privilege of examining what it means to be human.