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You move away, but spend whole days thinking of your hometown. Up the hill, past the gravel pit, an Elvis impersonator is leaning on his parked car. On Memorial Day, you put flowers on your great grandmother's grave and spend an afternoon wondering about her life. In your sister's first apartment, there are terrible figures drawn on the walls with Sharpies. You take a figure drawing class and the model, a skinny blonde woman, opens her mail and cries while you draw her. You learn that your great grandmother was a widow, that her town was a community of widows, a whole street renamed in their honor: La Strada Delle Vedove, the Street of Widows. In Cassie Fancher's debut collection of stories, small town American women navigate grief and loss. Piecing together images from her own life, Cassie creates stories that prioritize not the trauma itself but the relationships these women find in order to survive. This collection, and the characters within, consider home from afar, from close up, from the past and the present.
A sweet holiday love story about the magic of synchronicity and fate set at a quaint Vermont inn during the week after Christmas. Emma can’t believe her luck when she finds an open pawn shop on Christmas Eve in Manhattan. She’s there to sell the beautiful bracelet her ex-boyfriend gave her when a familiar looking watch catches her eye. It’s the same engraved watch she gave her college boyfriend, Fletcher, years ago. On a whim, she trades the bracelet for the watch and wonders at the timing. Practical Emma thinks it’s just a coincidence, but her best friend Bronwyn believes it’s the magic of synchronicity that caused Emma to find the watch. Fletcher was the one that got away, and somehow Emma never quite moved on. When Bronwyn finds out that Fletcher is in snowy Vermont at a romantic inn for the week, she can’t help but give synchronicity a push. She signs Emma up to help the inn keeper as the children’s activity coordinator. Emma agrees that a week filled with quaint shops and maple syrup would do her good... and maybe Fate really does have a Christmas gift in store for her. That is until she sees Fletcher with his daughter and fiancée. Suddenly, the fairytale trip seems doomed to fail... much like the innkeeper’s dwindling cashflow. It will take a miracle to save her heart and the inn. And that just might be what Fate has in mind. Christmas in Vermont is a delightful and charming love story about the magic of second chances during the most festive time of year.
Lit from Within offers creative writers a window into the minds of some of America’s most celebrated contemporary authors. Witty, direct, and thought-provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.
Shirley Jackson Award Finalist: A “deeply compelling” literary thriller about two siblings and a man who could be the brother they never knew (George Saunders, #1 New York Times–bestselling author of Lincoln in the Bardo). Lydia and Lucas Moore are in their late twenties when a stranger enters their small world on Wolf Island. Lydia, the responsible sister, has cared for her pathologically shy brother ever since their mom’s death a decade before. They live, comfortable yet confined, in their family house by the sea, shadowed by events from their childhood. When Lydia sees the stranger step off the ferry, she feels an immediate connection. Lucas is convinced the man, Cole Anthony, is the reincarnation of their brother, who died as a baby. Cole knows their mannerisms, their home, the topography of the island—what else could that mean? Lydia is doubtful, but she can’t deny she is drawn to his magnetism, his energy, and his warmth. To discover the truth about Cole, Lydia must finally face her anxiety about leaving the island, and summon the strength to challenge Cole’s grip on her family’s past and her brother. “One of the best literary thrillers you’ll read this year.” —Cosmopolitan “Gault finesses the mechanics of her puzzle . . . an intriguing subtext about the infantilizing hazards of familial devotion.” —The New York Times Book Review “Taut, evocative . . . shows us what binds us to places and what sets us free.” —The Boston Globe “Quietly chilling . . . A suspenseful meditation on the many ways in which the past, consciously or not, shapes the present, the novel flirts with fantasy but ultimately stays grounded in the elemental realities of wind, tides, and the eroding foundations of memory.” —Booklist “Reminds me of Karen Russell, Donna Tartt, Gillian Flynn, and Marilynne Robinson all at once . . . a monster debut.” —Daniel Torday, author of The Last Flight of Poxl West Longlisted for the Center for Fiction First Novel Prize
In this heartwarming, feel-good novel, a snowstorm brings a cast of very different characters together at a sleepy New England inn, just in time for Christmas—and maybe even in time for a Christmas miracle. A New England inn seems like the picture-perfect place to spend the holidays. But when a snowstorm shuts the roads and keeps them all inside, the guests find themselves worrying that this Christmas may not be exactly what they dreamed of. Molly just needs to keep her head down and finish her latest book, but her writer’s block is crippling. The arrival of Marcus, a handsome widower with two young girls, is exactly the distraction she doesn’t need. Hannah was hoping for a picturesque winter wedding, but her plans come crashing down when her fiancé calls everything off. She reconnects with her childhood friend, Luke, when he comes to check on his grandmother before the storm. Jeanne and Tim don’t know how they’re going to keep the inn open another year—or how to bridge the distance between them in their marriage. With a flurry of unexpected guests, they’ll have to work together to fix all the problems that crop up. But will it be enough to rekindle their relationship? With faith, and a little bit of Christmas magic, the inn—and its inhabitants—might just make it through the holidays after all in this “beautiful story about strangers becoming friends…and having an unexpectedly joyous time” (Publishers Weekly).
In this evocative first novel, a young woman returns to her rural Vermont hometown in the wake of a devastating storm to search for her missing mother and unravel a powerful family secret It’s August 2011, and Tropical Storm Irene has just wreaked havoc on Vermont, flooding rivers and destroying homes. One thousand miles away—while tending bar in New Orleans—Vale receives a call and is told that her mother, Bonnie, has disappeared. Despite a years-long estrangement from Bonnie, Vale drops everything and returns home to look for her. Though the hometown Vale comes back to is not the one she left eight years earlier, she finds herself falling back into the lives of the family she thought she’d long since left behind. As Vale begins her search, the narrative opens up and pitches back and forth in time to follow three generations of women—a farming widow, a back-to-the-land dreamer, and an owl-loving hermit—as they seek love, bear children, and absorb losses. All the while, Vale’s search has her unwittingly careening toward a family origin secret more stunning than she ever imagined. Written with a striking sense of place, Heart Spring Mountain is an arresting novel about returning home, finding hope in the dark, and of the power of the land—and the stories it harbors—to connect and to heal. It’s also an absorbing exploration of the small fractures that can make families break-and the lasting ties that bind them together.
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland’s History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover’s shelves.
“A sublime anthology” of essays, memoirs, stories and careful considerations from 66 writers riffing on a single word (Publishers Weekly, starred review). In this darb collection, Molly McQuade asks the question all writers love to answer: what one word means the most to you, thrills you, or sets your teeth on edge? And why? Writers respond with a wild gallimaufry of their choosing, from ardor to bitchin’ to thermostat to wrong and very. There is corn, also—not the vegetable but the idea, defining cultural generations; solmizate, meaning to sing an object into place; and delicious slang, such as dassn’t. Composed as expository or lyric essays, zinging one-liners, extended quips, jeremiads, etymological adventures, or fantastic romps, the writings address not only English words but also a select few from French, German, Japanese, Quechua, Basque, Igbo, and others. Fascinating, funny, and ingeniously curated from critics, novelists, translators, poets, and academics, “the words profiled here have a new trace of meaning, warmth, and a time-worn glow” (John Morse, publisher of Merriam-Webster, Inc.)