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The concept of a 'return to Europe' has been integral to the movement for Ukrainian national rebirth since the nineteenth century. While the goal of a more fully reformed politics remains elusive, numerous expressions of Ukrainian culture continue to develop in the European spirit. This wide-ranging book explores Ukraine's European cultural connection, especially as it has been reestablished since the country achieved independence in 1991. The contributors discusses many aspects of Ukraine's contemporary culture - history, politics, and religion in Part I; literary culture in Part II; and language, popular culture, and the arts in Part III. What emerges is a fascinating picture of a young country grappling with its divided past and its colonial heritage, yet asserting its voice and preferences amid the diverse and at times conflicting realities of the contemporary political scene. Europe becomes a powerful point of reference, a measure against which the situation in post-independence Ukraine is gouged and debated. This framework allows for a better understanding of the complexities deeply ingrained in the social fabric of Ukrainian society.
Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.
Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine’s relationship with Europe and its role the continent’s historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.
Essays on how chaos, totalitarianism, and trauma have shaped Ukraine’s culture: “A milestone of the scholarship about Eastern European politics of memory.” —Wulf Kansteiner, Aarhus University In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and “memory wars.” How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.
What are the reasons behind, and trajectories of, the rapid cultural changes in Ukraine since 2013? This volume highlights: the role of the Revolution of Dignity and the Russian-Ukrainian war in the formation of Ukrainian civil society; the forms of warfare waged by Moscow against Kyiv, including information and religious wars; Ukrainian and Russian identities and cultural realignment; sources of destabilization in Ukraine and beyond; memory politics and Russian foreign policies; the Kremlin’s geopolitical goals in its 'near abroad'; and factors determining Ukraine’s future and survival in a state of war. The studies included in this collection illuminate the growing gap between the political and social systems of Ukraine and Russia. The anthology illustrates how the Ukrainian revolution of 2013–2014, Russia’s annexation of the Crimean peninsula, and its invasion of eastern Ukraine have altered the post-Cold War political landscape and, with it, regional and global power and security dynamics.
By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger female literary peers.
The contributors to this collection explore the multidimensional transformation of independent Ukraine and deal with her politics, society, private sector, identity, arts, religions, media, and democracy. Each chapter reflects the up-to-date research in its sub-discipline, is styled for use in seminars, and includes a bibliography as well as a recommended reading list. These studies illustrate the deep changes, yet, at the same time, staggering continuity in Ukraine’s post-Soviet development as well as various counter-reactions to it. All nine chapters are jointly written by two co-authors, one Ukrainian and one Western, who respond here to recent needs in international higher education. The volume’s contributors include, apart from the editors: Margarita M. Balmaceda (Seton Hall University), Oksana Barshynova (Ukrainian National Arts Museum), Tymofii Brik (Kyiv School of Economics), José Casanova (Georgetown University), Diana Dutsyk (Kyiv-Mohyla Academy), Marta Dyczok (University of Western Ontario), Hennadii Korzhov (Kyiv Polytechnic Institute), Serhiy Kudelia (Baylor University), Pavlo Kutuev (Kyiv Polytechnic Institute), Olena Martynyuk (Columbia University), Oksana Mikheieva (Ukrainian Catholic University), Tymofii Mylovanov (University of Pittsburgh), Andrian Prokip (Ukrainian Institute for the Future), Oxana Shevel (Tufts University), Ilona Sologoub (Kyiv School of Economics), Maksym Yenin (Kyiv Polytechnic Institute), and Yuliya Yurchenko (University of Greenwich).
Winner of the 2019 Omeljan Pritsak Book Prize in Ukrainian Studies. Ukraine's Quest for Identity: Embracing Cultural Hybridity in Literary Imagination, 1991–2011 is the first study that looks at the literary process in post-independence Ukraine comprehensively and attempts to draw the connection between literary production and identity construction. In its quest for identity Ukraine has followed a path similar to other postcolonial societies, the main characteristics of which include a slow transition, hybridity, and identities negotiated on the center-periphery axis. This monograph concentrates on major works of literature produced during the first two decades of independence and places them against the background of clearly identifiable contexts such as regionalism, gender issues, language politics, social ills, and popular culture. It also shows that Ukrainian literary politics of that period privileges the plurality and hybridity of national and cultural identities. By engaging postcolonial discourse and insisting that literary production is socially instituted, Maria G. Rewakowicz explores the reasons behind the tendency toward cultural hybridity and plural identities in literary imagination. Ukraine’s Quest for Identity will appeal to all those keen to study cultural, social and political ramifications of the collapse of the Soviet empire in Eastern Europe and beyond.
In the wake of Russia’s annexation of Crimea, this volume examines the relationship Russia has with its so-called ‘compatriots abroad’. Based on research from Belarus, Estonia, Kazakhstan, Latvia and Ukraine, the authors examine complex relationships between these individuals, their home states, and the Russian Federation. Russia stands out globally as a leading sponsor of kin-state nationalism, vociferously claiming to defend the interests of its so-called diaspora, especially the tens of millions of ethnic Russians and Russian speakers who reside in the countries that were once part of the Soviet Union. However, this volume shifts focus away from the assertive diaspora politics of the Russian state, towards the actual groups of Russian speakers in the post-Soviet space themselves. In a series of empirically grounded studies, the authors examine complex relationships between ‘Russians’, their home-states and the Russian Federation. Using evidence from Belarus, Estonia, Kazakhstan, Latvia, and Ukraine, the findings demonstrate multifaceted levels of belonging and estrangement with spaces associated with Russia and the new, independent states in which Russian speakers live. By focusing on language, media, politics, identity and quotidian interactions, this collection provides a wealth of material to help understand contemporary kin-state policies and their impact on group identities and behaviour. The chapters in this book were originally published as a special issue of Europe-Asia Studies.
To migrate or not to migrate: that is the question. This book discusses migration in the highly topical context of Ukraine, and explores the imaginations, life-stories, aspirations and life-projects of people in Ukraine through a consideration of Ukrainian migration to the European Union (EU) from the perspective of the sending-country. Building on the existing literature and drawing on a rich variety of empirical data and field research, this text addresses migration by Ukrainian nationals into the EU, and how and why people leave or stay in Ukraine. The book also considers questions of subjectivity, the self and the construction of narratives, and contributes more widely to the significant academic and policy debates surrounding Ukrainian migration in the EU.