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Provides a comprehensive overview of the political and economic developments in Panama from 1980 to the present day.
This catalogue focuses on painting from 1968 with its great social, political, and aesthetic changes and the beginning of a military dictatorship that would last until the return of democracy in 1989. Each of the artists expresses his or her own identity as a Panamanian. Nevertheless, there is a cohesiveness to their art, each painter representing an important element in the highly textured, nuanced perspective of contemporary painting in Panama.
High school and public libraries will find this volume a welcome addition to reference book shelves. Engagingly written, this comprehensive volume gives students an overview of contemporary life in Panama-what religions are practiced, what the cuisine is consumed on a day-to-day basis, and what people wear in urban and rural settings, among many other topics. Modern literature, media outlets, gender issues, education, visual arts, and performing arts are also covered. While the focus is on current customs and contemporary culture, readers will also gain insight into Panama's unique relationship with the United States, which has been turbulent in the past at best. Students studying international politics, anthropology, world culture, and current events will find this to be a useful resource. This volume explores contemporary culture in Panama, a melting pot deep in the heart of Central America. Thanks to the construction of the Panama Canal and the need for laborers, Panama's culture today is teeming with influences from ethnicities from around the world, including American Indian, Chinese, West Indian, Greek, and French. High school and public libraries will find this volume a welcome addition to reference book shelves. Engagingly written, this comprehensive study gives students an overview of contemporary life in Panama-what religions are practiced, what the cuisine is consumed on a day-to-day basis, and what people wear in urban and rural settings, among many other topics. Modern literature, media outlets, gender issues, education, visual arts, and performing arts are also covered. While the focus is on current customs and contemporary culture, readers will also gain insight into Panama's unique relationship with the United States, which has been turbulent in the past at best. Students studying international politics, anthropology, world culture, and current events will find this to be a useful resource.
Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renée Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama--the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism.
An anthropological analysis of the importance of meetings in Kuna village-level politics.
Panama is an ethnically diverse country with a recent history of political conflict which makes the representation of historical memory an especially complex and important task for the country’s museums. This book studies new museum projects in Panama with the aim of identifying the dominant narratives that are being formed as well as those voices that remain absent and muted. Through case analyses of specific museums and exhibitions the author identifies and examines the influences that form and shape museum strategy and development.
The southernmost country in Central America, Panama is located on the Isthmus of Panama, the narrow land bridge that connects North and South America. Approximately the size of South Carolina, Panama is a tropical nation known for its natural beauty, diverse plant and animal life, and vibrant music and culture. Once a part of Colombia, Panama left its neighbor to the east when Colombia rejected a U.S.-led plan to build a canal linking the Atlantic and Pacific oceans. Today, more than 14,000 ships pass through the Panama Canal each year, carrying more than 200 million tons of cargo. Complete with full-color photographs and maps, Panama delves into the history, culture, economy, government, and geography of the land referred to as The Bridge of the World.
The Panama Canal was the costliest undertaking in history; its completion in 1914 marked the beginning of the “American Century.” Panama Fever draws on contemporary accounts, bringing the experience of those who built the canal vividly to life. Politicians engaged in high-stakes diplomacy in order to influence its construction. Meanwhile, engineers and workers from around the world rushed to take advantage of high wages and the chance to be a part of history. Filled with remarkable characters, Panama Fever is an epic history that shows how a small, fiercely contested strip of land made the world a smaller place and launched the era of American global dominance.