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*Shortlisted for the 2018 Book Award in Social Sciences of the Central Eurasian Studies Society* Rewriting the Nation in Modern Kazakh Literature is a book about cultural transformations and trajectories of national imagination in modern Kazakhstan. The book is a much-needed critical introduction and a comprehensive survey of the Kazakh literary production and cultural discourses on the nation in the twentieth and twenty first centuries. In the absence of viable and open forums for discussion and in the turbulent moments of postcolonial and cultural transformation under the Soviets, the Kazakh writers and intellectuals widely engaged with the national identity, heritage and genealogy construction in literature. This active process of national canon construction and its constant re-writing throughout the twentieth century will inform the readers of the complex processes of cultural transformations in forms, genres and texts as well as demonstrating the genealogical development of the national narrative. The main focus of this book is on the cultural production of the nation. The focus is on the narratives of historical continuities produced in the literature and cultural discontinuities and inter-elite competition which inform such production. The development of Kazakh literary production is an extremely interesting yet underrepresented field of study. Since the late nineteenth century it saw a rapid transformation from the traditional oral to print literature. This brought an unprecedented shift in genres and texts production as well as a rapid growth of the ‘writing’ class – urban colonial and first generations of Soviet intelligentsia. Kazakh literary production became the flagman of republic’s rapid cultural modernization and prior to the World War II local publishing industry produced up to 6 million print copies a year. By the 1960s and 1970s – the golden era of Kazakh literature, the most read literary journal Juldyz sold 50,000 copies all over the country. Literature became the mass provider of knowledge about the past, the present and of the future of the country. Because “Kazakh readers were hungry to find out about their pre-Soviet past and its national glory” national writers competed in genres, styles and ways to write out the nation in prose, poems, essays and historical novels.
An anthology of Kazakh poetry from the 20th and 21st centuries.
Featuring first-time translations of numerous examples of modern Kazakh literature for publication in the USA, this anthology provides excellent examples of literary life in both Soviet and post-Soviet Kazakhstan, and introduces readers to the rich literary traditions of the region. The materials introduce the rich literary heritage of Kazakhstan, which is a part of the unique prose and poetry traditions of the Central Asia steppes and Eurasia. The selected readings will enhance the understanding of unique nomadic culture and Central Asian universe of the great Eurasia Steppe, which, in the words of British Chancellor George Curzon, has ""charms for the historian, the archeologist, the man of science ...."" The Stories of the Great Steppe was designed as an a supplementary reader and textbook for students and general public studying 20th century Eastern European, Russian, and Central Asian literature, culture, and intellectual history. It can be used in courses on Slavic literature, Russian and Soviet literature, Russian cultural history, World History, and the History of World Civilizations.
A haunting Russian tale about the environmental legacy of the Cold War. Yerzhan grows up in a remote part of Soviet Kazakhstan where atomic weapons are tested. As a young boy he falls in love with the neighbour's daughter and one evening, to impress her, he dives into a forbidden lake. The radioactive water changes Yerzhan. He will never grow into a man. While the girl he loves becomes a beautiful woman. Why Peirene chose to publish this book: 'Like a Grimm's fairy tale, this story transforms an innermost fear into an outward reality. We witness a prepubescent boy's secret terror of not growing up into a man. We also wander in a beautiful, fierce landscape unlike any other we find in Western literature. And by the end of Yerzhan's tale we are awe-struck by our human resilience in the face of catastrophic, man-made, follies.' Meike Ziervogel 'A haunting and resonant fable.' Boyd Tonkin, Independent 'A tantalising mixture of magical and grim realism . . . a powerful study of alienation and environmental catastrophe.' David Mills, Sunday Times 'A poetic masterpiece, a novella of shocking legacies, alien beauty and blistering emotional intensity'. Pam Norfolk, Lancashire Evening Post 'A writer of immense poetic power.' Kapka Kassabova, Guardian Elizabeth Buchan, Daily Mail 'This superb novella . . . reads like a modern fairy-tale, full of a surreal yet mundane horror.' Lesley McDowell, Independent on Sunday 'Central Asian storytelling at its best.' Marion James, Today's Zaman LONGLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2015 INDEPENDENT BOOKS OF THE YEAR 2014 GUARDIAN READERS' BOOKS OF THE YEAR 2014
Kazakh: A Comprehensive Grammar is the first thorough analysis of Kazakh to be published in English. The volume is systematically organized to enable users to find information quickly and easily, and provides a thorough understanding of Kazakh grammar, with special emphasis given to syntax. Features of this book include: descriptions of phonology, morphology and syntax; examples from contemporary usage; tables summarizing discussions, for reference; a bibliography of works relating to Kazakh. Kazakh: A Comprehensive Grammar reflects the richness of the language, focusing on spoken and written varieties in post-Soviet Kazakhstan. It is an essential purchase for all linguists and scholars interested in Kazakh or in Turkic languages as well as advanced learners of Kazakh.
" . . . a rewarding book." —Times Literary Supplement Set in the vast windswept Central Asian steppes and the infinite reaches of galactic space, this powerful novel offers a vivid view of the culture and values of the Soviet Union's Central Asian peoples.
"Here is a rare book. It is the first-person story of Mukhamet Shayakhmetov, born into a family of nomadic Kazakh herdsmen in 1922, the year of the consolidation of Soviet rule across his people's vast steppe-land in central Asia, specifically eastern Kazakhstan." "Thus was brought to an end, with dread ideological ruthlessness, a way of life of sanctified interdependence between man and nature. Designated as a kulak, Mukhamet's father was imprisoned as 'an enemy of the people', and his family were stripped of all possessions, including livestock, and ostracised." "Collectivisation of agriculture was forcibly imposed, and famine ensued. In the years 1932-34 alone, well over a million Kazakhs died: more than a quarter of the indigenous population across a territory as great as western Europe. Of all this, the outside world knew - or chose to know - nothing." "Somewhat as Wild Swans laid bare the truth of Mao's China, so The Silent Steppe awakens the reader to the scale of suffering of millions in Soviet central Asia under Stalin." "Shayakhmetov takes his story to his recruitment in the Red Army, his wounding at Stalingrad, and his long trek home as a discharged solider at the age of 21. He is today in his mid-eighties."--BOOK JACKET.
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
This social and cultural analysis provides a new understanding of Kazakhstan’s younger generations that emerged during the rule of Nursultan Nazarbayev, who has been presiding over Kazakhstan for the thirty years since the collapse of the Soviet Union. Half of Kazakhstan’s population was born after he took power and have no direct memory of the Soviet regime. Since the early 2000s, they have lived in a world of political stability and relative material affluence, and have developed a strong consumerist culture. Even with growing government restrictions on media, religion, and formal public expression, they have been raised in a comparatively free country. This book offers the first collective study of the “Nazarbayev Generation,” illuminating the diversity of the country’s younger generations and the transformations of social and cultural norms that have taken place over the course of three decades. The contributors to this collection move away from state-centric, top-down perspectives in favor of grassroots realities and bottom-up dynamics in order to better integrate sociological data.
The Hungry Steppe examines one of the most heinous crimes of the Stalinist regime, the Kazakh famine of 1930–33. More than 1.5 million people perished in this famine, a quarter of Kazakhstan's population, and the crisis transformed a territory the size of continental Europe. Yet the story of this famine has remained mostly hidden from view. Drawing upon state and Communist party documents, as well as oral history and memoir accounts in Russian and in Kazakh, Sarah Cameron reveals this brutal story and its devastating consequences for Kazakh society. Through the most violent of means the Kazakh famine created Soviet Kazakhstan, a stable territory with clearly delineated boundaries that was an integral part of the Soviet economic system; and it forged a new Kazakh national identity. But this state-driven modernization project was uneven. Ultimately, Cameron finds, neither Kazakhstan nor Kazakhs themselves were integrated into the Soviet system in precisely the ways that Moscow had originally hoped. The experience of the famine scarred the republic for the remainder of the Soviet era and shaped its transformation into an independent nation in 1991. Cameron uses her history of the Kazakh famine to overturn several assumptions about violence, modernization, and nation-making under Stalin, highlighting, in particular, the creation of a new Kazakh national identity, and how environmental factors shaped Soviet development. Ultimately, The Hungry Steppe depicts the Soviet regime and its disastrous policies in a new and unusual light.