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Contemporary Jewish Writing in Hungaryfeatures works by twenty-four of Hungary?s best writers who have written about what it means to be Jewish in post-Holocaust Eastern Europe. This volume includes work by Nobel Prize winner Imre Kertäsz and other internationally known writers such as Gy”rgy Konr¾d and Päter N¾das, but most of the authors appear here in English for the first time. This anthology features poetry, long and short stories, and excerpts from memoirs and novels by postwar writers. Some of these authors were well known in Hungary before World War II, some were children or adolescents during the war and began publishing in the 1970s, some were born to survivors in the years immediately following the war and grew up during the decades of Communist rule, while others started publishing chiefly after the fall of Communism in 1989. ø Unique among Eastern European countries, Hungary still has a large and visible Jewish population, many of them writers and intellectuals living in Budapest. This anthology introduces English-speaking readers to outstanding works of literature that show the wide range of responses to Jewish identity in contemporary Hungary. The editors? introduction provides a historical and critical context for these works and discusses the important role of Jews in Hungarian culture from the late nineteenth century to the present.
With contributions from a dozen American and European scholars, this volume presents an overview of Jewish writing in post--World War II Europe. Striking a balance between close readings of individual texts and general surveys of larger movements and underlying themes, the essays portray Jewish authors across Europe as writers and intellectuals of multiple affiliations and hybrid identities. Aimed at a general readership and guided by the idea of constructing bridges across national cultures, this book maps for English-speaking readers the productivity and diversity of Jewish writers and writing that has marked a revitalization of Jewish culture in France, Germany, Austria, Italy, Great Britain, the Netherlands, Hungary, Poland, and Russia.
This book examines Jewish writers and intellectuals in Austria, analyzing filmic and electronic media alongside more traditional publication formats over the last 25 years. Beginning with the Waldheim affair and the rhetorical response by the three most prominent members of the survivor generation (Leon Zelman, Simon Wiesenthal and Bruno Kreisky) author Andrea Reiter sets a complicated standard for ‘who is Jewish’ and what constitutes a ‘Jewish response.’ She reformulates the concepts of religious and secular Jewish cultural expression, cutting across gender and Holocaust studies. The work proceeds to questions of enacting or performing identity, especially Jewish identity in the Austrian setting, looking at how these Jewish writers and filmmakers in Austria ‘perform’ their Jewishness not only in their public appearances and engagements but also in their works. By engaging with novels, poems, and films, this volume challenges the dominant claim that Jewish culture in Central Europe is almost exclusively borne by non-Jews and consumed by non-Jewish audiences, establishing a new counter-discourse against resurging anti-Semitism in the media.
Publisher Description
The studies presented in the collected volume Comparative Hungarian Cultural Studies— edited by Steven Totosy de Zepetnek and Louise O. Vasvari—are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siecle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siecle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media.
This book brings together for the first time the works of Jewish authors writing in Swedish, who describe the special circumstances confronting Jews in the twentieth century in Sweden and Scandinavia. During the Second World War, Sweden?s small, long-established, and well-assimilated Jewish community was never subject to the open and ultimately fatal ethnic identification that most European Jews suffered. Older and middle-aged Swedish-born Jewish authors tend to think of themselves only as Swedes. Within the last few decades, however, Sweden has become an immigrant country, and a younger generation writes from a different perspective. Twenty of the twenty-two authors represented in this anthology are still very active, and many of the pieces were written in the last fifteen years. Each work chosen illustrates some aspect of Jewish identity in Sweden, either today or in the course of a century in which Sweden played a crucial, controversially neutral role in a war that had a catastrophic impact on Europe and led to the near-annihilation of the European Jews. This volume provides the complex historical framework in which these events occurred and elucidates the role played by the largest Scandinavian country within it. Contemporary Jewish Writing in Sweden brings together superb work by major writers in one of Europe's foremost national literatures and includes the first English translation of an excerpt from Peter Weiss's recently discovered 1957 Swedish novel.
This familiar guide to information resources in the humanities and the arts, organized by subjects and emphasizing electronic resources, enables librarians, teachers, and students to quickly find the best resources for their diverse needs. Authoritative, trusted, and timely, Information Resources in the Humanities and the Arts: Sixth Edition introduces new librarians to the breadth of humanities collections, experienced librarians to the nature of humanities scholarship, and the scholars themselves to a wealth of information they might otherwise have missed. This new version of a classic resource—the first update in over a decade—has been refreshed to account for the myriad of digital resources that have rewritten the rules of the reference and research world, and been expanded to include significantly increased coverage of world literature and languages. This book is invaluable for a wide variety of users: librarians in academic, public, school, and special library settings; researchers in religion, philosophy, literature, and the performing and visual arts; graduate students in library and information science; and teachers and students in humanities, the arts, and interdisciplinary degree programs.
The Holocaust in Hungary provides a comprehensive documentary account of one of the most brutal and effective killing campaigns in history. After Nazi Germany took control of Hungary late in World War II, Jews were rounded up with unprecedented speed and sent directly to Auschwitz. They would form the largest group of victims who perished in that camp. The complex interplay between German and Hungarian actors brought about the annihilation of a once-thriving Jewish community and the murder of hundreds of thousands of Jewish men, women, and children. The authors present extensive reports, testimonies, and other primary sources of these events accompanied by in-depth commentary that spans the years from the late 1930s to the fractured political landscape of postwar Hungary.
Despite the Holocaust's profound impact on the history of Eastern Europe, the communist regimes successfully repressed public discourse about and memory of this tragedy. Since the collapse of communism in 1989, however, this has changed. Not only has a wealth of archival sources become available, but there have also been oral history projects and interviews recording the testimonies of eyewitnesses who experienced the Holocaust as children and young adults. Recent political, social, and cultural developments have facilitated a more nuanced and complex understanding of the continuities and discontinuities in representations of the Holocaust. People are beginning to realize the significant role that memory of Holocaust plays in contemporary discussions of national identity in Eastern Europe. This volume of original essays explores the memory of the Holocaust and the Jewish past in postcommunist Eastern Europe. Devoting space to every postcommunist country, the essays in Bringing the Dark Past to Light explore how the memory of the "dark pasts" of Eastern European nations is being recollected and reworked. In addition, it examines how this memory shapes the collective identities and the social identity of ethnic and national minorities. Memory of the Holocaust has practical implications regarding the current development of national cultures and international relationships.
This anthology features a diverse and compelling array of writings from prominent Jewish authors in Germany today. The writers included here-Katja Behrens, MaximøBiller, Esther Dischereit, and Barbara Honigmann-did not experience the Holocaust firsthand, though their works continually explore the meaning of it as it is remembered and forgotten in contemporary Germany. From different perspectives these authors offer incisive reflections on German-Jewish relations today. They wrestle in particular with the strangeness of living in a country where unencumbered relationships between Germans and Jews are rare. Also surfacing in their writings are the many foundations and challenges to modern Jewish identity in Germany, including the vicissitudes of gender roles, and the experience of emigration, intergenerational conflict, and sexuality. Contemporary Jewish Writing in Germany not only features a set of engaging stories but also encourages a deeper understanding of the experiences of Jews in Germany today.